Saccharin was produced first in 1879, by Constantin Fahlberg, a chemist working on coal tar derivatives in Ira Remsen's laboratory at the Johns Hopkins University. Fahlberg noticed a sweet taste on his hand one evening, and connected this with…
Saccharin was produced first in 1879, by Constantin Fahlberg, a chemist working on coal tar derivatives in Ira Remsen's laboratory at the Johns Hopkins University. Fahlberg noticed a sweet taste on his hand one evening, and connected this with…
A collaboration of Bill Newbold (words and visuals) and myself (noise)
so never Arts
or Artless is
isometric effects
oft tempo fluxes
Blue the Moon
up in purple
just like Spires
in tinted cares
unsure
in effect
there triangles…
Hi Chris - well I mixed this with --
https://soundcloud.com/h92o/for-chris-at-d-d
and got this ---
https://alonetone.com/acid/tracks/polyharp-ji-musings-2
yes I did not change the title (my bad) but I know when I saw that that title changes are --- difficult post titling. ---
quite something, art reflecting the times pretty much and that's what it's supposed to do. Well done Chris. Hope against hope though. Nice layering in the guitar in this.
A misnomer flashing through the radio waves out to the outer reaches then processed and returned to the organ player playing in the bar at the end of Brighton pier to plaster painted faces of the audience l
Nikola Tesla turned to pigeons in his extreme old age for companionship, feeding them through his open hotel window. After a life of dedication to improving the life of humanity, Nikola finally allowed himself time to find his own human nature.
Nikola Tesla turned to pigeons in his extreme old age for companionship, feeding them through his open hotel window. After a life of dedication to improving the life of humanity, Nikola finally allowed himself time to find his own human nature.
Nikola Tesla turned to pigeons in his extreme old age for companionship, feeding them through his open hotel window. After a life of dedication to improving the life of humanity, Nikola finally allowed himself time to find his own human nature.
Really like this. Your voice is getting defined in all these songs this one no less and the feeling between the self driven ensemble is tightening. Good work Chris!
This is a song some 15 years in the making. The original 4-track cassette tape tracks laid down in 1997 - and this past year Frank added bass and drums. Its my fault on how there are still rough edges - that is the result of how I did things…
a long time ago I often collaborated with an immensely talented composer from France, Alister Flint - this is one of our collaborations. Been years since I've heard from him. He's been missed.
The Pursuit is a composition in AA’B form combining electronica and pseudo musique concrète by using a 17 edo guitar with effects, voice, and synthesizers.
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Continuing journey of late getting reacquainted with my acoustic guitar past in a new direction more improvised and spontaneous than I used to do and more akin to some of the acoustic work of recent years with Chinapainting. I'm also rediscovering…
Comments on vaisvil's stuff
echo Bill, lovely melody and sense of explore. Interesting fact re the artificial sweetner.
lovely melody very pretty.. ---
the video link --- https://www.youtube.com/watch?v=SAAvu20WcAY
Hi Chris - well I mixed this with -- https://soundcloud.com/h92o/for-chris-at-d-d and got this --- https://alonetone.com/acid/tracks/polyharp-ji-musings-2 yes I did not change the title (my bad) but I know when I saw that that title changes are --- difficult post titling. ---
quite something, art reflecting the times pretty much and that's what it's supposed to do. Well done Chris. Hope against hope though. Nice layering in the guitar in this.
A misnomer flashing through the radio waves out to the outer reaches then processed and returned to the organ player playing in the bar at the end of Brighton pier to plaster painted faces of the audience l
Interesting, and thanks to your description, full of imagery too.
brilliant and perfect!
love the subtly of this and the way you evolve each section.
Super into the stutter
Hehe
I like it.
nice
Really like this. Your voice is getting defined in all these songs this one no less and the feeling between the self driven ensemble is tightening. Good work Chris!
[b]Great[/b] tune! So calm at the start. Like it a lot.
Is this being played in 12 TET? I'm hearing notes and sounds one wouldn't normally hear. (And I'm liking it.)
TurN up the volume
really nice ! hints of Gilmour !
Very cool I like..
NICE!
Comments made by vaisvil
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?
Its why they fly in cris-cross patterns!
You get some great sounds out of the pedal!
truly beautiful!
This is a lovely piece of intimate mystery!
this has a lovely mood that is introspective and unique
works extraordinarily well!
beautiful looping!
Love the dramatic opening and the release of tension that starts in the middle and resolves at the end nicely.
beautiful!
The music is excellent in how strident it is.