This track started off with an idea. The idea was an instrument setup such that I could play a single note, or octave and have arps and stuff built it up... I failed in that experiment by getting carried down the add more effects road and before…

This Song (Recorded and written in 06) done the conventional way. I Wrote the words 1st. I was thinking I would like to write a song kinda like those of the old days. Pretty straight forward and Not too abstract. I need to redo because the chorus…

The title comes from the realization that we are applying a ridiculous amount of machinery to make or alter noises that came from a simple source like a vibrating string. This is first experiment using some of the sampling magic learned from…

Another track dug out of mothballs... This one probably got stuck under the weight of all the effects... cpu overloads, sound drop outs, the works. Rendering it took a long time but it seems to have come out ok. Someday, if I get a faster…

Keyboard oriented tune similiar to Jon Anderson's collaborations with Vangelis. Ambient-Chill type tune.

an exploration of the ambient possibilities,of reversed guitar,with a dmin drone

I worked on this one off and on through '05 and '06. I did numerous demos of it (just me and an acoustic) before finally recording it proper. Originally I intended it as a slower, more ethereal (read:reverby) piece, but it just wasn't cutting…

Instrumental Electric Guitar piece. Not shred. Melodic with harmonized guitars. Similiar to a slow Joe Satriani ballad. All instruments, Randal Pflum except drums. Dedicated to The Creator and Giver of Life.

another nocturne for piano solo

Lead judge: Jean Brooks These are his glowing remarks of the Wade Hampton Singers during the competition. If I'd heard these then, I would have definitely thought that we had won.

Wade Hampton High School (WHHS) Singers: Conductor: Warren C. Martin Winter 1992 (School Year 92-93): Track 8 Notes: This is our Alumni song.

A late night meditation. Here's the process: Started just auditioning sounds in my Live library. When I do this, I play some random chords or two note intervals; often not looking at my hands or the keyboard. That's the spark. Here I started…

[2003] Full Scale Nature of Equanimity & Inner Trepidation

[2002] Beats & Vegetables Vol.II

[2002] Beats & Vegetables Vol.I

We will be on air every Sunday from 14:00 - listen live at ury.york.ac.uk, or find us on iTunes (radio > university/college radio > University Radio York).

The original song is called Beng Je Hoofd by ADHD. The original beat is whack. I guess the lyrics are too.

Everyone likes pitched up vocal samples (;

Everyone who has every created music should try to do something with just an 808 and two guitar samples.

I have a thing for flutes. I guess this is where it all started.

Again a track that has a version with vocals, it's about a day in the park with friends. Everyone tries to pick up a girl but fails in a different ways. The bass drum is a slap on the back of a guitar and the snare is made with a can of Heineken…

This track also has a version with vocals, it's basically about someone travelling to the Wailing Wall in Jerusalem to complain about everything that's wrong.

MC's always nag you about two things, to make their voice more prominent in the mix and to add more bass.

There is also a version of this track with vocals describing a boring evening at some party that's not really going somewhere and ways to cope with that.

Two people calling each other at a party setting up a meeting in the kitchen to get a new beer out of the fridge.

The beat started out as a short interlude, but a lot of people like the guitar sound so I stretched it a bit longer.

Walking around the streets at night, slightly agitated.

One of my friends has vocals to this tracks lying around somewhere, the story is basically two people meeting on the street somewhere and exchanging stories about how well they're doing in life.

I used to record all voicemails I got on my landline for posterity, this is one of the less intelligible ones.

a little prelude in C sharp

another one

Preview of "Capricorn" (minus parts to be performed live) from Hybrid Groove Project's ZODIACROBATIC, an arrangement of Karlheinz Stockhausen's "Tierkreis", 12 melodies of the Zodiac. To be premiered on the Mobtown Modern music series in Baltimore…

Wade Hampton High School (WHHS) Singers: Conductor: Warren C. Martin Winter 1994 (School Year 94-95): Track 2

Wade Hampton High School (WHHS) Singers: Conductor: Warren C. Martin Winter 1994 (School Year 93-94): Track 9 Notes: This is our Alumni song. We had many many alumni participate. The chorus doubled in size.

Wade Hampton High School (WHHS) Singers: Conductor: Warren C. Martin Winter 1994 (School Year 93-94): Track 3 Notes: This was performed at competition in Nashville at the Grand Ole Opry, where we won 1st place in our class as well as Grand…

Wade Hampton High School (WHHS) Singers: Conductor: Warren C. Martin Winter 1993 (School Year 93-94): Track 9 Note: This is our alumni song.

Wade Hampton High School (WHHS) Singers: Conductor: Warren C. Martin Winter 1993 (School Year 93-94): Track 6 Arranged by: Warren C. Martin Notes: Mr. Martin said that he could find a good version of this song, so he wrote one himself.

Wade Hampton High School (WHHS) Singers: Conductor: Warren C. Martin Winter 1993 (School Year 93-94): Track 4 Written by: Warren C. Martin

Wade Hampton High School (WHHS) Singers: Conductor: Warren C. Martin Winter 1993 (School Year 93-94): Track 2 Notes: Each Christmas we performed a different version of Ave Maria. These were always a highlight of the concerts.

Wade Hampton High School (WHHS) Singers: Conductor: Warren C. Martin Winter 1993 (School Year 93-94): Track 3

Wade Hampton High School (WHHS) Singers: Conductor: Warren C. Martin Winter 1993 (School Year 93-94): Track 7 Soloists: Ronnie Taylor & Jaimily Stocker

Ebow loop study #2. This time with a "tone cluster" chord: D/E/F#

This is what I think it should sound the tabernacle of God that Moses made

E-bow loop study #1

A lot of pedal!

third of the abstract movement series