Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album.
The titles of the pieces in album are follow each other in a certain order - see album description.
Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album.
The titles of the pieces in album are follow each other in a certain order - see album description.
Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album.
The titles of the pieces in album are follow each other in a certain order - see album description.
Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album.
The titles of the pieces in album are follow each other in a certain order - see album description.
Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album.
The titles of the pieces in album are follow each other in a certain order - see album description.
Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album.
The titles of the pieces in album are follow each other in a certain order - see album description.
Cowardly Lion: Courage! What makes a king out of a slave? Courage! What makes the flag on the mast to wave? Courage! What makes the elephant charge his tusk in the misty mist, or the dusky dusk? What makes the muskrat guard his musk? Courage…
Interpretation of that we see comes from us, so, therefore, is not objective. Seems, there is no objectivity here, none at all. But then why do we try again and again to learn, to understand, to feel?
The question is still the same: who are…
Hi Richard, thank you for listening. The instruments I've used here are: Roland V-Synth GT (general orchestration if I can say so :-) and, for the flute and trumpet, Roland Jupiter 80.
Interpretation of that we see comes from us, so, therefore, is not objective. Seems, there is no objectivity here, none at all. But then why do we try again and again to learn, to understand, to feel?
The question is still the same: who are…
~Through the night, and darkness, we rush forward to the tops of the universe. What for we're?~
The original version of this song was composed, written and mixed on board of the night train to Berlin, in 2004. Here is an updated version number…
Interpretation of that we see comes from us, so, therefore, is not objective. Seems, there is no objectivity here, none at all. But then why do we try again and again to learn, to understand, to feel?
The question is still the same: who are…
Indecision is not always bad, sometimes it even leads to the determination. Or leads to the solution. Or does not lead anywhere (also a kind of solution).
~For Tessa~
Cowardly Lion: Courage! What makes a king out of a slave? Courage! What makes the flag on the mast to wave? Courage! What makes the elephant charge his tusk in the misty mist, or the dusky dusk? What makes the muskrat guard his musk? Courage…
After the late naps
I can't get up, as should I?
Where I... Who am I?
Sounds comes, closer,
Ah! - here it is, my world,
Lovely, clear and simple
~
...the state after summer sleep before I (you) have any thoughts, or, more precisely, about…
...the state after summer sleep before I (you) have any thoughts, or, more precisely, about the state of occurrence of these thoughts (or whatever you call them).
~and just letting it flow~
~Essence of a musical box with the ballerina spinning around and around~ /as Bethan said/
~
Calm the night, unstirring,
And the air so clear
Pearls of dew uncurling,
Moonlight rays unfurling
’Cross the glassy mere.
Dulcet waves appeasing…
After the late naps
I can't get up, as should I?
Where I... Who am I?
Sounds comes, closer,
Ah! - here it is, my world,
Lovely, clear and simple
~
...the state after summer sleep before I (you) have any thoughts, or, more precisely, about…
Enchanting... mesmerizing. So, this music, that fills my heart, makes me wonder, once again... what am I doing among all these really great musicians??? Wow...
Cowardly Lion: Courage! What makes a king out of a slave? Courage! What makes the flag on the mast to wave? Courage! What makes the elephant charge his tusk in the misty mist, or the dusky dusk? What makes the muskrat guard his musk? Courage…
Another loop - not recorded that well and don't have the time to do much with it, but here it is none the less. The title more or less is a reflection on my life at the moment. Using the same junk I always do...
"As we grow up, we always carry our inner child with us. Wonder and curiosity... there are so many things the child sees. However, this is a view from above. We are now adults with good and bad experiences of life, looking inward. It is time…
I like that ephemeral trumpet. You definitely have to record an album. I imaging it as coherent sequence of clear pieces w/minimal arrangements. P.S. Now listening to Toshinori Kondo's "Silent Melodies"
This is a track I've been working on for quite a while so I am glad to finally have it out of my head.
