A re-mastered version using Norm Harris' excellent percussion
serial improvisation with
korg ms 2000
cameleon 5000
rapture LE
z3ta+
And Norm's percussion room
A re-mastered version using Norm Harris' excellent percussion
serial improvisation with
korg ms 2000
cameleon 5000
rapture LE
z3ta+
And Norm's percussion room
the picture in the about sections is wacked...looks like some kind of insane theme park. lol The song is GREAT. Glad I couldn't get back to sleep tonight. :)
A re-mastered version using Norm Harris' excellent percussion
serial improvisation with
korg ms 2000
cameleon 5000
rapture LE
z3ta+
And Norm's percussion room
Graphic by William Newbold
Genre:
Electronica: Ambient
Year: 2009
Album:
Tritium Crystals
Artist's description:
William Newbold's performance modified by Chris Vaisvil
Scored for amplified prepared piano and choir ensemble…
Graphic by William Newbold
Genre:
Electronica: Ambient
Year: 2009
Album:
Tritium Crystals
Artist's description:
William Newbold's performance modified by Chris Vaisvil
Scored for amplified prepared piano and choir ensemble…
What's not to LOVE? Supernatural folk (are the finest folk in the world)!
Also, if I ever go to a hairdresser again, I shall display this unicorn picture and say, 'Just like this, please!'
Graphic by William Newbold
Genre:
Electronica: Ambient
Year: 2009
Album:
Tritium Crystals
Artist's description:
William Newbold's performance modified by Chris Vaisvil
Scored for amplified prepared piano and choir ensemble…
Love the minimalist beginnings, great sense of "something" is about to happen, and the rest doesn't disappoint! Sounds like the soundtrack to an apology, or emotional confession. Bewitching!
A re-mastered version using Norm Harris' excellent percussion
serial improvisation with
korg ms 2000
cameleon 5000
rapture LE
z3ta+
And Norm's percussion room
From last February...
I'm not sure where I'm going - its late - I'm tired so I may be out of my mind.
several absynths
pianoteq heavily modified
session 3 drums through guitar rig
stratocastor through guitar rig
vocoded voice via korg ms2000…
impressions
4 min in -- i am feeling/discovering a hugely large sound scape, plenty of places to get lost in ones thoughts amongst the notes
7 Min in --very expansive (what syth is this?, are you creating the long drawn out notes on a keyboard?)
9 min in --- (not being used to writing this style myself) what sort of land marks, for timing, expression are you using/feeling when you do this? how will you know when you get there?
14 min and 1 beer into the work -- still keeps my interest, but i do wonder where we are headed
17 min --- this is definitely a track to listen to, not background ,, i begin to see where we might be headed..
overall interesting,,, i enjoyed this,,,as i have noticed of late you have a lot of multi interests/talents... lots for me to think about thanks R
From last February...
I'm not sure where I'm going - its late - I'm tired so I may be out of my mind.
several absynths
pianoteq heavily modified
session 3 drums through guitar rig
stratocastor through guitar rig
vocoded voice via korg ms2000…
A re-mastered version using Norm Harris' excellent percussion
serial improvisation with
korg ms 2000
cameleon 5000
rapture LE
z3ta+
And Norm's percussion room
A re-mastered version using Norm Harris' excellent percussion
serial improvisation with
korg ms 2000
cameleon 5000
rapture LE
z3ta+
And Norm's percussion room
From last February...
I'm not sure where I'm going - its late - I'm tired so I may be out of my mind.
several absynths
pianoteq heavily modified
session 3 drums through guitar rig
stratocastor through guitar rig
vocoded voice via korg ms2000…
From last February...
I'm not sure where I'm going - its late - I'm tired so I may be out of my mind.
several absynths
pianoteq heavily modified
session 3 drums through guitar rig
stratocastor through guitar rig
vocoded voice via korg ms2000…
A re-mastered version using Norm Harris' excellent percussion
serial improvisation with
korg ms 2000
cameleon 5000
rapture LE
z3ta+
And Norm's percussion room
Outstanding nightmare! I would suggest the gentle listener doesn't get tucked in with this one unless they want to stare at the ceiling for awhile before they finally get to sleep.
From last February...
I'm not sure where I'm going - its late - I'm tired so I may be out of my mind.
several absynths
pianoteq heavily modified
session 3 drums through guitar rig
stratocastor through guitar rig
vocoded voice via korg ms2000…
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Comments on vaisvil's stuff
is this the evil version of disney? hehe Mickey Mouse on crack?
the picture in the about sections is wacked...looks like some kind of insane theme park. lol The song is GREAT. Glad I couldn't get back to sleep tonight. :)
Another FN Beaut! Really, Really!
I wish I wrote this. Nice work fella. JRR
Nice Graphic! Great stuff as usual.
Cool! (great graphic, too!)
Nice bodhran work here! I've a sudden craving for a pint...
excellent!!! are you working for/with MOTU?
What's not to LOVE? Supernatural folk (are the finest folk in the world)! Also, if I ever go to a hairdresser again, I shall display this unicorn picture and say, 'Just like this, please!'
Love the minimalist beginnings, great sense of "something" is about to happen, and the rest doesn't disappoint! Sounds like the soundtrack to an apology, or emotional confession. Bewitching!
just went into this one after listening to Nebula, quite a change up, good creepy feel stays with you
impressions 4 min in -- i am feeling/discovering a hugely large sound scape, plenty of places to get lost in ones thoughts amongst the notes 7 Min in --very expansive (what syth is this?, are you creating the long drawn out notes on a keyboard?) 9 min in --- (not being used to writing this style myself) what sort of land marks, for timing, expression are you using/feeling when you do this? how will you know when you get there? 14 min and 1 beer into the work -- still keeps my interest, but i do wonder where we are headed 17 min --- this is definitely a track to listen to, not background ,, i begin to see where we might be headed.. overall interesting,,, i enjoyed this,,,as i have noticed of late you have a lot of multi interests/talents... lots for me to think about thanks R
Great beat mate nice one great mix. Thanks for your recent comments mate. This is a great track mate dig it.
Beam me up Scotty! BEAUTIFUL! w;-)
Whoa! That's menacing. Real cool gentlemen. Some wild sounds.
EXCELLENT! w;-)
This is...wow! A theme song for my favorite sky object.
Immense!
Outstanding nightmare! I would suggest the gentle listener doesn't get tucked in with this one unless they want to stare at the ceiling for awhile before they finally get to sleep.
Mmmmm ... absynth
Comments made by vaisvil
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?
Its why they fly in cris-cross patterns!