There are a bunch of bass tracks going on here. Headphones help pick out what's going on. This one came to me leaving Taos on the drive back to Phoenix, coming down out of the canyon. I suddenly became conscious of a disturbing dream from the…

Lyrics: Ain’t that a shame, ain’t that a shame? I got no one left to blame for all my troubles and nothing real to show for all my pain. Ain’t that a shame? They’re all the same, they’re all the same, all those women that I blame for…

Lyrics: Achtung, achtung. Achtung, achtung, Herr Doktor. Ich bin der Kommissar von der Wasser Schutzpoliezi...

Lyrics: I read a love letter that you wrote to me. It started off honey and it ended in a frenzy of bees. You wrote that love’s a translation of a third hand version of an old incantation. But it ain’t that simple… Your love ain’t nothing…

Lyrics: Babe, if I may be so bold I swear that you don’t look that old In fact I’d say you look alright. So if you want to write my number down I could show you all around this town And show you what we do at night. Well you look like…

Lyrics: Les animaux du cheveux faux, Les animaux du cheveux faux, adieu, adieu, mes animaux...

Lyrics: Well there ain't nothing, nothing you could ever do to break my heart again... You lied and oh you cheated. You hung me out to dry. Left me standing in the cold beneath the pale gray sky. There ain't nothing, nothing you could…

from the album: the container http://emorej.bandcamp.com/album/the-container

The obligatory ambient piece. I really wanted to experiment with balancing the bass and treble; it seems to have worked quite well. Bonus marks if you can identify any of the samples.

Self-explanatory. Sorry if it breaks your speakers :)

We move miles away from Bristol trip-hop and take a trip to Paris. This Daft Punk-inspire piece really allowed me to lighten up a bit during the lonely production stages.

This is the centrepiece of the album; my self-confessed preferred track to RPM HQ. Powerful vocals by Jen Gibbons and heavy beats supplied by Chris Thomas. The drum track was heavily overdriven to crispen it up and the kick was given a lot of…

The album takes a turn towards Electro.

Experimentation with taking quiet sounds and compressing the hell out of them. Drum fills courtesy of Chris Thomas.

You live long enough... you take some real hits. And the only way to get on, is, to, "Pick myself up, walk down the long long road". Lifes real easy when it's all theoretical, but it's never been lived until the theories and philosophies are trashed…