I like this sort of thing - it reminds me of what you hear on shortwave in an empty spot where there are no voices. You get atmospherics and other artifacts from technological devices. At times it can almost sound musical.

This is pretty dope..

thanks Chris.. :) the acid 10 process used to stretch this section of sound,, is just intense. --- and the section is where the sound is growing ,, and increasing.

Cool sounding!

I don't know what movie this is, but I think I want to see it!

Kinda musique concrete, I like!

Like the subtle tonal colors

Yeah! Now I wanna get a hardware synth!

hommmm

hello

Good job!

this may be long, but it isn't empty. I really, really like this one!

nice sense of tonal nostalgia, true electro-acoustic

this has a lovely mood that is introspective and unique

this is the better stretching of the two stretches this time.

thanks Jim... I don't like the fuzzy static sounds like the recording is not "clean" you know

ghost in machine. Nice and short to the point!

nice curve to this Bill

Very strategic and effective mix of the two improvs, Bill. Great job and thank you.

I think the material from 2007 / 2008 resides on the server in a folder left from the old soonlabel forum. I didn't delete that folder so that the links would not break. But now a decade later perhaps I should just delete it. This is very mysterious - sounds like you are running you voice through the synth?

it is a type of struk-ness that is contagious maybe-??

very mellow great sounds-

excellent work here-

great!! --- I like this so mellow and well mixed --- one of the curves of guitar changes.. reminds me of that early rolling stones songs "No Expectations" from "let it bleed" --- you probably can hear it too?

sweet slides and bendings of the improv here---

cool experiment the stretching and time resolution are really important to the final sound the echoes seem separate from other things --- was thinking there should be no null points --- because of the echoes going on-- how does the interactions work?

nice a Fripp type progressions in 17 edo greatness.

very nice...

Excellent greatness.. It is a song that brings me back to the effects in phase and out of phase blips and bliggies .. It's the squibbly bliggies that started to loose the phases that were happening when I knew a Roland was grooving... This reminds me of how I make sounds as well. Minute 10:35 it's like birds. At about 13 minutes in the aliens seem to check in..and then leave but returned at 14 minutes in.. Chipmunks at 17 minutes in are neat maybe more of that?? It's phasing in & out as it does all the way to the end.

excellent -- way out excellence --- I will have to adjust my temporal transvergence devices to new settings.. and allow these breaking rays of temporal light frequencies to be registered by them.

nice 0-0 the song makes a discernment of itself as well-

Exactly what are we ending like this?? It's a very tight performance you have created.. What seems good in both forward and reverse directions and safe at any bpm we can think of. I am hearing that mesmerizing sonic swirl going on.---ฯ§¥~~ is that a setting on one of the boxes being used???

great!! maybe one day they will make 17 tone african thumb Pianos --- but until then we can dream-

just like this it is there... at the scream of insanity... open and exploding into infinite time on the threshold of losing touch and not holding - even to the the thresh --- threshold of anything,,.

just great -0-

good-

I think these sounds seem so slippery between each other and sliding into and out of the song.--- great end to this song 🙂

I believe this is like critically important sounds --- so much excellence-

I believe you

due to the sparsity of the soundscape here on this --- I am also playing --- the song Itza Hitt.. mmm I started it a little into this playing there is a possible mash going on--- but I have to hear the next two song variants before making a mash-