this is from last week's improvfriday and was performed on an AXiS 49 driving Kontakt's sax ensemble and jazz drum kit. The deep reverberation is on purpose.
This is for today's Improvfriday. Being all a first pass improvisation against a drum beat - there are mistakes. I did go back and spiced up the drums just a bit. everything but the drums is my Roland GR-20
this is from last week's improvfriday and was performed on an AXiS 49 driving Kontakt's sax ensemble and jazz drum kit. The deep reverberation is on purpose.
this is from last week's improvfriday and was performed on an AXiS 49 driving Kontakt's sax ensemble and jazz drum kit. The deep reverberation is on purpose.
This is for today's Improvfriday. Being all a first pass improvisation against a drum beat - there are mistakes. I did go back and spiced up the drums just a bit. everything but the drums is my Roland GR-20
This is an improvisation on a theme I play all the time when I sit at the keys. Sort of a warm up I've been playing for a very long time. It is very simple and I may have used it here already. My apologies.
This is an improvisation on a theme I play all the time when I sit at the keys. Sort of a warm up I've been playing for a very long time. It is very simple and I may have used it here already. My apologies.
This is an improvisation on a theme I play all the time when I sit at the keys. Sort of a warm up I've been playing for a very long time. It is very simple and I may have used it here already. My apologies.
I could've done with this last night - piped it in to the street, could've helped the trick or treaters keep their perspective!
(Especially when my neighbour's car was trashed by a young man with a baseball bat.)
Right, well I am here ready to be terrified for 32 minutes!
An atmospheric and creepy ride with sensational sound effects. Penetrating last note there.
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Comments on vaisvil's stuff
Ecumenically enchanting.
I love this, it's wonderful.
With a title like that who could resist! Great improv!
Very Nice!
Spooky AND uplifting! !
Sweet.
Smooth. Love the bass.
Good one! Very nice improv.
MIGHTY! Great title, great pic - sounds like a Bond movie but with elephants involved! Very clever.
Lovely 'end of a long day' feel, with ice cubes.
tastey riff...
Majestic!
Awesome theme! The keys are sweet and so are the others.
Halloween Music!!! Brilliant craftsmanship! 33 minutes of "strange" ear pleasure:)
Strange and nightmarish. Great tune for Election Day :D
I could've done with this last night - piped it in to the street, could've helped the trick or treaters keep their perspective! (Especially when my neighbour's car was trashed by a young man with a baseball bat.)
Very uplifting, lovely melody - looking forward to hearing Bee all over this!
Right, well I am here ready to be terrified for 32 minutes! An atmospheric and creepy ride with sensational sound effects. Penetrating last note there.
Excellent! Now I don't need to run out and buy one of those Halloween CDs to play for my trick-or-treaters.
Where do you think these things up. Really creepy but most effective. I listened to 10 minutes but got called away. Will be back!
Comments made by vaisvil
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?
Its why they fly in cris-cross patterns!