Combination of my track As the Clouds Roll Away with Struk String Rambul by Coelocanth, both of which were submitted to Sound-In (as was this) for 4-11/3/2021. No alteration was made to either track before or after combining.

Tenor sax altered to sound like a baritone; original recording was "slowed down" by half in the same way that would happen with a tape. The result is both a lengthening of the sound and a drop in pitch. The tempo was then returned close to its…

Clarinet played into an empty tube that formerly held a bottle of Scotch, which may have had some unconscious influence on the rough melodic form. Picked up by two contact mics into a Zoom H4n recorder. Submitted to Sound-In for 26/2-4/3/2021.

Short (8-sec.) recording of flutter-tonguing on a clarinet, stretched 30 times. Submitted to Sound-In for 18-25/2/2021.

Two different channels of radio interference (hence the title). The AM side (left) also had contributions from a small theremin interfering with the interfering radios. Cleaned things up a bit using noise reduction. Submitted to Sound-In "Blindfold…

Re-working of an essay of the same title by William Wilson, from "Breaking the Sound Barrier: A Critical Anthology of the New Music." edited by Gregory Battock. This was itself subjected to operational procedures such as: randomization by creating…

Originally two separate mono tracks of the beginning to Beethoven's 9th symphony (conducted by Felix Weingartner if anyone cares). Each was subjected to different processing effects and then combined. Submitted to Sound-In for 28/1 - 3/2/2021.

Harmonica 2 with the addition of the first four minutes of Harmonica 1, adding extra depth and variety.

Harmonica 1, increased in tempo threefold.

First of three pieces made from the same original material; short bursts of sound from a cheap harmonica. Nine of these bursts were selected from the original recording, each of slightly different length. Each was then time-stretched by the same…

Straight off the floor - or at least out of the Roland SE-02 on my lap. No editing or processing of any kind. The title is an acronym for Repetition Is A Form Of Change, one of the cards in Oblique Strategies by Brian Eno and Peter Schmidt. Submitted…

Went all percussive for this one. Again, Casio/Roland/effects. Submitted to Sound-In for 7-14/1/2021.

Another piece from the Casio/Roland/effects combo. While there are occasional dark moments, I think over all this has a positive feel, hence the title. Submitted to Sound-In for 7-14/1/2021.

Roland SE-02 controlled by Casio DH-100, through EHX Stereo Memory Man -> Zoom RFX-300. The sounds of an AMBIEnt ambuLANCE. Submitted to Sound-In for 7-14/1/2021.

Roland SE-02 through EHX Stereo Memory Man -> Zoom RFX-300. Title comes from a combination of the time length, and the fact that it was created for the current Sound-In for 1-7/1/2021.

This started out life as a single mono track created on a Gakken SX-150 Mk II, which was then duplicated and echo applied to each individual track in Audacity; 0.015 seconds left, 0.016 seconds right. The two were then run through all sorts of…

Another attempt at creating a piece somewhat in the style of Harold Budd, for the Sound-In event dedicated to his memory for 17-23/12/2020. Sound source and processors are the same as for A Grand Conjunction, though the settings are different…

This started its cosmic journey in a toy piano. Through several steps of processing it came to where it is now. Partly in dedication to the (at this moment) imminent Grand Conjunction of Jupiter and Saturn, and also in homage to the recently departed…

Last of three modifications on 5-4; Paulstretch effect in Audacity. Submitted to Sound-In "Percussion" for 3-6/12/2020.

Variant 0n a variant: reverb added to Variant 1. Submitted to Sound-In "Percussion" for 3-6/12/2020.