Top Of The Pops circa 1972! Remember when all those bands in the early 70's where adding synth to every song but the lyrics meant something (sometimes)? Pure excitement, pure bubblegum, pure fun. Well, this is my offering and thanks to all of…
Well, after my conversation (if you could call it that) with my Seagull Mini-Jumbo, I started playing THIS song...
So now my guitar has filed for legal separation. I guess it never realized what true musicianship was all this time. It actually had the nerve to ask for Gary's email to see if he'd be at the Listening Party in Portsmouth (as if it thinks I'll still bring it along to meet Gary face-to-fretboard).
A brief glimpse, but that's all. Inspired by last April. It's for everyone, but no one in particular. Yes, this one gives more than a passing nod to Ham and Evans. Thanks gents!
Just by to listen to the awesomeness again... I actually had the crazy idea of trying to cover this song with just a stripped down arrangement on the acoustic, but when I mentioned it to my guitar it angrily asked if I was "friggin' nuts" and went off to gripe in the corner of the room, mumbling something about my inadequacies as a musician and foolishness to try to mess with perfection.
We aren't speaking now. I'll try to re-establish contact with the six-string's representation by offering to play some James Taylor on it later, but after hearing this track I don't think it'll be interested in my version of "mediocre guitar playing" (I quoted the guitar on that one) any time soon.
This one started as a the title line while driving in my car. All I had was the line and it's melody. I built the song around that about 6 months later. The lyrics are self explanatory.
It's about a few folks, some known, some known to me. I liked the chunkiness of the chord that starts it, but wanted to do something a little more 'spacey' than a pure rock number. It's all true too.
This one started as a the title line while driving in my car. All I had was the line and it's melody. I built the song around that about 6 months later. The lyrics are self explanatory.
This one had better not be cr@p now lol...
And it's not... it's tingle-down-the-spine music.
A perfect finish to an utterly stunning album. Well done, very well done indeed.
This song started as the riff on my Strat while fooling around with some FX. I knew it needed to be a big dance number, and then realized there is a great story about the power of music and dance, which I hid in the lyrics. See if you can figure…
It's about a few folks, some known, some known to me. I liked the chunkiness of the chord that starts it, but wanted to do something a little more 'spacey' than a pure rock number. It's all true too.
A little fun riff that came from noodling on my Epi whilst watching the idiot box one night. It's kind of written for a friend who is a little lost in a self-imposed exile from life.
A little fun riff that came from noodling on my Epi whilst watching the idiot box one night. It's kind of written for a friend who is a little lost in a self-imposed exile from life.
This went by while I was musing on the earlier tracks...
Now I'm listening to it again. Another goodie. Stunning vox, and I'm liking the slide. The middle section is genius.
A brief glimpse, but that's all. Inspired by last April. It's for everyone, but no one in particular. Yes, this one gives more than a passing nod to Ham and Evans. Thanks gents!
Top Of The Pops circa 1972! Remember when all those bands in the early 70's where adding synth to every song but the lyrics meant something (sometimes)? Pure excitement, pure bubblegum, pure fun. Well, this is my offering and thanks to all of…
I've run out of words... I've broken me "Favourite" button...
And your rhythm guitar playing... wow... you've got the same thing going that Malcolm Young has.
Good grief... I'm only three songs into this album... this is just... just... fabulous.
Yep, that reverb is the one it needed.
Like DB sez, yes, ELO. But there's Mott The Hoople, etc, as well... much else... all that 70s goodness... and an excellent song as well.
It aint like no ones done this before
But how can you tire of beautiful chords
In the fifties
In Tenessee
Where my love
was born
Two young men upped and
crossed the yard
both cold cos it was rainin hard.
One of them turned said…
Can i get a little whisky in this water said John
The day the world stopped being fair
I didnt know what to say so I said yeah.
I poured a double whisky and I placed it in his hand
And said friend, only true friends understand
He said friend…
Well I been playing the blues for so long
Kinda feel like playing jazz x 2
I dig the random instrumentation.
Play this in eight over three and a half
I been playing the blues for so long, make me feel like tryna rap x 2
I think I'll call…
Hey Alex...this track made me turn green with envy. Your voice is f***ing awesome. The trade-off of the gtr and the keys is perfect, well balanced. Laid back back-beat groove. Yeah, just checked the mirror, I am pure green.
