I really wanted to play this one nicely, but every time i pressed 'record' and started to play, i made a mistake... so, after many tries i just decided left it like this (for the moment, at least...)
I hope you like and/or enjoy this one.
This is a composition from July's '96, and it could be said that it belongs to a period in which i was listening to, and composing, in a kind of 'baroque' style, very influenced by J. S. Bach. I hope you like and/or enjoy it.
By the way: what is this mysterious square iPods with a scroll wheel on each of its sides that you use instead of portrait? I do not remember this model from Apple ... P.S. Let me suggest that it is ... hmm ... Schrödinger's paradox box, for example :-)
...and yes - Floyd is Floyd, absolutely agree.
This is a composition from July's '96, and it could be said that it belongs to a period in which i was listening to, and composing, in a kind of 'baroque' style, very influenced by J. S. Bach. I hope you like and/or enjoy it.
Ok... while i'm recording 'the big one', all straight from part I to part IX with my nylon guitar, I couldn't resist to do this little one.
I hope you like and or enjoy.
Thanks again Wrinkled! I was considering just upload the WIP of the full version i'm recording those days, little by little... Not sure yet, but who knows! ;)
Ok... while i'm recording 'the big one', all straight from part I to part IX with my nylon guitar, I couldn't resist to do this little one.
I hope you like and or enjoy.
This is another composition from the early 90, and also a bass line. I added some arrengements to it, and it was, eventually, the third part of a long 'spacial' suite called 'Mars'. I could upload the 'part one' bass line one day, which I think…
This is another composition from the early 90, and also a bass line. I added some arrengements to it, and it was, eventually, the third part of a long 'spacial' suite called 'Mars'. I could upload the 'part one' bass line one day, which I think…
Ok... while i'm recording 'the big one', all straight from part I to part IX with my nylon guitar, I couldn't resist to do this little one.
I hope you like and or enjoy.
I just decided to upload this one again, as a separate version. It's the same record, but i've re-equalized it and doubled the main guitar an octave up.
A different flavor of the same thing. I hope you like and/or enjoy.
~Good things don't age. What about a man?~
I was a fan of easy listenings like Enoch Light, still love these sounds and light pleasure that they bring. Here so.
P.S. Night birds recorded in Berlin this April, silly whistling/theme is mine…
This is the first time I picked up and tried to play a guitar that is in 88 cent equal temperament - the tuning does not contain an octave. Since this was the first time I made some mistakes. Nonetheless I think it sounds interesting.
download full quality video (157 MB)
http://micro.soonlabel.com/17-ET/Dead_Sea.wmv
This is a guitar piece in classical style in 17 notes per octave using the 17 version of the phyrgian mode. In normal 12 equal tuning phyrgian mode starts on…
Thanks sister!!! I recommend you listen the 'collaborated' (i'm sure it's badly expressed... forgive my english) version with Movement To Contact. He wrote and sung some lyrics, and well... he took it to a higher place.
This one comes from an old jam from about 20 years ago. Made some changes and arrengements. It always made think of 'fishermen', thus the title, wich i took from the Edgar Allan Poe's short story 'A Descent into the Maelström'.
I hope you like…
This one comes from an old jam from about 20 years ago. Made some changes and arrengements. It always made think of 'fishermen', thus the title, wich i took from the Edgar Allan Poe's short story 'A Descent into the Maelström'.
I hope you like…
Thanks Dave! To be honest, i don't remember the tonal vs modal differences.. i read about it in some books years ago, but i can't remember now. Anyway, i could write the score in MuseScore and print it to a pdf if you want to take a look at it. I'm so sorry i couldn't answer your question... but i can feel some barroque influence in this little one.
This one comes from an old jam from about 20 years ago. Made some changes and arrengements. It always made think of 'fishermen', thus the title, wich i took from the Edgar Allan Poe's short story 'A Descent into the Maelström'.
I hope you like…
Comments on epimeison's stuff
Ahh, it's really pretty - tooo short!
Thanks Rick!
very nice!
A kind of a 'lyric writing' here Igor, not a poem, but more a thought... Btw, ¿do you speak spanish? Good research!
Well Igor... that is a dice with an eye picture on every side, but now that you say, the Apple guys could take a note on this...! ;)
Hey Igor..! This blog's name came from an old poem of mine, which came from a "The Best of The Doors" joke with my friend. ;)
Thanks Igor!
~otra tarde, una más de las ásperas soleadas tardes en continuo~
By the way: what is this mysterious square iPods with a scroll wheel on each of its sides that you use instead of portrait? I do not remember this model from Apple ... P.S. Let me suggest that it is ... hmm ... Schrödinger's paradox box, for example :-) ...and yes - Floyd is Floyd, absolutely agree.
...waiting for a a peaceful beast. ~ La bestia en la puerta~
Here's how I would like to play. Thank you Roberto.
Thanks again Wrinkled! I was considering just upload the WIP of the full version i'm recording those days, little by little... Not sure yet, but who knows! ;)
Thanks Wrinkled! I'm so glad you like some of my stuff!
Awesome! totally a different take, fresh!
Slow sweetness my friend...like it!
Hey, thanks Wildgeas!!
Wicked!!
Thanks igor!! Kind of wierd miniature... Nice to know you enjoyed it!!!
Thanks Bethan... a mini version of Pink Floyd's 'Shine on You, Crazy Diamond', waiting for the day I finish the full, long, nine parts recording.
Thank you very much, Bethan..!
Comments made by epimeison
Thanks kavin! I'll be updating it.
Thanks capt!!
What adorable music!!
I love it!
Very nice..
Simply beautiful!
Very interesting sound... I should learn something about this, i didn't have any idea about it.
Amazing.......!
I'm out of words to thank you, Movement...
Thanks sister!!! I recommend you listen the 'collaborated' (i'm sure it's badly expressed... forgive my english) version with Movement To Contact. He wrote and sung some lyrics, and well... he took it to a higher place.
Thanks hojorising!! It was originally played with a distorted guitar and a drum.
Thanks sister! Yes... it may have some medieval touch..
Thanks kirk!!
Thanks sister!!
Thanks Clean Vikings! Go ahead!
Thanks regs!!!
Thank you very much Dave!! I have 'Eclipse' as well, but i thought it was too much..
Thanks Dave! To be honest, i don't remember the tonal vs modal differences.. i read about it in some books years ago, but i can't remember now. Anyway, i could write the score in MuseScore and print it to a pdf if you want to take a look at it. I'm so sorry i couldn't answer your question... but i can feel some barroque influence in this little one.
Thanks Dave! Just a piece of this beautiful song.
Thanks Wrinkled!!