And yet another test effects of the browser audio creation device..
http://www.audiosauna.com/studio/
aaaa sorry about the twirly sound at first i did not notice it but then I edited it out in the next mixdown.
I have a midi file for this work; If you need the midi then say so and I will try and transfer said midi file to you...https://archive.org/details/Track24 this is where to find the midi file for this work,.. ;)
yes it is started in mono then feedbackes into stereo ,.. at like the fifth second of play. this is very much like songs by... http://www.stevereich.com/
this was in a group of cd's I discovered in my apartment the other day.. mostly regular CD types, I reworked the mp3 compression to fit it on alonetone. I am still thinking of breaking open that set of dvd's with mp3,s on them and uploading the whole thing this dvd's are musics from 2004 and earlier,..it seems that every time i go to digitize some cassettes I end up just giving up and making more music..so I will do that first then..
William this is pretty cool - not sure if you posted this on Sound-In but digging it. Lot of thought in your placement of your sources to stand out in the 'noise' level. Don't be stranger to SI btw.
always the want for making more musically constructed sound scapes .. always. as I am downloading this fps game.. and to listen to this.. I need more fun time ,, maybe.
wow---Darmok with hands held open.. :)
It could have a counterpoint track added from a synthesizer performance that could happen-- maybe using this work as part of the synth construction--???
great.. this is sounding more experimental then avant garde .. not that I have ever been able to tell the difference them at times- What were those original words you spoke.. I sorta think I know what you said but yeah Have to make sure.
Thank you Greg, Colleen, and Andrew for your comments. I need to add a little more from that day so long ago.
The Battle for Layfayette Square were improvisational warm ups and cool downs for practicing this progressive rock attempt that clocks…
Initially a contribution to an upcoming Chris Vaisvil record. I did several short real time played or created samples and remixed live in a new Pure Data patch I'm developing the 53 seconds I did for Chris with my original samples enhanced…
I started listening to this the day before but had to do something it was getting off to a great start --- I am back to finish.. and listen to the beginning again..
subtle creativity going on .. it is most minimal in nature I like that --- I will post here with I said on the fb group..---
yeah not other.. worldly but between that other worldly and this worldly-- It is .. intense I find the saw sound often with feedback 'extreme' delay settings on the supernova. 0--0 I have come to look for the buzzsaw = sound in the digital delay settings on my machine. It is a balance of feedback and feedthru that makes it what it is. for me. this is a great because I hear my sounds there too. but this is totally controlled and out of flux where when I make the buzzsaw .. it is in constant change .. with nothing regular about it at all .. yours it the regularity that sets the song apart.
excellent such total control going on.. it is interesting .. lots to hear. it is almost chaotic anarchy going on to be resolved by the delicate touch of the those final chords. wow
Using a hang drum and hand pan apps, Pure Data oscillators recorded live, mixed down with a manipulated oscillator track and a city market sample on the end from Freesound.org contributing member Klankbeeld https://freesound.org/people/klankbeeld…
classic electronic constructions with sound. so great. == but ?- is there a loose knob .. I love loose knobs.. they get the stuff that are machine specific to just one machine.. mmm I can't tell, but I am not hearing any loose knobs., going on.. sometimes I think ... maybe I am the loose knob... hehe.
The end of this is.. the best part .. that part with out drums just is what I like... Things like that as a whole song would be neat. Anyway people usually like drums.. I like sound effects..
nice.. don't lose that embouchure, I have lost mine. I am not willing to put the time in again to get it back.. since I have had a trombone again..--- you know it is not that I can't play the trombone .. it is that the sound is not like that of someone playing with an.. embouchure -- nice whisper like effects toward the end..
Comments on Newbold's stuff
Yikes! This could be some futuristic alien music from Vega!
Damn that was deep. I miss your stuff! Faved!
yes it is started in mono then feedbackes into stereo ,.. at like the fifth second of play. this is very much like songs by... http://www.stevereich.com/
ahhh so electric harmonic's woe
hawian like
i like it
by second 27 it has started and the play levels are leveled.
