I'm shipping my canon off so it can have a new career without me.
Its such a happy yet sad occasion to see your instrument leave the nest..... ;-[
so I had to spend just a little more time with it.
I'm shipping my canon off so it can have a new career without me.
Its such a happy yet sad occasion to see your instrument leave the nest..... ;-[
so I had to spend just a little more time with it.
I'm shipping my canon off so it can have a new career without me.
Its such a happy yet sad occasion to see your instrument leave the nest..... ;-[
so I had to spend just a little more time with it.
I do have video of Jacob playing the udderbot with the band - but right now I'm still putting together my gear from storage and this was the best I could do with Windows Live movie maker on my laptop.
So for now - enjoy the sound of Jacob jamming…
What a hair raising trip, but the scenery is so beautiful. I can't get over how quiet your roads are.
The music is wonderfully traditional sounding folk.
I'm shipping my canon off so it can have a new career without me.
Its such a happy yet sad occasion to see your instrument leave the nest..... ;-[
so I had to spend just a little more time with it.
The video is the real show here - an excerpt from Xenharmonic Praxis Concert #2
This is Ruckus from the Quiet Zone in 7-limit Just Intonation composed by Ralph Lewis inspired by a trip we made to the Green Bank Radio Telelscope. The quiet zone…
The opening track from the 2nd Xenharmonic Praxis Concert, Madonna, il poco dolce, written by Nicola Vicentino (1511-1572)in (31-tone extended meantone)
composed by Marji Gere
violin Marji Gere
kalimba Dan Sedgwick
vocal Ryan Stickney
fipple pipe Elizabeth Adams
The video below is the "official" video for the July concert from which this performance is taken. The larger August concert video…
This is a composition for Jazz Quartet – Tenor Sax (sorry for the unrealistic stray notes), fretless bass, piano, and drums. All but the drums were preformed on my Fender Mustang + GR-20 retuned on the fly by Fractal Tune Smithy.
The tuning…
composed by Marji Gere
violin Marji Gere
kalimba Dan Sedgwick
vocal Ryan Stickney
fipple pipe Elizabeth Adams
The video below is the "official" video for the July concert from which this performance is taken. The larger August concert video…
This is a video I made that uses heavily modified voice samples from the human lattice at the xenharmonic praxis summer camp and video footage from a cave I visited in Virginia. The piece is in JI since that was the point of forming a human lattice…
A short improv piece. I'm starting a new project, where I will post at least one improv video/recording online each week, and at the end of each month collate them into an album.
This is the first one. Since July is almost over, I figure I…
This is a tune that's been on the back burner for a bit. I was looking to get a dark Ultravox kind of sound. Anyone feel like puttin' on their Midge Ure hat???
Anyway, these aren't the droids your looking for.
Move along..............Move along.
Finally, the finishing touches seem to be put on this three-year-old song thanks to some very talented people.
The band is:
Liam (age 13 at the time of recording) on drums
A Girl Named Sam (she's no kid!) with the backing vocals
Genevieve…
A few of you know I accidentally wiped out one of my SD cards that had all my works in progress on it. I'm just starting to piece it all together again - A slow process. This was supposed to be a reprise to "In My Head", but ended up being in…
I have issues at my house, sometimes they manifest themselves in my tracks. In this case, the bassoon and oboe represent the mouse. The guitar is the peanut-butter.
this is one inventive piece! what a mix - are you sure you didn't grow up south of I-10 in Louisiana? You have that Cajun blues thing down and who'd expect you could get oboe and bassoon to work so well with it! wow.
Hi - thought I'd throw up an older piece today while I have time (doing work at the new house later). This is an improvisation with my Fender Mustang / Roland GR-20 combination retuned on the fly to 9 notes per octave "Sorog" tuning. I think…
Yes, as a matter of practicality one performs with volume greater than the actual Fender (headphones to the GR-20, amplification of the Roland GR-20 ) - although I have mixed the "normal" and "new" tunings together and in some cases that sounds nice and fairly unique.
