This is my most angry song. Sodom And Gamorrah (c)2010 Terry A. Beckett How many times have we seen it? Headline the evening news. How many faces have been featured While the tabloids expose the ruse? How many sweet young things Have tried…

Old school or futurejazz? Extreme games or simply spazz? Gritty glitches with pretty snatches of melody, harmony, Reason and thyme.

Soothing and sad, a synthesized tune for the lovelorn and loveless. And just those with a perennial tear in their eyes.

Soothing and sad, a synthesized tune for the lovelorn and loveless. And just those with a perennial tear in their eyes.

Nine Eternities Of Doom!

Welcome to your first lesson in post-apocalyptic ballroom dancing for Martians and Manhunters alike. The track is not really cha-cha, but more like futurejazz, or 1960s mood music done by robots and mutants. 1-2-cha cha cha! First draft in 2006…

In Manila, waiting in the U.S. embassy line for a tourist visa back in 1999 was a 2-day affair in sun or rain, day or night. This is a 7-min. ode to the torture of waiting for the unobtainable.

In Manila, waiting in the U.S. embassy line for a tourist visa back in 1999 was a 2-day affair in sun or rain, day or night. This is a 7-min. ode to the torture of waiting for the unobtainable.

From RPM 2010. It's entirely analog synthesizer, drum machine, and my voice. Effects, too, of course. It's pretty repetitive, but I find it kinda catchy.

Of course, the title also reeks of jealousy because I couldn't create an IDM track even if I tried. So instead, here's a heavy, layered electronica track that reeks of faux glitchery and IDM-ishness.