yes Sonic-Pi.net is great I am just working with the examples they have and adding to that.. in the coding.. it is .. really great the things.. and the random possibilities that are there.--
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This is a live mix of 6 oscillations created in Pure Data. CDBAF#E according to my notes. Discovered this patch from making it about a year ago on a Linux machine. I opened up and created this live interaction.
This started as a test for a removable piezo pickup I got for my baritone ukulele. I was using my current Pure Data looping and oscillator patch and continued layering 6 loops off my first test and got into the groove. I added in two oscillators…
Created from ongoing trying to improve a Pure Data performance patch for live. This was 5 test voice samples pitched up slightly and mixed live with 2 oscillators pitched at 222 and 242 and 2 noise generators.
the controls to the acapella voices is a really interesting concept ,,, I will have to wait for this PD performance.. algorithm ,, to grow ,,, I am looking forward to these new experiments and enjoying where the process is now.
I've been inspired all week by Steve Reich's Electric Counterpoint. This piece of 6 parts done by me on baritone ukulele is my response to it, very loosely based and the core repetitive rhythmic part based on the 3rd movement, Fast. Additional…
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
the saturated sound creation seems to overload the --- audio recording of it.. :( it is good I try to eliminate the crackle going on from that in my music as I too do that supersaturated sounds and effect...
I haven't done anything in Pure Data in several weeks and today amidst the Thanksgiving festivities, started playing with a foundation for a piece. I resurrected an acoustic guitar sample I had recorded in a reworking several months ago for a…
Another GarageBand recording for Soind-In, 3-5/1/2019. Title is a parody of Giles Farnaby's Dream by Penguin Cafe Orchestra, and was done since it was recorded while watching Midsomer Murders.
Your subtle is amazingly spooky as always Roger. You get such tones and clarity and still make me think of the Smoke Monster from Lost in many of your pieces, this one no less.
Kavin some lovely stuff and nice edits, transitions. Like the distortion quality on the near ending acoustic and electric blend before your finish. Congrats on a good month of dailies. Impressed.
Comments on jimgoodinmusic's stuff
Eeriest of eeriest!
yes Sonic-Pi.net is great I am just working with the examples they have and adding to that.. in the coding.. it is .. really great the things.. and the random possibilities that are there.--
Very interesting... just searched Sonic Pi... VERY interesting.
Always pleasantly surprised by the imagery your music creates for me. love this.
It certainly is an interesting experience in the head phones!
Excellent! This track is screaming for visualization.
Excellent work
Yeah...still a fan! This is very interesting.
I am here.. and there.. and everywhere --- we all are. :) great experiments, I think the sounds are true--
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definite workings in sound.. it is.. consistent and well played. here-
so experimental there is a way about this that has,,.. mmm a way about it.
I, have to say it. Since you’re in the groove, it’s happening really groovy.. keep doing these Jim! With a groove like that don’t stop..
I seriously like the progress in these constructions..it’s really developing into new music.
the controls to the acapella voices is a really interesting concept ,,, I will have to wait for this PD performance.. algorithm ,, to grow ,,, I am looking forward to these new experiments and enjoying where the process is now.
<3 me Reich-ish things on stringed instruments. Nice one!
A cool microtonal experimental piece!
Linda: “what is your phone doing?” :D
the saturated sound creation seems to overload the --- audio recording of it.. :( it is good I try to eliminate the crackle going on from that in my music as I too do that supersaturated sounds and effect...
wow Love this.. --- I don't even hear the cover Tomorrow Never Knows in there so that makes it even better.. --
Comments made by jimgoodinmusic
like a fusion of east meets west Pete!
really nice you two!
nice textures and poetry....
really nice suspenseful piano on this
on the edge
Lovely Jim.
Chris great lead sound on this!
Bruce this was like the 'thing inside'. Love the subtle in the beginning to the huge moments later and the hard cut at end!
like the backwards
Nice Jim!
Bill you added some nice edge to these and upper freq stuff. Like it!
far away in the hills and over...
Your subtle is amazingly spooky as always Roger. You get such tones and clarity and still make me think of the Smoke Monster from Lost in many of your pieces, this one no less.
departures for you Ben, new ground in other words. Voicing very etherial and positive light emitting.
Like Chris. Efx on your voices is nicely ELOish meets CSN and the mando cello reminds me of Dave Pegg :)
bit Thomas Dolby and Gary Neumann like mid way
love Fudge's comment about this! you have a nice balance btwn kind of techno and earthy. Dig it!
Fantastic! field drums underneath perfect set.
Chris this is lovely. Commented on SI Fripp lines on top of an almagmation of contrasts or some such.
Kavin some lovely stuff and nice edits, transitions. Like the distortion quality on the near ending acoustic and electric blend before your finish. Congrats on a good month of dailies. Impressed.