from my tapes from 2009 it is part of three tapes digitized ... :) the high resolution is here
https://soundcloud.com/h92o/sets/tape-archives-set-one-new-recorder-high-quality-all
I put most of the audio tapes on video too.. and uploaded…
I like this sort of thing - it reminds me of what you hear on shortwave in an empty spot where there are no voices. You get atmospherics and other artifacts from technological devices. At times it can almost sound musical.
the first Acid pro 10 stuff where I rework a recent work using the stretch effect and algorithms
this is the original work here
https://alonetone.com/acid/tracks/process+on+1
this is the selection that resulted in stretching, in high resolution…
thanks Chris.. :) the acid 10 process used to stretch this section of sound,, is just intense. --- and the section is where the sound is growing ,, and increasing.
the first Acid pro 10 stuff where I rework a recent work using the stretch effect and algorithms
this is the original work here
https://alonetone.com/acid/tracks/process+on+1
this is the selection that resulted in stretching, in high resolution…
the old song from 1993 mixed with tonites work on c-sound. :) just tooling about in c-sound. Q thing.
someone comment on the drift at the end of this.. my reply is thus --- that drift was made in 1993 when I after I think I had an mac two…
this song - https://alonetone.com/bwsmith/tracks/benimprovjun202019bos
plus this song
https://alonetone.com/bwsmith/tracks/benimprovjun172019abos
courtesy of Ben and his Improv ... these are combined ---
I think the material from 2007 / 2008 resides on the server in a folder left from the old soonlabel forum. I didn't delete that folder so that the links would not break. But now a decade later perhaps I should just delete it.
This is very mysterious - sounds like you are running you voice through the synth?
Product of noodling around. Lead guitars are a combo of UAD's Nigel plugin and the Fractal Axe Fx. Clean guitars are the Fractal. The outro guitars are my Princeton Recording amp.
I played the piano's through my midi guitar and Axon. You can…
something in semi-performance mode on a real piano recorded at the meb(medical education building) in October the fifteenth or ides of October 2012 at eleven fifty three before lunch, I was actually reacting to the people walking by and sorta…
I used to play piano for long long hours in the practice rooms at the college. just play like that. thanks for the compliment Chris I could of went on much longer but had a session to go to.
something in semi-performance mode on a real piano recorded at the meb(medical education building) in October the fifteenth or ides of October 2012 at eleven fifty three before lunch, I was actually reacting to the people walking by and sorta…
this ambish stuff is from a few years before 2007 when it was transferred to dvd.. the piano is being played in reaction to the sounds in the background and the "looks" and gestures given by the med students there in their lounge.
or is this part of that cognitive science in psychological meanings.. either way it is really interesting musics most random and good.. Oh and thanks for the complement on the piano playing. :)
thanks, Wrinkled shirt, as what part of the idea that is going on is to use the signal static as a tool for sound development...and then filter it some..
Comments on Newbold's stuff
I like this sort of thing - it reminds me of what you hear on shortwave in an empty spot where there are no voices. You get atmospherics and other artifacts from technological devices. At times it can almost sound musical.
This is pretty dope..
thanks Chris.. :) the acid 10 process used to stretch this section of sound,, is just intense. --- and the section is where the sound is growing ,, and increasing.
Cool sounding!
I don't know what movie this is, but I think I want to see it!
Kinda musique concrete, I like!
Like the subtle tonal colors
Yeah! Now I wanna get a hardware synth!
hommmm
hello
Good job!
this may be long, but it isn't empty. I really, really like this one!
nice sense of tonal nostalgia, true electro-acoustic
this has a lovely mood that is introspective and unique
this is the better stretching of the two stretches this time.
thanks Jim... I don't like the fuzzy static sounds like the recording is not "clean" you know
ghost in machine. Nice and short to the point!
nice curve to this Bill
Very strategic and effective mix of the two improvs, Bill. Great job and thank you.
I think the material from 2007 / 2008 resides on the server in a folder left from the old soonlabel forum. I didn't delete that folder so that the links would not break. But now a decade later perhaps I should just delete it. This is very mysterious - sounds like you are running you voice through the synth?
Comments made by Newbold
yep like nineteen min thirty seconds is where the intense stuff gets started.. :)
it is like chewing at the sheets of rainbows looking for a way to the other side, when I am on the other side already.
this is great stuff... Please continue.. this is like gold-star time.
very nice work.
isn't it more like electronic media then say a stamped post card from outerspace? very well much to mellow for me but i like it none the less.
I used to play piano for long long hours in the practice rooms at the college. just play like that. thanks for the compliment Chris I could of went on much longer but had a session to go to.
this ambish stuff is from a few years before 2007 when it was transferred to dvd.. the piano is being played in reaction to the sounds in the background and the "looks" and gestures given by the med students there in their lounge.
or is this part of that cognitive science in psychological meanings.. either way it is really interesting musics most random and good.. Oh and thanks for the complement on the piano playing. :)
Question, is this part of the anti-harmony movement occurring in noise art?
Great stuff
Why these sounds are mellow and of a positive nature ,,, very nice.
where did you get the clip cuts .. very good choices of them and there linkage in that sounds ..
very nice I did not notice the beats work but that is great on the second listen.. :)
thanks, Wrinkled shirt, as what part of the idea that is going on is to use the signal static as a tool for sound development...and then filter it some..
I never hear the original so this is really good. and new.
Thank you light...
It is the repetition that gives us a foot hold to what you are playing .. I like this.
sweet trek Syrians at the end oooooo
splender in the effects-i should of listened to this when you released it ...this lifetime is once again this lifetime is ...
so diverse is your orchestra more then good here . it is almost Operatic if longer ..