this is the midi file called porcupine-22 feed thru my supernova II not sure where clones got the file or if that was one he made himself but I believe it was in the section of MIDI files to feed into the nova.. :) then the edits and the mixing…
this is the midi file called porcupine-22 feed thru my supernova II not sure where clones got the file or if that was one he made himself but I believe it was in the section of MIDI files to feed into the nova.. :) then the edits and the mixing…
software for the sound scape? audacity was in record constantly then the LMMS=0.4.7 because I have a bug in the LMMS=0.4.8 and had to roll back to the previous version the midi file used was something that Chris Vaisvil sent me to work with ,, the midi out went to the supernova II os 2.o where I changed the programed patch groupings every now and then ,, remixed everything in audacity then melted it down to mp3 form :) edit 2 will be going in to the original records and restructuring the whole thing ... :)
this is the midi file called porcupine-22 feed thru my supernova II not sure where clones got the file or if that was one he made himself but I believe it was in the section of MIDI files to feed into the nova.. :) then the edits and the mixing…
this is the midi file called porcupine-22 feed thru my supernova II not sure where clones got the file or if that was one he made himself but I believe it was in the section of MIDI files to feed into the nova.. :) then the edits and the mixing…
great energetic stuff full of tension and layers, nearly got lost here like drifting between multiple concerts in a festival. Still lokking for the holes though , in edit 2?? ;)
everyone has to suck 'something' at some point in their life right? If and when i do suck ,, I have lots of fun at it, ::mostly this stuff i put here is because others "get it" and if you don't then it does suck totally, but then you need not listen further because at that, it will all be like this.
thanks i will but I spend so much time doing the computer music thing I don't know I still have to buy a g-string for the guitar I broke that on my guitar a little while ago..i hate g-string comments they are really absurd but yes I will be back on the guitar once the g-string is replaced :)
this is close to the end of the musix i was writing/recording as my terabyte was going down due to a bad processor fan that would cause the machine to crash and eventually cost all the memory on the drive to be lost meaning 600 gig of information…
this gets mixed into thoughts and back thoughts but here it is by itself, and right now I am listening to it, and @ about minute five something happens ;o nothing big just a mellow thing there as well. We, Me errrrr I am trying to cut the size…
gone into the supernova again, it really is fun but this is it for now till say tonight again, or so. Ahhh there are beats too what am er was I thinking just then?
gone into the supernova again, it really is fun but this is it for now till say tonight again, or so. Ahhh there are beats too what am er was I thinking just then?
this must of been an out-take from the verbal sinks work sorta lifted out of the part four of that series the other day and this was a second thought for the work. It is interesting but short.
this must of been an out-take from the verbal sinks work sorta lifted out of the part four of that series the other day and this was a second thought for the work. It is interesting but short.
just titled it right now. there is a really mellowness to it almost dark mellow but not exactly. created as an out in cubase back in 2005 or 2006 when I was doing the cubase thing. Oh the reason I dropped cubase was it's inability to upgrade…
just titled it right now. there is a really mellowness to it almost dark mellow but not exactly. created as an out in cubase back in 2005 or 2006 when I was doing the cubase thing. Oh the reason I dropped cubase was it's inability to upgrade…
mixed as well on sept 10 2008 but even still totally different then. no video yet I think?
working on here.
http://i693.photobucket.com/albums/vv295/h92o/btttr/oftwo017.jpg
oops, was reading: a bit long and perfect for a danceclub, but that was another not...
This is a great soothing ambient piece, that could've been much longer AFTER the dance. great sounds
actually I made most of this music with a cigarette in my hand back over five plus years ago when I smoke the cigarettes, now it has been four years and some "change" since i have smoked and coming round to four complete years since I used the NRT ;p
When I was young we lived opposite a big play area - lots of grass and trees and bushes to rampage around - and in the middle a tarmac playground with the "amusements" - a witches hat (aka umbrella), a long rocking horse with saddles along its…
Duet piece recorded between a Eurorack modular synthesizer I built and a Behringer Model D (minimoog clone). Tons of reverb and delay for added effect.
great!! --- I like this so mellow and well mixed --- one of the curves of guitar changes.. reminds me of that early rolling stones songs "No Expectations" from "let it bleed" --- you probably can hear it too?
First of three pieces made from the same original material; short bursts of sound from a cheap harmonica. Nine of these bursts were selected from the original recording, each of slightly different length. Each was then time-stretched by the same…
cool experiment the stretching and time resolution are really important to the final sound the echoes seem separate from other things --- was thinking there should be no null points --- because of the echoes going on-- how does the interactions work?
Roland SE-02 through EHX Stereo Memory Man -> Zoom RFX-300. Title comes from a combination of the time length, and the fact that it was created for the current Sound-In for 1-7/1/2021.
