from my tapes from 2009 it is part of three tapes digitized ... :) the high resolution is here
https://soundcloud.com/h92o/sets/tape-archives-set-one-new-recorder-high-quality-all
I put most of the audio tapes on video too.. and uploaded…
I like this sort of thing - it reminds me of what you hear on shortwave in an empty spot where there are no voices. You get atmospherics and other artifacts from technological devices. At times it can almost sound musical.
the first Acid pro 10 stuff where I rework a recent work using the stretch effect and algorithms
this is the original work here
https://alonetone.com/acid/tracks/process+on+1
this is the selection that resulted in stretching, in high resolution…
thanks Chris.. :) the acid 10 process used to stretch this section of sound,, is just intense. --- and the section is where the sound is growing ,, and increasing.
the first Acid pro 10 stuff where I rework a recent work using the stretch effect and algorithms
this is the original work here
https://alonetone.com/acid/tracks/process+on+1
this is the selection that resulted in stretching, in high resolution…
the old song from 1993 mixed with tonites work on c-sound. :) just tooling about in c-sound. Q thing.
someone comment on the drift at the end of this.. my reply is thus --- that drift was made in 1993 when I after I think I had an mac two…
this song - https://alonetone.com/bwsmith/tracks/benimprovjun202019bos
plus this song
https://alonetone.com/bwsmith/tracks/benimprovjun172019abos
courtesy of Ben and his Improv ... these are combined ---
I think the material from 2007 / 2008 resides on the server in a folder left from the old soonlabel forum. I didn't delete that folder so that the links would not break. But now a decade later perhaps I should just delete it.
This is very mysterious - sounds like you are running you voice through the synth?
This one was started a couple of years ago – but it needed a substantial bit of rewriting to make it actually singable. It ended up about an elemental nature spirit looking after its minions. However the original inspiration was getting up in…
When I was young we lived opposite a big play area - lots of grass and trees and bushes to rampage around - and in the middle a tarmac playground with the "amusements" - a witches hat (aka umbrella), a long rocking horse with saddles along its…
Duet piece recorded between a Eurorack modular synthesizer I built and a Behringer Model D (minimoog clone). Tons of reverb and delay for added effect.
great!! --- I like this so mellow and well mixed --- one of the curves of guitar changes.. reminds me of that early rolling stones songs "No Expectations" from "let it bleed" --- you probably can hear it too?
First of three pieces made from the same original material; short bursts of sound from a cheap harmonica. Nine of these bursts were selected from the original recording, each of slightly different length. Each was then time-stretched by the same…
cool experiment the stretching and time resolution are really important to the final sound the echoes seem separate from other things --- was thinking there should be no null points --- because of the echoes going on-- how does the interactions work?
Roland SE-02 through EHX Stereo Memory Man -> Zoom RFX-300. Title comes from a combination of the time length, and the fact that it was created for the current Sound-In for 1-7/1/2021.
Excellent greatness.. It is a song that brings me back to the effects in phase and out of phase blips and bliggies .. It's the squibbly bliggies that started to loose the phases that were happening when I knew a Roland was grooving... This reminds me of how I make sounds as well. Minute 10:35 it's like birds. At about 13 minutes in the aliens seem to check in..and then leave but returned at 14 minutes in.. Chipmunks at 17 minutes in are neat maybe more of that?? It's phasing in & out as it does all the way to the end.
excellent -- way out excellence --- I will have to adjust my temporal transvergence devices to new settings.. and allow these breaking rays of temporal light frequencies to be registered by them.
vocal, two 17 equal electric guitars, faux 17 edo bass, melodyne retuned 17 equal classical guitar, Alesis Nitro Mesh drums. and the usual effects and manipulations.
Exactly what are we ending like this?? It's a very tight performance you have created.. What seems good in both forward and reverse directions and safe at any bpm we can think of. I am hearing that mesmerizing sonic swirl going on.---ฯ§¥~~ is that a setting on one of the boxes being used???
Comments on Newbold's stuff
I like this sort of thing - it reminds me of what you hear on shortwave in an empty spot where there are no voices. You get atmospherics and other artifacts from technological devices. At times it can almost sound musical.
This is pretty dope..
thanks Chris.. :) the acid 10 process used to stretch this section of sound,, is just intense. --- and the section is where the sound is growing ,, and increasing.
Cool sounding!
I don't know what movie this is, but I think I want to see it!
Kinda musique concrete, I like!
Like the subtle tonal colors
Yeah! Now I wanna get a hardware synth!
hommmm
hello
Good job!
this may be long, but it isn't empty. I really, really like this one!
nice sense of tonal nostalgia, true electro-acoustic
this has a lovely mood that is introspective and unique
this is the better stretching of the two stretches this time.
thanks Jim... I don't like the fuzzy static sounds like the recording is not "clean" you know
ghost in machine. Nice and short to the point!
nice curve to this Bill
Very strategic and effective mix of the two improvs, Bill. Great job and thank you.
I think the material from 2007 / 2008 resides on the server in a folder left from the old soonlabel forum. I didn't delete that folder so that the links would not break. But now a decade later perhaps I should just delete it. This is very mysterious - sounds like you are running you voice through the synth?
Comments made by Newbold
tasting stars is such great imagery, with catching the silver moonlight in a bowl being so beautiful!! this is a wonderful song --- whoa ---
Good stuff.
really great voice voice control --- this is wonderful I like it.
yeah just ;o like that ... it is these dynamics that are so intense and consuming of all my feelings in the music.
about minute 8 some rad changes going on then back to the sweet bells--
the underlying sound at minute 11 intense -- just on and on-- like that -- very real
great ness ---just real so very real intenseness---
these loops are great --- now I want to make the thumbjam go-- :)
it is a type of struk-ness that is contagious maybe-??
very mellow great sounds-
excellent work here-
great!! --- I like this so mellow and well mixed --- one of the curves of guitar changes.. reminds me of that early rolling stones songs "No Expectations" from "let it bleed" --- you probably can hear it too?
sweet slides and bendings of the improv here---
cool experiment the stretching and time resolution are really important to the final sound the echoes seem separate from other things --- was thinking there should be no null points --- because of the echoes going on-- how does the interactions work?
nice a Fripp type progressions in 17 edo greatness.
very nice...
Excellent greatness.. It is a song that brings me back to the effects in phase and out of phase blips and bliggies .. It's the squibbly bliggies that started to loose the phases that were happening when I knew a Roland was grooving... This reminds me of how I make sounds as well. Minute 10:35 it's like birds. At about 13 minutes in the aliens seem to check in..and then leave but returned at 14 minutes in.. Chipmunks at 17 minutes in are neat maybe more of that?? It's phasing in & out as it does all the way to the end.
excellent -- way out excellence --- I will have to adjust my temporal transvergence devices to new settings.. and allow these breaking rays of temporal light frequencies to be registered by them.
nice 0-0 the song makes a discernment of itself as well-
Exactly what are we ending like this?? It's a very tight performance you have created.. What seems good in both forward and reverse directions and safe at any bpm we can think of. I am hearing that mesmerizing sonic swirl going on.---ฯ§¥~~ is that a setting on one of the boxes being used???