The rhythm guitar is a scratch track. Can't you tell?

This is an expirement. I started this song during my first RPM Challenge attempt in 2007. All I had recorded was the rhythm guitar, bass, and the drum program. I want to start using garageband for my recording but I had never gotten around…

kayne west bad new

Another one from my ambient crackpot series. This features two instances of my new instrument the Novaphone 340 Imperial. A grand name for a grand instrument (Xylo just didn't do it justice). The first Novaphone is playing three samples…

here's the lyrics: Inside a casket, ... broken dreams six feet under, it starts to leak six feet over he gets a whiff assembles the puzzle piece by piece on salty water a thought is born sailing regardless of a coming storm the mast is broken…

Written by John Stevens, Grieving Old Man is the lead-off track on Mama Corn's debut CD. A tale of unrequited love, the song's upbeat melody and catchy chorus make it one of those songs that stick in your head long after you've heard it.

Mama Corn is popular with several distinct audience types. Fully capable of pleasing the most finicky traditional audience with favorites from Flatt & Scruggs, The Stanley Bros, and Bill Monroe, the band is also very popular with Americana…

Snippet taken from Mama Corn's self-titled CD. An original tune written by our guitarist, Bruce Forr, "Goin' Up The Mountain" showcases the band's easy-going nature and lush vocal harmonies. A bit beyond traditional bluegrass, the song never strays…

A snippet of Seeing You Again, from Mama Corn's self-titled CD. Written by Ben Nelson, and originally recorded and performed by the influential 70's PA bluegrass band, The Grass Strings. The song tells of the singer's regret at walking away from…

Written by an unknown preacher in Dalton GA in the late 50's/early 60's, this song was popularized by the gospel duo, Don & Earl, then-stars of WWVA-AM's Jamboree. Mama Corn's dobro-player brought the song to the band, having sung it in his…

Every now and then I feel the need to make a beat that's completely out of character for me. Today is one of those days.

The first track of my (our) new album, "You Get What You Pay For". It's our favorite song, but in hindsight, it probably could have used more cowbell. C'est la vie. . .

There's a good reason most of Dirty Dan and the Family Band's music features the guitar. It's because his keyboard and trumpet players don't know what they're doing.

It's a perfect moment for you to learn more about the difference between your fearful fantasies and your true intuitions . . .

wrote and recorded this one earlier today. drums and keys on juno di and vocals, then geir took it to another level with his guitar additions. well nothing isn't happening just the silence burning bright the shadow casts a resonance of the echoes…

The longest song i have ever created, and probably my favorite and most professionally made song. you hae to listen to the whole thing to get the whole concept though, so no judging just the beginning.

I wrote this song as a class project for "Quantum Reality and the Spiritual Quest" at the U of A. My basic idea behind it was to try and relay the wave/particle duality of light through musical terms.

idk how to explain this one. one of my friends helped me make this happen, but after our session i tweaked it to more of a master piece.

my second song i made i the first jumpstyle song iv made. I feel that the beat is ok, not bone chilling, but enough to make you jump like a champ.