The Johnson-Fleder Sub-Trio
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Miles Davis' tune Nardis overlaid on Senegalese call-and-response drum rhythms.
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A piece of music written during the tumult of grad school applications. The idea is for the saxophone and drums to be in rhythmic opposition for the majority of the written segments. The piece is in 9/8 and centered around minor 7ths and tritones.
Uploaded
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Miles Davis' tune Nardis overlaid on Senegalese call-and-response drum rhythms.
Uploaded
A piece of music written during the tumult of grad school applications. The idea is for the saxophone and drums to be in rhythmic opposition for the majority of the written segments. The piece is in 9/8 and centered around minor 7ths and tritones.
Uploaded
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interesting work. Can't wait to hear more!
Miles Davis' tune Nardis overlaid on Senegalese call-and-response drum rhythms.
Uploaded
A piece of music written during the tumult of grad school applications. The idea is for the saxophone and drums to be in rhythmic opposition for the majority of the written segments. The piece is in 9/8 and centered around minor 7ths and tritones.
Uploaded
Miles Davis' tune Nardis overlaid on Senegalese call-and-response drum rhythms.
Uploaded
Composed of Collin Johnson (saxophones) and Michael Fleder (drums), The Sub-Trio seamlessly blends deconstructed jazz standards with free improvisation and original compositions. They strive for chaotic logic in their music, adhering to the idea that music is sound; sound is rhythm; rhythm is melody; melody is harmony; harmony is a soft-boiled egg; and one should not play on an empty stomach.
from United States
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