Look, it's not a Letter Seventeen record if I don't end it with something like this. Plus, I spent way too much time playing with orchestral libraries all summer to not use them somewhere.
It started off so nice
A time for you and me
Taking…
I developed a strong obsession with the building blocks of pop songs and tried to craft one. Unfortunately, I wrote it in a key that was high enough that the combination of the rapid-fire words and the pitch nearly made me pass out while singing…
Another song idea from a meme. Or, more accurately, a movement.
The term “Birds Aren’t Real” refers to biological “Birds” no longer existing on United States soil. After the government forcibly made the entire species extinct in the 20th century…
Based on the show "The Great" on Hulu. Yeah, I know. You've never heard of it...
Lead guitar by Anton Samford
Backing Vox by Megan Kleven https://megankleven.bandcamp.com
You got the moves, you carry the cachet
Always used to having…
I developed a strong obsession with the building blocks of pop songs and tried to craft one. Unfortunately, I wrote it in a key that was high enough that the combination of the rapid-fire words and the pitch nearly made me pass out while singing…
Another song idea from a meme. Or, more accurately, a movement.
The term “Birds Aren’t Real” refers to biological “Birds” no longer existing on United States soil. After the government forcibly made the entire species extinct in the 20th century…
A tale of two songs and a unicorn. The funky instrumental meets the jazzy bits and then Megan joins in on the singy bits.
I've spent years searching for the proper female singer for my songs. I've referred to it as my quest for a unicorn…
For the first time in 13 years Grant sent me some lyrics. I added a verse and then spent the month of February waiting for the song to give me a direction. It did on about the 24th. Originally this was sunny and upbeat.
Keep it quiet kids…
Bringing back a song from 2011 with a new twist. The song now has drums, bass, and an orchestral backend. This is hopefully part of a larger collection of me reworking older songs with orchestration.
Many thanks to Brian of A Beautiful Scene…
Bringing back a song from 2011 with a new twist. The song now has drums, bass, and an orchestral backend. This is hopefully part of a larger collection of me reworking older songs with orchestration.
Many thanks to Brian of A Beautiful Scene…
Bringing back a song from 2011 with a new twist. The song now has drums, bass, and an orchestral backend. This is hopefully part of a larger collection of me reworking older songs with orchestration.
Many thanks to Brian of A Beautiful Scene…
Bringing back a song from 2011 with a new twist. The song now has drums, bass, and an orchestral backend. This is hopefully part of a larger collection of me reworking older songs with orchestration.
Many thanks to Brian of A Beautiful Scene…
Bringing back a song from 2011 with a new twist. The song now has drums, bass, and an orchestral backend. This is hopefully part of a larger collection of me reworking older songs with orchestration.
Many thanks to Brian of A Beautiful Scene…
Bringing back a song from 2011 with a new twist. The song now has drums, bass, and an orchestral backend. This is hopefully part of a larger collection of me reworking older songs with orchestration.
Many thanks to Brian of A Beautiful Scene…
Brian wrote a song.
Wilsun covered it.
Wilsun gave me his Garageband file.
I teamed up with a robot orchestra and we made this.
Hopefully Brian and Wilsun will like it.
Wilsun's cover: https://alonetone.com/wng801/tracks/leave-me-alone…
Brian wrote a song.
Wilsun covered it.
Wilsun gave me his Garageband file.
I teamed up with a robot orchestra and we made this.
Hopefully Brian and Wilsun will like it.
Wilsun's cover: https://alonetone.com/wng801/tracks/leave-me-alone…
Brian wrote a song.
Wilsun covered it.
Wilsun gave me his Garageband file.
I teamed up with a robot orchestra and we made this.
Hopefully Brian and Wilsun will like it.
Wilsun's cover: https://alonetone.com/wng801/tracks/leave-me-alone…
A lot of interesting things happening in that orchestra, great remix of an already great cover! Way to exploit Wilsun's awesome voice and push it out onto it's own!
Matt Ferrara doesn't get enough love around here. He's a brilliant arranger and lyricist and it's rare, if ever, that someone covers one of his songs. So I set out to correct that. As usual, it's faster than the original because, well, it's…
Matt Ferrara doesn't get enough love around here. He's a brilliant arranger and lyricist and it's rare, if ever, that someone covers one of his songs. So I set out to correct that. As usual, it's faster than the original because, well, it's…
Thanks, Gary. All of the credit for the keys (and the awesome stick bass in the verses) goes to Clarke McMurray. He killed it. This song has an odd feature where I'm playing bass in the choruses and Clarke is playing stick in the verses.
I got a friend, his name is Tim, and he really likes donkey songs.
