the deep blue sea rose up and the devil came to play she rose up and she began to say why do little men take with my name such a foolish game to play hath be the devil be thy name hath beezlebub have a grain of salt so never look back upon you…

This one is about remembering the feelings of watching Tv as a child in England when we only had three channels but everyone watched them .......

so this is my latest instrumental I put together with the vocalz from one of my swizz friends, so the acapella is swizz german tough Im sorry for the english people anyway I think u enjoy listening to this track anyway, so if u do lemme sum feedback…

Artist: The Wallflowers Demo: 3rd Demo Year: 1992?

Artist: The Wallflowers Demo: 3rd Demo Year: 1992?

Quadrispace is probably not a word.... but you know what. I don't care. 4 spaces, one of each base element of life. Some Captain Planet shit or whatever. I'll let you use your imagination. Techno, been a while since I've dabbled. I blame…

gearing up for rpm. check out Hearts Of Mars "Echoes Under THhe Surface"in march!

It's Wednesday night lets all get F................

Part 2 of the epic tone poem.

well with the number of mistakes I make it is a wonder there is any sound at all ..

Part 1 of the history of the world, as told in tone-painting. Took almost as long to make as the subject matter it describes.

this is the first take of this composition done in a minor sorta way..

Calculated Electron Orbitals I have been exploring Sonar X1 and one of the ideas on my list was to apply the apreggiator to a piece of music that was classical and used the harmonic series – just sounded like a good idea. Well, here is the…

My good young friend Ben came and gave me real drums on this.... Killer Ben

This is a collab tune which was originally written by Tad Rees (aka Solo). He plays the Keyboard.synth, and I did the guitar and drums. The last half blends with his original which can be heard in completion at : http://www.traxinspace…

slower, shorter, and funkier. 5th out of 365 daily recordings.

This is a serial improvisational piece (excepting some drum loops) in John O’Sullivan’s Blue JI tuning (which I rather like) – all of the instruments, African log drum, Nigerian log drum, Krin slit drum, Teponaxtli, Toere, Kaekeeke, Kalaau…