Excellent greatness.. It is a song that brings me back to the effects in phase and out of phase blips and bliggies .. It's the squibbly bliggies that started to loose the phases that were happening when I knew a Roland was grooving... This reminds me of how I make sounds as well. Minute 10:35 it's like birds. At about 13 minutes in the aliens seem to check in..and then leave but returned at 14 minutes in.. Chipmunks at 17 minutes in are neat maybe more of that?? It's phasing in & out as it does all the way to the end.
excellent -- way out excellence --- I will have to adjust my temporal transvergence devices to new settings.. and allow these breaking rays of temporal light frequencies to be registered by them.
vocal, two 17 equal electric guitars, faux 17 edo bass, melodyne retuned 17 equal classical guitar, Alesis Nitro Mesh drums. and the usual effects and manipulations.
Exactly what are we ending like this?? It's a very tight performance you have created.. What seems good in both forward and reverse directions and safe at any bpm we can think of. I am hearing that mesmerizing sonic swirl going on.---ฯ§¥~~ is that a setting on one of the boxes being used???
Comments on Newbold's stuff
Thanks for the listens, glad you liked the tracks. ;)
software for the sound scape? audacity was in record constantly then the LMMS=0.4.7 because I have a bug in the LMMS=0.4.8 and had to roll back to the previous version the midi file used was something that Chris Vaisvil sent me to work with ,, the midi out went to the supernova II os 2.o where I changed the programed patch groupings every now and then ,, remixed everything in audacity then melted it down to mp3 form :) edit 2 will be going in to the original records and restructuring the whole thing ... :)
well that was the whole purpose: the encirclement of sound. I'm glad you liked it.
great energetic stuff full of tension and layers, nearly got lost here like drifting between multiple concerts in a festival. Still lokking for the holes though , in edit 2?? ;)
everyone has to suck 'something' at some point in their life right? If and when i do suck ,, I have lots of fun at it, ::mostly this stuff i put here is because others "get it" and if you don't then it does suck totally, but then you need not listen further because at that, it will all be like this.
soo much great experimental stuff here on AT.... here another fine noisy example...
Fun stuff.
cool sounds!
computer music- good for me bro:)
thanks i will but I spend so much time doing the computer music thing I don't know I still have to buy a g-string for the guitar I broke that on my guitar a little while ago..i hate g-string comments they are really absurd but yes I will be back on the guitar once the g-string is replaced :)
I didn't understand anything you said in your comments
ahhhh minute 4:18 the next note comes in :)
this would be the best so far the other things I was working on this morning have passed their prime for now.
I stumbled across this and I'm glad I did.
Heavy darts on a drumstick.....ssss
fuck dogg. almost blasted my ear drums. but fine shit tho.
muy FN Bien! beautiful Sci-fi magick sounds.
As you say, 'dark mellow' - brilliant description.
oops, was reading: a bit long and perfect for a danceclub, but that was another not... This is a great soothing ambient piece, that could've been much longer AFTER the dance. great sounds
actually I made most of this music with a cigarette in my hand back over five plus years ago when I smoke the cigarettes, now it has been four years and some "change" since i have smoked and coming round to four complete years since I used the NRT ;p
Comments made by Newbold
Good stuff.
really great voice voice control --- this is wonderful I like it.
yeah just ;o like that ... it is these dynamics that are so intense and consuming of all my feelings in the music.
about minute 8 some rad changes going on then back to the sweet bells--
the underlying sound at minute 11 intense -- just on and on-- like that -- very real
great ness ---just real so very real intenseness---
these loops are great --- now I want to make the thumbjam go-- :)
it is a type of struk-ness that is contagious maybe-??
very mellow great sounds-
excellent work here-
great!! --- I like this so mellow and well mixed --- one of the curves of guitar changes.. reminds me of that early rolling stones songs "No Expectations" from "let it bleed" --- you probably can hear it too?
sweet slides and bendings of the improv here---
cool experiment the stretching and time resolution are really important to the final sound the echoes seem separate from other things --- was thinking there should be no null points --- because of the echoes going on-- how does the interactions work?
nice a Fripp type progressions in 17 edo greatness.
very nice...
Excellent greatness.. It is a song that brings me back to the effects in phase and out of phase blips and bliggies .. It's the squibbly bliggies that started to loose the phases that were happening when I knew a Roland was grooving... This reminds me of how I make sounds as well. Minute 10:35 it's like birds. At about 13 minutes in the aliens seem to check in..and then leave but returned at 14 minutes in.. Chipmunks at 17 minutes in are neat maybe more of that?? It's phasing in & out as it does all the way to the end.
excellent -- way out excellence --- I will have to adjust my temporal transvergence devices to new settings.. and allow these breaking rays of temporal light frequencies to be registered by them.
nice 0-0 the song makes a discernment of itself as well-
Exactly what are we ending like this?? It's a very tight performance you have created.. What seems good in both forward and reverse directions and safe at any bpm we can think of. I am hearing that mesmerizing sonic swirl going on.---ฯ§¥~~ is that a setting on one of the boxes being used???
great!! maybe one day they will make 17 tone african thumb Pianos --- but until then we can dream-