Go on, be chill dags jive counts,..
Go invent sound again?
hahahahhaahhhaahaha BEATS
ohkeee dokeee one three five niner seven eight to two.
This is great. Long. But great.
this was in a group of cd's I discovered in my apartment the other day.. mostly regular CD types, I reworked the mp3 compression to fit it on alonetone. I am still thinking of breaking open that set of dvd's with mp3,s on them and uploading the whole thing this dvd's are musics from 2004 and earlier,..it seems that every time i go to digitize some cassettes I end up just giving up and making more music..so I will do that first then..
In a diferente level here...cool trip
William this is pretty cool - not sure if you posted this on Sound-In but digging it. Lot of thought in your placement of your sources to stand out in the 'noise' level. Don't be stranger to SI btw.
always the want for making more musically constructed sound scapes .. always. as I am downloading this fps game.. and to listen to this.. I need more fun time ,, maybe.
gosh this is like music from the other side of the veil of the multi-universe!
I'm up for a collaboration. Perhaps I can play my long string harp which you can manipulate and videoize.
It sounds like you are in tune with your instrument to me! ~:^)~
this is the butting in toys parts separated not layered the toys work is the parts of this piece played together.
Comments made by Newbold
wow---Darmok with hands held open.. :) It could have a counterpoint track added from a synthesizer performance that could happen-- maybe using this work as part of the synth construction--???
great.. this is sounding more experimental then avant garde .. not that I have ever been able to tell the difference them at times- What were those original words you spoke.. I sorta think I know what you said but yeah Have to make sure.
nice... powerful-
very delicate in its way--
yes very powerful music and lyrics.. can't quite hear the lyrics but I am glad you wrote them out the lyrics are the best I have seen ..-- wow
good sounds going on in this.
I started listening to this the day before but had to do something it was getting off to a great start --- I am back to finish.. and listen to the beginning again..
this.. this is so neat.. it has many different elements in a wide variety of way shapes maybe but a kind of protest in sound very good.
it is hard to tell that it is not the original. .. very good cover..--..
subtle creativity going on .. it is most minimal in nature I like that --- I will post here with I said on the fb group..--- yeah not other.. worldly but between that other worldly and this worldly-- It is .. intense I find the saw sound often with feedback 'extreme' delay settings on the supernova. 0--0 I have come to look for the buzzsaw = sound in the digital delay settings on my machine. It is a balance of feedback and feedthru that makes it what it is. for me. this is a great because I hear my sounds there too. but this is totally controlled and out of flux where when I make the buzzsaw .. it is in constant change .. with nothing regular about it at all .. yours it the regularity that sets the song apart.
excellent such total control going on.. it is interesting .. lots to hear. it is almost chaotic anarchy going on to be resolved by the delicate touch of the those final chords. wow
these birds are great.. :) such great textures in the mix.. it is ..-- is great.
nice stuff. here.
classic electronic constructions with sound. so great. == but ?- is there a loose knob .. I love loose knobs.. they get the stuff that are machine specific to just one machine.. mmm I can't tell, but I am not hearing any loose knobs., going on.. sometimes I think ... maybe I am the loose knob... hehe.
thanks Jim --- it is quite the frequency mix going on-- I am just getting my feet wet with the macbook pro I have now.-- is quite a machine.-
nice work here--
nice and mellow .. ---
The end of this is.. the best part .. that part with out drums just is what I like... Things like that as a whole song would be neat. Anyway people usually like drums.. I like sound effects..
nice.. don't lose that embouchure, I have lost mine. I am not willing to put the time in again to get it back.. since I have had a trombone again..--- you know it is not that I can't play the trombone .. it is that the sound is not like that of someone playing with an.. embouchure -- nice whisper like effects toward the end..
rather long but well worth the listen the sounds are new and old going on in a wild mix that I like ..--