Letter Seventeen on Mandolin, Banjo, Backing Vocals, Beer bottle, hoots n hollers...
When my 'whole morning for recording' turned into 30 minutes, I did this. Beep beep;
Driving all over the fucking road.
Left right left right doesn't really matter.
In n out of lanes in my mitsubishi colt
Left right left right doesnt really…
Interpret this song as you wish. The inspiration is a rash of door to door religion salesmen that plague my neighborhood. The conversations they try to engage me in made me ponder their motivation for grace.
from the album "ZERO"
featuring Meg Radley on vocals
way to go
great escape
such a clever girl you are
made the grade
change the course
all because of what she said
climb up the ladder
release the lion trapped inside
all our thoughts…
from the album 'ZERO'
with Alex Moody on Vocals
lover cease
and desist what you say
cause there's a ton of trouble
coming your way
lover be strong
it's gonna be a crazy ride
but when it all hits the fan
i'll be the one with the plan…
from the album 'ZERO'
featuring Tess Savigear on vocals
as you wish said the boy
to the girl with the sparkling eyes
so it goes, so they say
he was taken from her that day
and her deep blue eyes went silent
just another sad tale, so sorry…
from the album "ZERO"
with Alex Moody on vocals
if you believe in the miracle of trust
and that karma's hands always touch
everything, whether near or out of touch
gotta keep on reaching, cause it never hurts
to try, it's not so hard…
from the album "ZERO"
featuring Meg Radley on vocals
wait a day
might as well stay, awhile
here with me
where the breeze, blows
just say now
time grows shorter
then we dream
awake a scream, out loud
leaving leaves a hole
kicks around…
from the album "ZERO"
featuring Tess Savigear on vox
seems like I felt this way before
but my memory is not to be trusted
so many things flashing through my brain
was it real or a dream or something else
you're staring at me like a criminal…
from the album "ZERO"
featuring Alex Moody on vocals
you used to be
someone I could believe in
someone much better than me
and now you're no better than the others
i'm sorry to say...
you weren't so smart
locking yourself in your house…
Comments on Letter Seventeen's stuff
Excellent set of songs. Well done.
Another v cool chorus. Excellent vocals.
Loving this one
Cool chorus. And I love that guitar
The vox on this are great!
You had me with the surf vibe!
Killer tune Tim, my fav on the album so far
so many words
Yeah, like it.
nicely done!
Hell yeah!
Great rework of your tune! Glad I could be apart of it!
Was so fun to join in, as always! Sounds great, Tim. :)
Really well done. I can't wait for the Broadway musical to come out :-)
More than 10 years later and I still love this song.
Great remix, love the string heavy outro! Interesting to hear the vocals more upfront as well.
Nice
A lot of interesting things happening in that orchestra, great remix of an already great cover! Way to exploit Wilsun's awesome voice and push it out onto it's own!
Sounds great Tim!
Wow, I’m honored and really love the Cure vibes you brought into the outro!
Comments made by Letter Seventeen
Great work, Brian. Nice, mellow groove and I like all of the flourishes.
This is better than roughly 75% of the music produced by RPM participants each year. Henry's already almost as good as his dad.... :)
Yowza. Missed this the first time around. Awesome work!
Thanks, Gary. All of the credit for the keys (and the awesome stick bass in the verses) goes to Clarke McMurray. He killed it. This song has an odd feature where I'm playing bass in the choruses and Clarke is playing stick in the verses.
Hey wait - that's ME!
A farfeeza, a marimba, a surf beat, and a Dick Dale guitar line. What more could you ask for?!?!
Subtle and pretty from Sha-Pink? And it works!
And now some early Depeche Mode... It's like an updated version of New Life, covered by Thomas Dolby. Damn, guys. Just damn.
Makes me think of Blancmange! Another awesome tune. It sounds like the fun is out in full effect for Sha-Pink this year.
This song is everything I love about Sha-Pink! Awesome B-52's vibe on this tune. Great job, guys. (uh-huh uh-huh uh-huh uh-huh)
I had an absolute blast working on this track, and it's about ME!!!!!
Fabulous work, Alex. It matters! beep-beep.
This is one of your best vocal performances ever, Brian.
Oh. Meg…. What a fabulous way to round out the album.
The build and the slinky bassline on this tune are so great. And Alex kills the vocals yet again.
I adore the part where Tess's voice breaks up oh-so slightly at about 3:40. Awesome.
I had a lot of fun playing with the effects on Alex's voice on this one. Another great song.
Just lovely, and I really like the build.
Tess lets her voice slink through this song. Just a fantastic vocal.
Another tremendous arrangement.