I like this sort of thing - it reminds me of what you hear on shortwave in an empty spot where there are no voices. You get atmospherics and other artifacts from technological devices. At times it can almost sound musical.

This is pretty dope..

thanks Chris.. :) the acid 10 process used to stretch this section of sound,, is just intense. --- and the section is where the sound is growing ,, and increasing.

Cool sounding!

I don't know what movie this is, but I think I want to see it!

Kinda musique concrete, I like!

Like the subtle tonal colors

Yeah! Now I wanna get a hardware synth!

hommmm

hello

Good job!

this may be long, but it isn't empty. I really, really like this one!

nice sense of tonal nostalgia, true electro-acoustic

this has a lovely mood that is introspective and unique

this is the better stretching of the two stretches this time.

thanks Jim... I don't like the fuzzy static sounds like the recording is not "clean" you know

ghost in machine. Nice and short to the point!

nice curve to this Bill

Very strategic and effective mix of the two improvs, Bill. Great job and thank you.

I think the material from 2007 / 2008 resides on the server in a folder left from the old soonlabel forum. I didn't delete that folder so that the links would not break. But now a decade later perhaps I should just delete it. This is very mysterious - sounds like you are running you voice through the synth?

thanks It was really fun too to make them. :)

remembers back in 1993? when I saw kurt do this.. don't make me repeat the tale about how I was one person away from him in the mosh pit, and he spit on me. LOL - I had to of talked about that someplace on the net..

sure!! I would love to hear what you can do with this. :)

thanks sister and Chris @vaisvil I have them connected right now just they only work like that when they are interfaced with a midi program on the computer, otherwise they ignore one another. ?

it is like playing to random computer musical notes. very well done.

centered :)

ahhhhh I hear that now will fix that even though it is a single channel out .. I had mixed the channels and this was the right side selection post mix.

This is slick duck stuff on that side of the cosmic static charges.

pretty very what it is. more what is that screeching?(love-it)more more screeching.

neat sweet something here just so effected it is bliss. sigh => more?

this leaves glitch itching ,,

gets pen ready to outline the opera's conceptual structures in skeleton form. yes pen is better then computer keyboard sometimes ,, don't know why.

As an experienced user I can find no other way to describe these mysteries. *channels more power through the broken lights to you*

soo sooooo cool:; this stuff is like very very real at times.

I have that problem from time to time the wave form is there it just does not work ,,, a few days ago it happened to a whole song of mine really upset me because I liked the sounds I had made..

reminds me of a mixture of such a variety of songs.

It is good to get this out to the web finally :)

has the idea of a triad or circle of 9's possible here at 17 note octaves? (sorry about the difficult question but I don't have the direct control of 17 notes in equal temper right now.)

are you mixing microtonal and macrotonals together? seems as if certain layers are tonal. like you are saying it might be better if the alien effects are continued.

here the microkorg is the "lead" while the supernova II does the "undertones" I am trying to sync the two in post producion ,,, some of the stuff from yesterday is sync but I used buzz modular synthesis to do that.