OK so only pay attention to the first 26 seconds of this one because i'm still working on the rest.. it's going to sounds really good once it's finished so just be patient!

This is the third project for Sound 1. It involves taking samples and beats and creating a track from them.

Publicado bajo autorizacion y sin animo de lucro. www.carranga.org

Publicado Bajo Autorizacion y sin animo de Lucro. www.carranga.org

From Green Tea

booba

A practice in looping and sampling using ProTools

Logic 9 - using samples from "8.5" and "8.8" by Supersilent, as well as some drum sounds from "No One Gives A Hoot About Faux-Ass Nonsense" by Don Caballero

So this bloody flakey thing is still developing and I have started to play with some vocals. I have also made lots of small changes and changed the rhythm of the middle section completely

One of the things about my [Glitching Satie](http://alonetone.com/sandbags/tracks/glitching-satie-1) track that I wasn't comfortable with was that it wasn't my recording that I was using. But I'm nowhere near good enough to play a piece like Gnossiennes…

Just a sketch that I'll come back to. I need to record more of this stuff when I get an idea so this should help. 2009

This is the first song on the first CD I ever compiled. You'll notice a piano as the primary instrument, and extensive use of horns. I wrote it years ago, and play it when I need some cheering up. Hope you like it. ER

Sampled Music remixed from "Misty" by Henry Mancini Logic Pro 9 & found cassette tape 2009

Isn't that the lamest, most clichéd title of a piece you've ever heard? Anyway, this one was like an epiphany... I was messing with a different piece, stopped, and wrote this in like half an hour. It's only about 40 seconds, which is way shorter…

Bit long this but stick with it. Paul is a foreign chap that lives over the road from me in a house that he built with his own hands. He is almost completely deaf and shouts at you when he talks. He is self sufficient and makes most things from…

Jonathan Thomas opens up Colossians 1:25-2:5 to look at the Completely Complete Call that a leader has.

Black Sabbath cover. Everything here is played by me. The dual solos are kinda sloppy, but I'm too lazy to bother recording them again.

We're deep in the glitch mines again. This time with a beat developed in Stylus RMX, a "melody" using Soniccouture Skiddaw stones and Tonehammer Frendo, and a bass from Soniccouture Abstrakt Bass. The beat was fed through The Finger with…