this is for the sound-in event "Unheard improvisation playing event."
I did not listen to the sounds and randomly picked the presets and settings on the supernova II --- I was just blindly looking at the levels in audacity as it was recording --
the submission for the sound-in event Groove--- I have taken my voice and some synth samples mixed them in novations iPad app LaunchPad- so as using the voice samples in loops not too groovin but anyway---
I have mashed Shane Cadman and Chris Vaisvil and myself. this is a neat mix -- I took Shane Cadman's song here and then with Chris's mandolin work I stretched it out to match the length of Shane's Song as well as doing the same with two drum…
this is a Harold Budd tribute in memory of .. I had been listening to Harold since mid 80’s with pearl and ambient 2 when they came out about. I had a girl friend at the time going to Juilliard taking an elective electronic music class she told…
this is a Harold Budd tribute in memory of .. I had been listening to Harold since mid 80’s with pearl and ambient 2 when they came out about. I had a girl friend at the time going to Juilliard taking an elective electronic music class she told…
http://www.illustriousmusic.com/mp3s/Piece100220.mp3
this song by Shane Cadman
mixed with this song my Kävin Allenson
https://alonetone.com/kavin/tracks/moontowers
Kävin's piece had the tempo slowed down to match the length of Shane's…
yeah the supernova II has very powerful beat creation tools.. like a-h letters of preprogrammed drum mappings going on— and a way to work with them I have never bothered with being a zero beat kind of person– so I took a little time out to put…
yeah the supernova II has very powerful beat creation tools.. like a-h letters of preprogrammed drum mappings going on— and a way to work with them I have never bothered with being a zero beat kind of person– so I took a little time out to put…
yeah the supernova II has very powerful beat creation tools.. like a-h letters of preprogrammed drum mappings going on— and a way to work with them I have never bothered with being a zero beat kind of person– so I took a little time out to put…
the first Acid pro 10 stuff where I rework a recent work using the stretch effect and algorithms
this is the original work here
https://alonetone.com/acid/tracks/process+on+1
this is the selection that resulted in stretching, in high resolution…
thanks Chris.. :) the acid 10 process used to stretch this section of sound,, is just intense. --- and the section is where the sound is growing ,, and increasing.
OK I looked at this thinking --- 17 minute song.. well I will surf the net some.. do the fb thing.. but dag it is too intense for that.. it is that I needed to type about the song not surf.. --- yeah this is great.-excellent changes after echoes into new echoes well done. These high squeeks are like splintering thru the effects of the delays ,, really then into the dronesk like dreamings.. Incredible (I added that word to my dictionary = Dronesk)
very off odds with itself something that would be close to impossible for me to even consider playing ... let alone improvising OMG--- how mmmm however you make your hands and fingers do that ,,, wow. it is more than interesting like on the levels of excitement and amazement === woe--and full circle back to the original stylings you started with -- :)
I am just going to paste what I posted about this song on fb here.--- OK wow it is enough that I never get chills from music I am listening to the first time.. because I don't know the song.. ---- minute two or two and a half chills ran up and down my spine. and again-- at minute 5:25 this is really stand alone work of greatness.=== wow.
This started as a test for a removable piezo pickup I got for my baritone ukulele. I was using my current Pure Data looping and oscillator patch and continued layering 6 loops off my first test and got into the groove. I added in two oscillators…
Nice scratching till that subsides to clear water..
I am glad you were able to do something with the metronome beeping it’s something that I have difficulty with... I always turn it off,,, when I forget,, I am really confused as my personal personality like drummer has his own kinda abstract timing that usually conflicts with anything organized like say regular beats...
All I Can do is Try
Move towards my window,
try to get out.
It will not open,
I got a clue what it's about.
I have it on good authority,
I may not be the best…
great. the created architecture in this work is amazing. -- I am really tense about how you are going to end the work..? the echoes is nice. at the pre-end
just the fact you put this image in the song post confirms your developer status.. --- How would I do that? Ok and is this a work in progress with the slider bar to be some kind of effect to the song? that would be neat.. great song.
