third of the abstract movement series

number 4!

number 5! last one I guess.... If I make another one, it will be for piano and other instrument

acid dance music techno trance

slightly reworked version of the longest limousine.

this vocal arrangement only made the cutting room floor. full instrumentalized version forthcoming. i just wanted this arrangement its own chance at life!

philip hinge - drums ryan wolper - lead guitar daniel - lead & rhythm guitar arda erdogan - rhythm guitar, samples, producer jack mcrory - recording supervisor, producer assistant

Taking a drum track I built in Hydrogen, mixed with about 100 Thousand descending Shepard Tones (http://en.wikipedia.org/wiki/Shepard_tone), and a noise drone built of sequenced tones from the KLSTRBAS Nyquist plugin. I'm not sure I like the…

Originally recorded for Vivian Circle, it never felt comfortable there. The uncomfortableness of PALLAS songs, made it fit. Square hole. Round peg. perfection. Oh, and this is officially the first PALLAS song.

Recorded September 2002 - January 2003 in Los Angeles, CA

Recorded September 2002 - January 2003 in Los Angeles, CA

Recorded September 2002 - January 2003 in Los Angeles, CA

Recorded September 2002 - January 2003 in Los Angeles, CA

Recorded September 2002 - January 2003 in Los Angeles, CA

Recorded September 2002 - January 2003 in Los Angeles, CA

Recorded September 2002 - January 2003 in Los Angeles, CA

Recorded February 2003 - June 2003 in Sydney, Australia

Recorded February 2003 - June 2003 in Sydney, Australia

Recorded February 2003 - June 2003 in Sydney, Australia

Recorded February 2003 - June 2003 in Sydney, Australia

Recorded February 2003 - June 2003 in Sydney, Australia

This is a track from my abandoned "Weekend Follies" album, which was recorded in my parent's basement in Mercer Island, Washington during the summer of 2003. This track was recorded during Seafair weekend. That's one of the "Blue Angels" flying…

This is a track from my abandoned "Weekend Follies" album, which was recorded in my parent's basement in Mercer Island, Washington during the summer of 2003.

At the end of 2003, I was recording a bunch of covers in my basement in Portland, Oregon. This was the only original recording from that time. I was pretty bummed out at the time...

I wrote this song for a musical Thanksgiving party that Sudara threw in Santa Fe back in 2002.

My evening challenge: compose and record a piece in an evening. I stitched together a couple of demos and added a virtual Harry Partch instrument.

My evening challenge: Compose and record something in an evening.

The plinky sound is an acoustic guitar prepared with a drumstick stuck under the strings.

I was just playing along with a looper pedal, trying to work out some ideas for a "real" song. I was just recording straight to a single stereo track and not worrying much about my playing or the mix. But when I listened back afterwards, I thought…

This is my version of circle C

Testing new toy Korg R3. All of these sounds are created by me. R3 is really great.

I started with a MIDI file created by seeding the "Meta-Composer" Poodles & Flan with the word "Memory," and then fed it to three virtual VST instruments: Tweakbench Carillion & Tapeworm, respectively a Bell Modeling synth & Mellotron…