this is for the sound-in event "Unheard improvisation playing event."
I did not listen to the sounds and randomly picked the presets and settings on the supernova II --- I was just blindly looking at the levels in audacity as it was recording --
the submission for the sound-in event Groove--- I have taken my voice and some synth samples mixed them in novations iPad app LaunchPad- so as using the voice samples in loops not too groovin but anyway---
I have mashed Shane Cadman and Chris Vaisvil and myself. this is a neat mix -- I took Shane Cadman's song here and then with Chris's mandolin work I stretched it out to match the length of Shane's Song as well as doing the same with two drum…
this is a Harold Budd tribute in memory of .. I had been listening to Harold since mid 80’s with pearl and ambient 2 when they came out about. I had a girl friend at the time going to Juilliard taking an elective electronic music class she told…
this is a Harold Budd tribute in memory of .. I had been listening to Harold since mid 80’s with pearl and ambient 2 when they came out about. I had a girl friend at the time going to Juilliard taking an elective electronic music class she told…
http://www.illustriousmusic.com/mp3s/Piece100220.mp3
this song by Shane Cadman
mixed with this song my Kävin Allenson
https://alonetone.com/kavin/tracks/moontowers
Kävin's piece had the tempo slowed down to match the length of Shane's…
yeah the supernova II has very powerful beat creation tools.. like a-h letters of preprogrammed drum mappings going on— and a way to work with them I have never bothered with being a zero beat kind of person– so I took a little time out to put…
yeah the supernova II has very powerful beat creation tools.. like a-h letters of preprogrammed drum mappings going on— and a way to work with them I have never bothered with being a zero beat kind of person– so I took a little time out to put…
yeah the supernova II has very powerful beat creation tools.. like a-h letters of preprogrammed drum mappings going on— and a way to work with them I have never bothered with being a zero beat kind of person– so I took a little time out to put…
Duet piece recorded between a Eurorack modular synthesizer I built and a Behringer Model D (minimoog clone). Tons of reverb and delay for added effect.
great!! --- I like this so mellow and well mixed --- one of the curves of guitar changes.. reminds me of that early rolling stones songs "No Expectations" from "let it bleed" --- you probably can hear it too?
First of three pieces made from the same original material; short bursts of sound from a cheap harmonica. Nine of these bursts were selected from the original recording, each of slightly different length. Each was then time-stretched by the same…
cool experiment the stretching and time resolution are really important to the final sound the echoes seem separate from other things --- was thinking there should be no null points --- because of the echoes going on-- how does the interactions work?
Roland SE-02 through EHX Stereo Memory Man -> Zoom RFX-300. Title comes from a combination of the time length, and the fact that it was created for the current Sound-In for 1-7/1/2021.
Excellent greatness.. It is a song that brings me back to the effects in phase and out of phase blips and bliggies .. It's the squibbly bliggies that started to loose the phases that were happening when I knew a Roland was grooving... This reminds me of how I make sounds as well. Minute 10:35 it's like birds. At about 13 minutes in the aliens seem to check in..and then leave but returned at 14 minutes in.. Chipmunks at 17 minutes in are neat maybe more of that?? It's phasing in & out as it does all the way to the end.
excellent -- way out excellence --- I will have to adjust my temporal transvergence devices to new settings.. and allow these breaking rays of temporal light frequencies to be registered by them.
vocal, two 17 equal electric guitars, faux 17 edo bass, melodyne retuned 17 equal classical guitar, Alesis Nitro Mesh drums. and the usual effects and manipulations.
Exactly what are we ending like this?? It's a very tight performance you have created.. What seems good in both forward and reverse directions and safe at any bpm we can think of. I am hearing that mesmerizing sonic swirl going on.---ฯ§¥~~ is that a setting on one of the boxes being used???
just like this it is there... at the scream of insanity... open and exploding into infinite time on the threshold of losing touch and not holding - even to the the thresh --- threshold of anything,,.
This started its cosmic journey in a toy piano. Through several steps of processing it came to where it is now. Partly in dedication to the (at this moment) imminent Grand Conjunction of Jupiter and Saturn, and also in homage to the recently departed…
due to the sparsity of the soundscape here on this --- I am also playing --- the song Itza Hitt.. mmm I started it a little into this playing there is a possible mash going on--- but I have to hear the next two song variants before making a mash-
Comments on Newbold's stuff
Cool soundscape. Is that analog synth?
Wild, Bill! Like falling in a vortex and the heartbeat I didn't note on first listen!
Great vibe here! Spacey and reflective. I once also used a heart beat through a song...it really creates an intense feeling.
This feels like the soundtrack for yet-to-be-made sci-fi movie. With claymation aliens.
How crazy, I felt in another dimension, I like it!
unheard midi created performance--- using various presets and editing the midi and sound
Very unusual piece, and especially for your typical very thick wall of sound collages. Very good, I enjoyed the piece!
thanks Jim-
Liquid space Bill, fluid and magical!
This an impressive combination!
like John Luther Adams in a way :) inventive with simplicity and I like where you transition to 'be the .... Bill
Very cool, crazy and well crafted and out of the box just like I like it...
Thank you for putting this together! Sounds great!
!!!! such a mood!
this is really great!
Very interesting vibe to it, like a haunted wasteland. never heard piano like this before.
Wonderful!!!
Thanks Din --- I saw you put up some new music here,.. and logged in .. good to see you back --- it has been a while since seeing you on here.---
make that 2:50
I love the drumming that starts around 3:00 :)
Comments made by Newbold
it is a type of struk-ness that is contagious maybe-??
very mellow great sounds-
excellent work here-
great!! --- I like this so mellow and well mixed --- one of the curves of guitar changes.. reminds me of that early rolling stones songs "No Expectations" from "let it bleed" --- you probably can hear it too?
sweet slides and bendings of the improv here---
cool experiment the stretching and time resolution are really important to the final sound the echoes seem separate from other things --- was thinking there should be no null points --- because of the echoes going on-- how does the interactions work?
nice a Fripp type progressions in 17 edo greatness.
very nice...
Excellent greatness.. It is a song that brings me back to the effects in phase and out of phase blips and bliggies .. It's the squibbly bliggies that started to loose the phases that were happening when I knew a Roland was grooving... This reminds me of how I make sounds as well. Minute 10:35 it's like birds. At about 13 minutes in the aliens seem to check in..and then leave but returned at 14 minutes in.. Chipmunks at 17 minutes in are neat maybe more of that?? It's phasing in & out as it does all the way to the end.
excellent -- way out excellence --- I will have to adjust my temporal transvergence devices to new settings.. and allow these breaking rays of temporal light frequencies to be registered by them.
nice 0-0 the song makes a discernment of itself as well-
Exactly what are we ending like this?? It's a very tight performance you have created.. What seems good in both forward and reverse directions and safe at any bpm we can think of. I am hearing that mesmerizing sonic swirl going on.---ฯ§¥~~ is that a setting on one of the boxes being used???
great!! maybe one day they will make 17 tone african thumb Pianos --- but until then we can dream-
just like this it is there... at the scream of insanity... open and exploding into infinite time on the threshold of losing touch and not holding - even to the the thresh --- threshold of anything,,.
just great -0-
good-
I think these sounds seem so slippery between each other and sliding into and out of the song.--- great end to this song 🙂
I believe this is like critically important sounds --- so much excellence-
I believe you
due to the sparsity of the soundscape here on this --- I am also playing --- the song Itza Hitt.. mmm I started it a little into this playing there is a possible mash going on--- but I have to hear the next two song variants before making a mash-