this is for the sound-in event "Unheard improvisation playing event."
I did not listen to the sounds and randomly picked the presets and settings on the supernova II --- I was just blindly looking at the levels in audacity as it was recording --
the submission for the sound-in event Groove--- I have taken my voice and some synth samples mixed them in novations iPad app LaunchPad- so as using the voice samples in loops not too groovin but anyway---
I have mashed Shane Cadman and Chris Vaisvil and myself. this is a neat mix -- I took Shane Cadman's song here and then with Chris's mandolin work I stretched it out to match the length of Shane's Song as well as doing the same with two drum…
this is a Harold Budd tribute in memory of .. I had been listening to Harold since mid 80βs with pearl and ambient 2 when they came out about. I had a girl friend at the time going to Juilliard taking an elective electronic music class she told…
this is a Harold Budd tribute in memory of .. I had been listening to Harold since mid 80βs with pearl and ambient 2 when they came out about. I had a girl friend at the time going to Juilliard taking an elective electronic music class she told…
http://www.illustriousmusic.com/mp3s/Piece100220.mp3
this song by Shane Cadman
mixed with this song my KΓ€vin Allenson
https://alonetone.com/kavin/tracks/moontowers
KΓ€vin's piece had the tempo slowed down to match the length of Shane's…
yeah the supernova II has very powerful beat creation tools.. like a-h letters of preprogrammed drum mappings going onβ and a way to work with them I have never bothered with being a zero beat kind of personβ so I took a little time out to put…
yeah the supernova II has very powerful beat creation tools.. like a-h letters of preprogrammed drum mappings going onβ and a way to work with them I have never bothered with being a zero beat kind of personβ so I took a little time out to put…
yeah the supernova II has very powerful beat creation tools.. like a-h letters of preprogrammed drum mappings going onβ and a way to work with them I have never bothered with being a zero beat kind of personβ so I took a little time out to put…
Four different tracks of Roland SE-02 controlled via MIDI by a Casio DH-100. Choosing different voices on the Casio causes settings to change on the Roland, which were then tweaked a little. Submitted to Sound-In "Roleplay Improv" for 1-8/2/2024.
I really like doing things between midi instruments made by totally different companies.. I do it with my novation supernova II and my microkorg xl it's just a matter of learning to ways that the midi signal is mapping back and forth...
Trial run after rearranging some electronic doodads on my side desk, most notably the pictured Drone Stack and HypnoDrone from Kaiser Electrical Instruments in lovely Duluth, MN. Recorded at the end of a rare week-long ice event in north Alabama.
Experimental ambient stuff is the best.. I like the scratchy sounds connecting with stereo Pong pan process especially when the rest of the sounds are not in any beat form or texture.. thanks ππΆπ§π΅πΈπ½
For female voice and harp in Pythagorean tuning
IV
His soul stretched tight across the skies
That fade behind a city block,
Or trampled by insistent feet
At four and five and six oβclock;
And short square fingers stuffing pipes,
And…
Excellent thanks for taking time and making this happen.. βΊοΈ this is a most abstract poem like Candy dishes made from a car Axel's while hanging from circular rainbows spilling out of a glass of milk π₯...
Repetitive single notes... I have always loved.. and the dissonances just perfect.. I feel that dissonance on a piano πΉ is really good.. it's a kind of music I like more than a harmony and standard chords.. thanks for sharing this and playing.. wonderful π
Three different versions of a similar line created using the onboard sequencer on a Roland SE-02. the different voices were created by changing settings on a Casio DH-100 digital horn attached via MIDI, and playing the horn. Submitted to Sound…
I kinda think that there is a lot more to learn about playing a saxophone π· than what the Casio DH-100 would teach me.. although it was released in 1988 .. it's cool yours still works.. and quite well at that.. with a saxophone my problem is the wood reed buzzing that tickles my whole face.. I don't get that with my trombone.. but saxophones and clarinets the reed buzzing was very hard for me to make happen.. gosh I have over shared yet again lol π
I'm working on a series of new pieces for an electro-acoustic album. As this one is most are done using Pure Data as a somewhat compositional playing in the process. I'm capturing real time playing to loop tables and then laying them into an…
Pure data pd π€― just not easy to create compositions but once I started using maxy like I do I can see how much patience pd requires that I just didn't have.. I have now found touchdesigner it's only been out on the net since 2000 .. but I bet touchdesigner and pure data are able to talk in real time.. π with each other and I don't really know what that could mean for live performance.. ??