I have a kind of love/hate relationship with time and its humble functionary, the clock. Ticking, in particular, is something I am ambivalent…
...after listening at about 5:40 I detected I live inside a clock. No - many clocks. Going mad with it/them... P.S. Better to listen [tick] in headphones or - even better [tick-tack] - thru studio monitors, loudddddd.
"Thoughts of Other Places", in all their 7 parts, were found by me as very good. I played something like this years ago. Will think to recall a memories in a new piece. Thank you guys!
This is a Scottish Traditional song sung by Amber accompanied by the Utah Symphony Orchestra on the 'Celtic Shores 2' album.
In the 18th century, many of the Clan Chiefs got a taste of the rich life of the lowlands of Scotland. The lairds…
Hush! It remembers me "Somebody's Calling My Name . . . Oh my Lord, Oh my Lord..." etc. Good song. Voice should sound more brave (comes with ages, if comes...). I like it
Hey, it's your second song with so good and passionate vocal, hmm. Don't wanted to mention Bryan Ferry here but...
P.S. Drum track needs to be remastered I think
Comments on igor's stuff
Like how some the songs have a much springer/bright sound than the others
great composition
Wonderful album of sweet tones - I'll return to this exceptional playlist again and again.
very nice
Good one, wild turnarounds.
Wonderful album Igor. I love nylon string classical guitar ;)
Very lovely.
Hi Richard, thank you for listening. The instruments I've used here are: Roland V-Synth GT (general orchestration if I can say so :-) and, for the flute and trumpet, Roland Jupiter 80.
really very nice,, what synth did you use for the horn,, i liked it's tembre very much
I remember watching doves flying around Checkpoint Charlie back in the 70's.
What a gorgeous composition with many faces.
Missed this one. Gorgeous!
Very nice
evocative soundscape and quite beautiful playing
And a lovely moment it is!
...the state after summer sleep before I (you) have any thoughts, or, more precisely, about the state of occurrence of these thoughts (or whatever you call them). ~and just letting it flow~
So nice, quiet and innocent sounds... super nice.
Enchanting... mesmerizing. So, this music, that fills my heart, makes me wonder, once again... what am I doing among all these really great musicians??? Wow...
Lovely piece!
So beautiful, Igor...
Comments made by igor
...and http://www.aubreyzich.com also interesting...
Huh! I like it...
Hi Doug, nice track. For me: The future is defined. Not by us. Take care and - Happy New Year 2010, RubyMan :-)
To NebulonicAlchemy: it's a lullaby, "Little Sun", standard gypsy crying by gypsy. About anything and everything...
Run, Snow White, run! Until the snow is not covered his tracks...
Hmm... Good/Kharasho. Robin Guthrie is missed here to become a shadow of Cocteau Twins
Brave you. One of my favorite melody - why don't re-fresh?
More than I expected. Good. Jon Hassell works are my favorite here
...heuristic hermeneutics way of going [playing] I would say. Interesting, though.
Sometimes? Love is a gift. And a hard bargain.
I like that ephemeral trumpet. You definitely have to record an album. I imaging it as coherent sequence of clear pieces w/minimal arrangements. P.S. Now listening to Toshinori Kondo's "Silent Melodies"
Choir from beyond
...after listening at about 5:40 I detected I live inside a clock. No - many clocks. Going mad with it/them... P.S. Better to listen [tick] in headphones or - even better [tick-tack] - thru studio monitors, loudddddd.
A bit nervious signals on the eve of Christmas Eve
"Thoughts of Other Places", in all their 7 parts, were found by me as very good. I played something like this years ago. Will think to recall a memories in a new piece. Thank you guys!
Hey, that's a Good One. Thank [any] God there are people who knows what is jazz is. And still working on it. Even marked as "Kosher for Passover"
Hush! It remembers me "Somebody's Calling My Name . . . Oh my Lord, Oh my Lord..." etc. Good song. Voice should sound more brave (comes with ages, if comes...). I like it
Hey, it's your second song with so good and passionate vocal, hmm. Don't wanted to mention Bryan Ferry here but... P.S. Drum track needs to be remastered I think
Talking Sun, shinin'. Matt's style
...I wish I could sing...