Really nothing more than some voice leading practice. Unfortunately, I had no keyboard or orchestral samples when I did this, so I used Lilypond and TiMidity++ and step programmed it in a text editor. I've since bought Cubase and EastWest/QuantumLeap…
As chance had it, I found myself in an acoustically great room, full of cajons! Well, they were unfinished cabinets actually, but they had lovely tones. Since this is the stuff dreams are made of, I had no choice but to seize the opportunity and…
well.... tell your wife you'll build her a new addition if she lets you keep this room as is :-)
nice - the sound is so surprisingly robust and resonate in tone.
Caveat emptor: I did absolutely none of the drumming in this piece.
WORLD PREMIER! FIRST RECORDING OF THIS PATTERN - EVER!
My friend Kokou "Alex" Yemey called me a few days ago with some urgency in his voice: "I must record this before…
It seems a lot of you record with open mics and can relate. I record 1 track at a time with usually 4 or 5 tracks. So, Im only asking for about 15 minutes of Silence...IS THIS TOO MUCH TO ASK??? Anyway, my house is so loud, I get a lot of bloopers…
Hi, The Suicide is programmed actually and uses Kontakt sounds. I have a large number of manuscripts which I created in college and shortly after (before 90's no computer program I had could let me score reasonably). In this case, The Suicide, was scored at an upright piano and I could play it at the time. Its really easy to play.
The last track that I'm going to upload for a while. I will be re-recording a few songs to release a LP under my own name. Hopefully it'll be good :)
This one is another exploration using loops and delays. I hope you like it!
Comments on vaisvil's stuff
Honoured to be the first listener to this monumental piece.
Well it went out with a bang. :)
Mournful, beautifully played.
Easy on the catnip, Puss!
O my it's leaving? Well you can make another. Great sound.
What a hair raising trip, but the scenery is so beautiful. I can't get over how quiet your roads are. The music is wonderfully traditional sounding folk.
Yeah, cheerio canon! Well, will you just look at that cat!
oooh!! sweet Irene she sure knows the blues.....
bad into.
The closing round was delightful as was the udderbot in the final song. I should probably make an udderbot...
I love the way the violin takes over from the voice in the run up. Clever! Nice track!
Smack damn, microtonal jazz. Nice Chris. I really like the floating bass in this one. And the Sax of course.
really diggin the blues tune. Shocking photo
Is this the strat you took the frets off sanded down, etc? Sounds great. Crispy.
Is that Zoom H2 battery operated?
Mesmerising!
Glad you're all safe. Digging these bluesy tones. -Tess
Great playing mate. That's one huge storm.
Very cool mix mate great sounds.
I'll take this track as a sign that you survived. nice jam.
Comments made by vaisvil
nicely done~!
interesting ! What is your set up? It sounds as if you were recorded in a hall.
I especially like parts I and II - nice work!!
boy, are you ever going through a creative period - everything is sounding top notch - I love the percussion + ambiance style here. World electro?
interesting aggressive minimal electro
nice themes!
Sam sounds like one of the Indigo Girls :-) Very nice song everyone!
this is very good - like the solid vocal harmonies and leads.
this is one inventive piece! what a mix - are you sure you didn't grow up south of I-10 in Louisiana? You have that Cajun blues thing down and who'd expect you could get oboe and bassoon to work so well with it! wow.
This is a great tune - I love the percussion and the deep deep sounds.
Yes, as a matter of practicality one performs with volume greater than the actual Fender (headphones to the GR-20, amplification of the Roland GR-20 ) - although I have mixed the "normal" and "new" tunings together and in some cases that sounds nice and fairly unique.
nicely done - sounds a bit floydish. Introspective Roger Waters.
all of the compositions are wonderful - I feel emotion from your work.
this is a very nice progression against a pedal point and exposition. I agree the room acoustics are really great - it sounds great!!
very classical period sounding.
well.... tell your wife you'll build her a new addition if she lets you keep this room as is :-) nice - the sound is so surprisingly robust and resonate in tone.
wow - this is complicated!! and cool!
Hi, The Suicide is programmed actually and uses Kontakt sounds. I have a large number of manuscripts which I created in college and shortly after (before 90's no computer program I had could let me score reasonably). In this case, The Suicide, was scored at an upright piano and I could play it at the time. Its really easy to play.
wonderful!! So this is in part classical guitar? If so great tone!
bizarrely the opening bass riff sounds like the theme to green acres - a usa 60's sitcom.