Created from ongoing trying to improve a Pure Data performance patch for live. This was 5 test voice samples pitched up slightly and mixed live with 2 oscillators pitched at 222 and 242 and 2 noise generators.
the controls to the acapella voices is a really interesting concept ,,, I will have to wait for this PD performance.. algorithm ,, to grow ,,, I am looking forward to these new experiments and enjoying where the process is now.
Comments on Newbold's stuff
Cool soundscape. Is that analog synth?
Wild, Bill! Like falling in a vortex and the heartbeat I didn't note on first listen!
Great vibe here! Spacey and reflective. I once also used a heart beat through a song...it really creates an intense feeling.
This feels like the soundtrack for yet-to-be-made sci-fi movie. With claymation aliens.
How crazy, I felt in another dimension, I like it!
unheard midi created performance--- using various presets and editing the midi and sound
Very unusual piece, and especially for your typical very thick wall of sound collages. Very good, I enjoyed the piece!
thanks Jim-
Liquid space Bill, fluid and magical!
This an impressive combination!
like John Luther Adams in a way :) inventive with simplicity and I like where you transition to 'be the .... Bill
Very cool, crazy and well crafted and out of the box just like I like it...
Thank you for putting this together! Sounds great!
!!!! such a mood!
this is really great!
Very interesting vibe to it, like a haunted wasteland. never heard piano like this before.
Wonderful!!!
Thanks Din --- I saw you put up some new music here,.. and logged in .. good to see you back --- it has been a while since seeing you on here.---
make that 2:50
I love the drumming that starts around 3:00 :)
Comments made by Newbold
thanks Chris.. :) the acid 10 process used to stretch this section of sound,, is just intense. --- and the section is where the sound is growing ,, and increasing.
OH wow.. favorite --- added to my favorites =--=
OK I looked at this thinking --- 17 minute song.. well I will surf the net some.. do the fb thing.. but dag it is too intense for that.. it is that I needed to type about the song not surf.. --- yeah this is great.-excellent changes after echoes into new echoes well done. These high squeeks are like splintering thru the effects of the delays ,, really then into the dronesk like dreamings.. Incredible (I added that word to my dictionary = Dronesk)
very off odds with itself something that would be close to impossible for me to even consider playing ... let alone improvising OMG--- how mmmm however you make your hands and fingers do that ,,, wow. it is more than interesting like on the levels of excitement and amazement === woe--and full circle back to the original stylings you started with -- :)
I am just going to paste what I posted about this song on fb here.--- OK wow it is enough that I never get chills from music I am listening to the first time.. because I don't know the song.. ---- minute two or two and a half chills ran up and down my spine. and again-- at minute 5:25 this is really stand alone work of greatness.=== wow.
Cool just really cool guitar solos..
Good sounds and playing...it’s detached concept is great.. the effects at the end have a neat quality to them.
I, have to say it. Since you’re in the groove, it’s happening really groovy.. keep doing these Jim! With a groove like that don’t stop..
Nice scratching till that subsides to clear water.. I am glad you were able to do something with the metronome beeping it’s something that I have difficulty with... I always turn it off,,, when I forget,, I am really confused as my personal personality like drummer has his own kinda abstract timing that usually conflicts with anything organized like say regular beats...
I see three. 7 minute sectioned parts layered setting to left right center... in the next edit of this? What do you think Chris?
I seriously like the progress in these constructions..it’s really developing into new music.
almost sounds like All I can do is cry.. but I see the lyrics.. --- I know it is not that
parrot and voice training is .. so intertwined from like so so long ago ---
starlight is God's light and God's light is everywhere because everywhere is home... The reaction to the lyrics I have. --- thank you Chris
the chimes .. excellent like echoes of the wind in the window .. time is going on.
the guitar work is classic stuff... ===
excellent quality for ca. 1980 dag.. intense lyrics ..
great. the created architecture in this work is amazing. -- I am really tense about how you are going to end the work..? the echoes is nice. at the pre-end
just the fact you put this image in the song post confirms your developer status.. --- How would I do that? Ok and is this a work in progress with the slider bar to be some kind of effect to the song? that would be neat.. great song.
the controls to the acapella voices is a really interesting concept ,,, I will have to wait for this PD performance.. algorithm ,, to grow ,,, I am looking forward to these new experiments and enjoying where the process is now.