An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
"Deal Breaker" from the RPM Challenge Album "Dearly Beloved" by the band Doll Butcher. A blend of rock, metal and electronic music, this song is a father's perspective during a military attack in which he realizes his family will become refugees.
Hanging on my closet, I have a sticker for Narraganset beer and a mock-road-sign reading "Dystopia" with an arrow pointing both directions. The juxtaposition was unintentional, but I decided I liked it.
The Dystopia name works here. It sounds like the sort of song that would play the first day after the end of the world in some eight bit chip-tune reality. It's kind of bittersweet.
Modern Language is Lucid Optics on rhymes and Museum on production. This song is from the Ok Txt Me EP. Read more here: http://www.imposemagazine.com/bytes/new-music/modern-language-ok-txt-me
The second part of the new album "Space".
The songs are:
Barrel of a Gun
Afterlife
Somewhere South
The Walking Dead
Thanks for listening. More to come . . .
I'm digging whatever song it is that's playing around six minute mark here. I like the way the melody flutters around unexpectedly. It would be nice if the album was divided up song by song. (Easier to navigate that way.)
I like the minimalism of this. You do a lot with a very simple synthesizer. This is the sort of thing I could envision playing over a shortwave radio in the middle of the night, announcing the commencement of a number station or something.
This is the sort of thing that I would set on a time delay to begin playing while I'm already asleep. I could see it subtly interacting with my dreams and sending them in interesting directions.
This is fantastic - the lyrics are thought out very well and interweave nicely with the synthesizers. You're totally right - it has an 80s vibe to it. (Maybe late 80s / early 90s.)
Comments on AMUC's stuff
Love this tune....
Love those strings, very atmospheric.
Love this one.
Fab track and great name.
Hilarious! Don't know why you're so down on your album; it's really good.
wacky, dizzy, cool music. Love the strange echoey bent distortion of the vox samples.
Very eclectic track. Delightful!
Interesting and really cool sounding vocals
woah! This is different! I like it a lot. Especially at the first minute.
bravo!!!
nice work on this one, got more? Can't wait.
very interesting. completely bonkers.. but interesting all the same!
Comments made by AMUC
I'm digging this album - just the little morsel-sized audio capsule of 'wake-up' that I needed.
I'm digging the instrumentation on this one - it's very lush. You really get sucked right into it.
I'm digging this - it's catchy. It has an 'Arabian Nights' sort of vibe to it.
Catchy little ditty. I'm digging the vocals. The album art? Is that a reference to The Quiet Earth? That was the first thing that came to mind.
The Dystopia name works here. It sounds like the sort of song that would play the first day after the end of the world in some eight bit chip-tune reality. It's kind of bittersweet.
I like melodic twists and turns this one takes. It has an off-kilter/unsettling sort of atmosphere to it.
This has a nice crunch to it. The sound production on it is top notch as well (and louder rock is not easy to mix at all.)
Ha - naturally a song like this comes on when I'm trying (unsuccessfully) to replace the blinds on my window. The lyrics fit the task perfectly.
Nice - reminds me of Black Sabbath or Count Raven.
This is fantastic -- I like the interplay between the rapping and the sung choruses.
I really liked this one. Very relaxing - it helped me to unwind.
I'm digging whatever song it is that's playing around six minute mark here. I like the way the melody flutters around unexpectedly. It would be nice if the album was divided up song by song. (Easier to navigate that way.)
I like the minimalism of this. You do a lot with a very simple synthesizer. This is the sort of thing I could envision playing over a shortwave radio in the middle of the night, announcing the commencement of a number station or something.
I'm digging some of the sound effects you're making here. Was that an FFT-style synthesizer you were using at the very beginning?
This is the sort of thing that I would set on a time delay to begin playing while I'm already asleep. I could see it subtly interacting with my dreams and sending them in interesting directions.
Ha! A swimming pool of espresso sounds really good right about now. =)
This is fantastic - the lyrics are thought out very well and interweave nicely with the synthesizers. You're totally right - it has an 80s vibe to it. (Maybe late 80s / early 90s.)
The production is really solid on this. I like how you can hear all the different instruments clearly in the mix.
One can tell you were really in the moment when you did this one. It's very serene.
I like the vocals on this one -- I like the vocals transition between the louder parts and the more mellow sections.