DrumJunky

Wrote this little piece from 7/14/09 to 7/15/09. A lot more metal than I'm used to playing. Played on my broken-neck Epiphone semi-hollow.

Slightly twisted, odd. I like this one a lot...I think I'll do something more with it.

This song always puts you in a weird mood...forcibly sways your emotional state. There’s some kind of weird juju laced in that song that screws with your emotions no matter how you're feeling. This song uses a lot of layers for bass along with…

This is a serious idea. Gives a good feeling of what this can become.


Instrumentation: fretless bass, tabla, acoustic and distorted acoustic guitar, hang drum samples (courtesy of Sudara), soft synth (AAS Ultra Analog), ambient sample of the jungle (pitched down two octaves) a sprinkle of ebow (from my Sudara files).

Experimenting with my piano/keyboard skillz and a first attempt at record clapping. Needs a good go over with some quality drums and some better arranging. Everything sounds very "synthy" on account of I don't have any quality VSTi at the moment.

One of my favorite songs of all time and one of my favorite voices. Thanks M.T. My Skin Some days I’m fine Yeah some days I feel sublime All the time But then there’s days I wanna crawl out of my skin And leave it in A…

Slightly twisted, odd. I like this one a lot...I think I'll do something more with it.

‘Cut Up’ was a very challenging song for writing bass parts. The guitars in that song are rhythmically dominating. The pay off was a dense piece of music.

Wrote this little piece from 7/14/09 to 7/15/09. A lot more metal than I'm used to playing. Played on my broken-neck Epiphone semi-hollow.

This song always puts you in a weird mood...forcibly sways your emotional state. There’s some kind of weird juju laced in that song that screws with your emotions no matter how you're feeling. This song uses a lot of layers for bass along with…

This is a serious idea. Gives a good feeling of what this can become.

This is the book number four: Numbers. This is a book of war... a cry of war. Yes! this one has a lot of Gustav Holst influence and the first chord is very like Mozart's Don Giovanni... tell me what you think about it please. thanks.

A moody solo acoustic thing that I came up with playing in a long forgotten tuning. Just got a new Zoom H4N, so this was recorded in my shop sitting at my reedmaking bench may 12 2009

performed by counter)induction on 13 June, 2008 in New York NY, featuring guest flutist Jennifer Grim. Note: 'Li Bao’s lament, ‘Fighting South of the Ramparts,’ was probably written in 751, a year of significant military defeats for the Tang…

One of my darker tracks. This tracks epitomises how RPM felt for me; A progressive struggle where I just got my head down and got stuck in with the thing. In a phrase, this track says to me "Just fucking get on with it."

This was written while living in the studio. For some reason this song seems like music appropriate for a chase scene. This is all bass and drums...no guitars yet. Vic's working on it.

This was written while living in the studio. For some reason this song seems like music appropriate for a chase scene. This is all bass and drums...no guitars yet. Vic's working on it.

‘Cut Up’ was a very challenging song for writing bass parts. The guitars in that song are rhythmically dominating. The pay off was a dense piece of music.

Wrote this little piece from 7/14/09 to 7/15/09. A lot more metal than I'm used to playing. Played on my broken-neck Epiphone semi-hollow.

This is a serious idea. Gives a good feeling of what this can become.