taking one song and using the audio frequency to modulate the frequencies of another song. then I play both songs mixed or mashed together then I go back and play the frequency modulations and the songs all together .,, totally mixed like that,..
Comments on Newbold's stuff
Cool soundscape. Is that analog synth?
Wild, Bill! Like falling in a vortex and the heartbeat I didn't note on first listen!
Great vibe here! Spacey and reflective. I once also used a heart beat through a song...it really creates an intense feeling.
This feels like the soundtrack for yet-to-be-made sci-fi movie. With claymation aliens.
How crazy, I felt in another dimension, I like it!
unheard midi created performance--- using various presets and editing the midi and sound
Very unusual piece, and especially for your typical very thick wall of sound collages. Very good, I enjoyed the piece!
thanks Jim-
Liquid space Bill, fluid and magical!
This an impressive combination!
like John Luther Adams in a way :) inventive with simplicity and I like where you transition to 'be the .... Bill
Very cool, crazy and well crafted and out of the box just like I like it...
Thank you for putting this together! Sounds great!
!!!! such a mood!
this is really great!
Very interesting vibe to it, like a haunted wasteland. never heard piano like this before.
Wonderful!!!
Thanks Din --- I saw you put up some new music here,.. and logged in .. good to see you back --- it has been a while since seeing you on here.---
make that 2:50
I love the drumming that starts around 3:00 :)
Comments made by Newbold
Ohh wow π― so π cool π
Yes oh so great π.. WOW π²..
So nice ππ really did a great job with this
I really like doing things between midi instruments made by totally different companies.. I do it with my novation supernova II and my microkorg xl it's just a matter of learning to ways that the midi signal is mapping back and forth...
Nice ππ
How do you create this sound??
Experimental ambient stuff is the best.. I like the scratchy sounds connecting with stereo Pong pan process especially when the rest of the sounds are not in any beat form or texture.. thanks ππΆπ§π΅πΈπ½
Excellent groove and beat.. πͺ
Totally different song from the shower song it's hard to believe it is just a tempo change.. thanks..
Excellent thanks for taking time and making this happen.. βΊοΈ this is a most abstract poem like Candy dishes made from a car Axel's while hanging from circular rainbows spilling out of a glass of milk π₯...
I agree with Jim.. but more than ghostly some kind of robotics ghost haunting our ears and minds.. and yet not long enough to get us too scared π³
I can hear several Jerry Garcia riffs bouncing around in this one.
Repetitive single notes... I have always loved.. and the dissonances just perfect.. I feel that dissonance on a piano πΉ is really good.. it's a kind of music I like more than a harmony and standard chords.. thanks for sharing this and playing.. wonderful π
I like this idea π‘ you have here βΊοΈ
I kinda think that there is a lot more to learn about playing a saxophone π· than what the Casio DH-100 would teach me.. although it was released in 1988 .. it's cool yours still works.. and quite well at that.. with a saxophone my problem is the wood reed buzzing that tickles my whole face.. I don't get that with my trombone.. but saxophones and clarinets the reed buzzing was very hard for me to make happen.. gosh I have over shared yet again lol π
Pure data pd π€― just not easy to create compositions but once I started using maxy like I do I can see how much patience pd requires that I just didn't have.. I have now found touchdesigner it's only been out on the net since 2000 .. but I bet touchdesigner and pure data are able to talk in real time.. π with each other and I don't really know what that could mean for live performance.. ??
Beautiful π
Nice ππ
so very intense 000 OOO...
I like that it is a kind of fly buzzing ... LOL just on and on with the fly that won't die :) cool