A live improv of dulcimer and voice, continuing on the energy from my October 21 Shiver session. With Sound-In in mind to say I ain't dead yet!

Digital Sea is an ambient generative music piece written in the Pure Data programming language. It is constantly changing, circulating, and flowing. The program written to record this piece is capable of generating a unique, endless performance…

Continuing to work with a tuning I was enlightened to by Chris Vaisvil, Porcupine tuning by Dustin Schallert. My platform is Pure Data and I created a patch with 12 oscillators, one per frequency of the Porcupine tuning, well except the last…

Cool envelope I found and tweaked over two oscillators being initialized with random frequencies 0-1400 hz. Built two loops into the patch and it's soup! Credit inspiration from Paris Young with reminding me about PD's randomizer object!

Digital Sea is an ambient generative music piece written in the Pure Data programming language. It is constantly changing, circulating, and flowing. The program written to record this piece is capable of generating a unique, endless performance…

Test recording of voice modified by a EHX Voice Box on vocoder setting; the modulating signal is the sound from a one-string instrument made from an old crutch. Post production involved adding two copies of the original mono track, panned slightly…

Inspired by fellow Sound-In composer Chris Vasvil and a piece he did this week based on the tuning of Dustin Schallert. I created a pitch around most of the frequencies, this was one of the improvisations.

Continuing to work with a tuning I was enlightened to by Chris Vaisvil, Porcupine tuning by Dustin Schallert. My platform is Pure Data and I created a patch with 12 oscillators, one per frequency of the Porcupine tuning, well except the last…

A live improv of dulcimer and voice, continuing on the energy from my October 21 Shiver session. With Sound-In in mind to say I ain't dead yet!