Cheers,
Gary
Jay, you should try to get movie soundtrack work. This song would be great for some of the darker horror movies. You really have an original flair, and this screams "Welcome to my altered state, dark, dark world." Brilliant. DO something with this music, it needs to be out there.
This track was born out of an annual project or "artbomb" at New Year's, where a bunch of artists get together, pick a word or "theme" and all upload our musical interpretations of said word or theme. This was from a couple of years ago when the…
I love the dark, moody tone of this one. There is a certain cacophony happening here, but in a sort of creative destruction way. It has that non sequiter feeling of a real dream. That's challenging to do, and I think you pulled it off.
John Lennon started it with God pt.I, U2 followed with God pt.II, and I was presumptuous enough to think I could do God pt.III. A wee nod here and there to the first two tracks with my own twist.
Comments on Gary Fox's stuff
Cool KEYS!!
Well, after my conversation (if you could call it that) with my Seagull Mini-Jumbo, I started playing THIS song... So now my guitar has filed for legal separation. I guess it never realized what true musicianship was all this time. It actually had the nerve to ask for Gary's email to see if he'd be at the Listening Party in Portsmouth (as if it thinks I'll still bring it along to meet Gary face-to-fretboard).
SO TRUE!!! Another great song!! Man you just spit great songs out!!
ROCK AND ROLL!!
Just by to listen to the awesomeness again... I actually had the crazy idea of trying to cover this song with just a stripped down arrangement on the acoustic, but when I mentioned it to my guitar it angrily asked if I was "friggin' nuts" and went off to gripe in the corner of the room, mumbling something about my inadequacies as a musician and foolishness to try to mess with perfection. We aren't speaking now. I'll try to re-establish contact with the six-string's representation by offering to play some James Taylor on it later, but after hearing this track I don't think it'll be interested in my version of "mediocre guitar playing" (I quoted the guitar on that one) any time soon.
Just Great! So dig the horns and strings at the end!!
Caught myself humming the chorus again and again, this has hit quality
Great song!!!!!
I second what Andy says. :) Regards, Steffen
This one had better not be cr@p now lol... And it's not... it's tingle-down-the-spine music. A perfect finish to an utterly stunning album. Well done, very well done indeed.
I ain't got nuthin sensible left to say Faved
Sigh... :-)
And that guitar break!!
This went by while I was musing on the earlier tracks... Now I'm listening to it again. Another goodie. Stunning vox, and I'm liking the slide. The middle section is genius.
This is a stunner. Had to come back and listen twice. So well put together... unbelievably good listening.
Brilliant.
Yep, always listen to what the song says :-) Another superb one. On certain days, this would be my favourite of the album so far.
I've run out of words... I've broken me "Favourite" button... And your rhythm guitar playing... wow... you've got the same thing going that Malcolm Young has.
Good grief... I'm only three songs into this album... this is just... just... fabulous. Yep, that reverb is the one it needed. Like DB sez, yes, ELO. But there's Mott The Hoople, etc, as well... much else... all that 70s goodness... and an excellent song as well.
Digging them geetars :-)
Comments made by Gary Fox
Ok, I just got a little greener. I love big soaring songs like this. So open, so wide. Great song Alex, great song.
Another great song...it sounds like Blind Faith wants to be you. I love the tone of this song. The gtr riffs are pure ear candy. Very tasty.
Hey Alex...this track made me turn green with envy. Your voice is f***ing awesome. The trade-off of the gtr and the keys is perfect, well balanced. Laid back back-beat groove. Yeah, just checked the mirror, I am pure green. Cheers, Gary
Jay, you should try to get movie soundtrack work. This song would be great for some of the darker horror movies. You really have an original flair, and this screams "Welcome to my altered state, dark, dark world." Brilliant. DO something with this music, it needs to be out there.
I love the dark, moody tone of this one. There is a certain cacophony happening here, but in a sort of creative destruction way. It has that non sequiter feeling of a real dream. That's challenging to do, and I think you pulled it off.
Love the gtrs, dark, vibrato tones. Cool Tom Waits vibe here with the vox. This is cool Jay, very cool.