This is an experiment where I slowed down Norm Harris’ percussion track “7th Son†http://alonetone.com/norm/tracks/7th-son and slowed it down by a factor of five and ran it through effects and such – and then played along with my 17…
This is an experiment where I slowed down Norm Harris’ percussion track “7th Son†http://alonetone.com/norm/tracks/7th-son and slowed it down by a factor of five and ran it through effects and such – and then played along with my 17…
love the sound of the slowed percussion each beat seems to shake...sounds like musical devastation the twisted sounds in the silence after something major just happened...an earthquake or Tornado...with a man in a Pink Tuxedo running around crazed in the wreckage looking for his lost Bride.......
Fisherman and the Siren by Lord Frederic Leighton
This is a blues collaboration between The TwoRegs (vocals / lyrics) and Norm Harris (percussion) and myself (17 note per octave electric guitar and fretless bass).
We hope you enjoy it…
Lucy of the species Australopithecus looks into the distance of Awash Valley in what is now Ethiopia and feels the future of what can be.
Performed in Charles Lucy's 0b5s tuning
Fisherman and the Siren by Lord Frederic Leighton
This is a blues collaboration between The TwoRegs (vocals / lyrics) and Norm Harris (percussion) and myself (17 note per octave electric guitar and fretless bass).
We hope you enjoy it…
Norm has been teaching a master's class in percussion and gave me (a lot!!) of guidance to try to add bass properly to this. I added 5 string bass, Fender Mustang and GR-20 sax to his excellent Tumbao track. We hope you enjoy it.
My Life has Become
I have all of these memories
That come on back to me
I don't know what to do
I don't know what I should do with them
Out of nowhere they cover me...
Like a breaking beam of light
Like the star dust in the night
Like…
I played 12 string guitar and 5 string bass along with Norm's original percussion track http://alonetone.com/norm/tracks/7th-son. The only effects were a bit of attack shaping on the bass (compression w/o compressing).
I did this kind of oddly…
Lucy of the species Australopithecus looks into the distance of Awash Valley in what is now Ethiopia and feels the future of what can be.
Performed in Charles Lucy's 0b5s tuning
Another oldie as I work on other stuff. State of the art PC sound in 1991 was the Adlib card with one OPL2 FM synthesis chip w/o audio capability. Limiting as that was I still had a lot of fun with it. This is one example - I love that lo-fi…
Doom! Count me in!
(Ha! Had to laugh as the 7 sec. mark of this one has that "squeak" sound that I have previously misinterpreted in other songs as being a squeaky bass drum foot pedal... what do I know about computer generated music?)
Another oldie as I work on other stuff. State of the art PC sound in 1991 was the Adlib card with one OPL2 FM synthesis chip w/o audio capability. Limiting as that was I still had a lot of fun with it. This is one example - I love that lo-fi…
Nero's Butterfly Two Star Poem Remix
This is a collaboration with anonymous and my wife. I wrote the script / lyrics and anonymous did everything else. So I can say - I've always admired the excellent performance of both - Debbie did the voice…
Lucy of the species Australopithecus looks into the distance of Awash Valley in what is now Ethiopia and feels the future of what can be.
Performed in Charles Lucy's 0b5s tuning
Nero's Butterfly Two Star Poem Remix
This is a collaboration with anonymous and my wife. I wrote the script / lyrics and anonymous did everything else. So I can say - I've always admired the excellent performance of both - Debbie did the voice…
Lucy of the species Australopithecus looks into the distance of Awash Valley in what is now Ethiopia and feels the future of what can be.
Performed in Charles Lucy's 0b5s tuning
Lucy of the species Australopithecus looks into the distance of Awash Valley in what is now Ethiopia and feels the future of what can be.
Performed in Charles Lucy's 0b5s tuning
This piece came from controversy over ratings at another website called www.traxinspace.com
Tricky (Jeroen Broks) wrote and recited a poem that a number of people put to music in an impromptu competition. Original http://www.traxinspace.com…
This piece came from controversy over ratings at another website called www.traxinspace.com
Tricky (Jeroen Broks) wrote and recited a poem that a number of people put to music in an impromptu competition. Original http://www.traxinspace.com…
I think it is very smart that AT does not have a system of "ranking" or "rating" songs other than "favorite". Such a system, by it's very nature, is just going to hurt somebody's feelings.
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
Many nebulae form from the gravitational collapse of gas in the interstellar medium. As the material collapses under its own weight, massive stars may form in the center, and their ultraviolet radiation ionises the surrounding gas, making it visible…
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
Sung By John B - he also does most of the instrumentation. My contribution is simply that I wrote the lyrics and composed the music, and if you listen closely I play the guitar parts. A cross Atlantic collaboration.
two recorders and a flute get together in the back of a countryside English church late in the afternoon.....
NOTE --- you may need to turn up the volume a bit for this...
piece #6 of a cd i am writing of early music
comments about…
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant.
this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Wanna go for a ride? Hop on in! (Many thanks to JQScutt for his excellent guitar work!)
Lyrics: Charlie Ryan & W. S. Stevenson
Guitar: jqscutt
Percussion & Vocals: Norm
Lyrics:
Have you heard this story of the Hot Rod Race…
Took sandbag's [Andromeda 1](http://alonetone.com/sandbags/tracks/andromeda-1) and applied some BigSeq2 and LiveCut.
Added a little FM8 underneath.
And this happy little accident came out.
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
Comments on vaisvil's stuff
rad
love the sound of the slowed percussion each beat seems to shake...sounds like musical devastation the twisted sounds in the silence after something major just happened...an earthquake or Tornado...with a man in a Pink Tuxedo running around crazed in the wreckage looking for his lost Bride.......
Wow...goin' OUT! Love it...T-rex meets Tom Waits for a beautifully gnarly blues-brawl.
loose...in the moment...in the zone. It takes me to another place...and I'm there.
Beautiful! Love that tuning!
Thanks Chris a wonderful escape into oblivion, your right it is like club med...arrrrrr relax...............
Most enjoyable bluesy collab. Cool vox from Reg.
Enjoyed the jazzy feel given by the sax. Super cool collab.
A really good song.
Nice Jam! One can almost imagine this all happening at one time
Pure and True, Awesome power through your finger tip's..and deeply deep... Makes me feel like I need to find myself somewhere that I've never ben...
Doom! Count me in! (Ha! Had to laugh as the 7 sec. mark of this one has that "squeak" sound that I have previously misinterpreted in other songs as being a squeaky bass drum foot pedal... what do I know about computer generated music?)
Cleverness as usual.
Trolls ate traxinspace?! That's sad. Intriguing piece!
Absolutely beautiful!
Ah, the good 'ol days of TraxInSpace... this was a classic there!
!!! beautious.
wow! that was breath taking deep!
I like your music very much - it's dramatic and compelling!
I think it is very smart that AT does not have a system of "ranking" or "rating" songs other than "favorite". Such a system, by it's very nature, is just going to hurt somebody's feelings.
Comments made by vaisvil
Awesome!!! This is so perfect!
nice, really nice!
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
I enjoyed playing on this thanks Norm! - no guitars harmed in the improvisation
nice progression
welcome! And excellent track!
Aengus is all Ethno 2.
I love your voice reef. Excellent tune and production - your acoustics sound especially nice.
This is brilliant! Would you consider doing a collaboration sometime?
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
excellent collab!!
nice work - very rich - listened to it several times.
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
lovely, touching. A nice song and excellent vocals / lyrics.
Great vocal harmonies!
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant. this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Excellent!!
very different - twitch dance :-)
one of my favorites by you!