from my tapes from 2009 it is part of three tapes digitized ... :) the high resolution is here
https://soundcloud.com/h92o/sets/tape-archives-set-one-new-recorder-high-quality-all
I put most of the audio tapes on video too.. and uploaded…
I like this sort of thing - it reminds me of what you hear on shortwave in an empty spot where there are no voices. You get atmospherics and other artifacts from technological devices. At times it can almost sound musical.
the first Acid pro 10 stuff where I rework a recent work using the stretch effect and algorithms
this is the original work here
https://alonetone.com/acid/tracks/process+on+1
this is the selection that resulted in stretching, in high resolution…
thanks Chris.. :) the acid 10 process used to stretch this section of sound,, is just intense. --- and the section is where the sound is growing ,, and increasing.
the first Acid pro 10 stuff where I rework a recent work using the stretch effect and algorithms
this is the original work here
https://alonetone.com/acid/tracks/process+on+1
this is the selection that resulted in stretching, in high resolution…
the old song from 1993 mixed with tonites work on c-sound. :) just tooling about in c-sound. Q thing.
someone comment on the drift at the end of this.. my reply is thus --- that drift was made in 1993 when I after I think I had an mac two…
this song - https://alonetone.com/bwsmith/tracks/benimprovjun202019bos
plus this song
https://alonetone.com/bwsmith/tracks/benimprovjun172019abos
courtesy of Ben and his Improv ... these are combined ---
I think the material from 2007 / 2008 resides on the server in a folder left from the old soonlabel forum. I didn't delete that folder so that the links would not break. But now a decade later perhaps I should just delete it.
This is very mysterious - sounds like you are running you voice through the synth?
Four different tracks of Roland SE-02 controlled via MIDI by a Casio DH-100. Choosing different voices on the Casio causes settings to change on the Roland, which were then tweaked a little. Submitted to Sound-In "Roleplay Improv" for 1-8/2/2024.
I really like doing things between midi instruments made by totally different companies.. I do it with my novation supernova II and my microkorg xl it's just a matter of learning to ways that the midi signal is mapping back and forth...
Trial run after rearranging some electronic doodads on my side desk, most notably the pictured Drone Stack and HypnoDrone from Kaiser Electrical Instruments in lovely Duluth, MN. Recorded at the end of a rare week-long ice event in north Alabama.
Experimental ambient stuff is the best.. I like the scratchy sounds connecting with stereo Pong pan process especially when the rest of the sounds are not in any beat form or texture.. thanks ππΆπ§π΅πΈπ½
For female voice and harp in Pythagorean tuning
IV
His soul stretched tight across the skies
That fade behind a city block,
Or trampled by insistent feet
At four and five and six oβclock;
And short square fingers stuffing pipes,
And…
Excellent thanks for taking time and making this happen.. βΊοΈ this is a most abstract poem like Candy dishes made from a car Axel's while hanging from circular rainbows spilling out of a glass of milk π₯...
Repetitive single notes... I have always loved.. and the dissonances just perfect.. I feel that dissonance on a piano πΉ is really good.. it's a kind of music I like more than a harmony and standard chords.. thanks for sharing this and playing.. wonderful π
Three different versions of a similar line created using the onboard sequencer on a Roland SE-02. the different voices were created by changing settings on a Casio DH-100 digital horn attached via MIDI, and playing the horn. Submitted to Sound…
I kinda think that there is a lot more to learn about playing a saxophone π· than what the Casio DH-100 would teach me.. although it was released in 1988 .. it's cool yours still works.. and quite well at that.. with a saxophone my problem is the wood reed buzzing that tickles my whole face.. I don't get that with my trombone.. but saxophones and clarinets the reed buzzing was very hard for me to make happen.. gosh I have over shared yet again lol π
I'm working on a series of new pieces for an electro-acoustic album. As this one is most are done using Pure Data as a somewhat compositional playing in the process. I'm capturing real time playing to loop tables and then laying them into an…
Pure data pd π€― just not easy to create compositions but once I started using maxy like I do I can see how much patience pd requires that I just didn't have.. I have now found touchdesigner it's only been out on the net since 2000 .. but I bet touchdesigner and pure data are able to talk in real time.. π with each other and I don't really know what that could mean for live performance.. ??
taking one song and using the audio frequency to modulate the frequencies of another song. then I play both songs mixed or mashed together then I go back and play the frequency modulations and the songs all together .,, totally mixed like that,..
Comments on Newbold's stuff
I like this sort of thing - it reminds me of what you hear on shortwave in an empty spot where there are no voices. You get atmospherics and other artifacts from technological devices. At times it can almost sound musical.
This is pretty dope..
thanks Chris.. :) the acid 10 process used to stretch this section of sound,, is just intense. --- and the section is where the sound is growing ,, and increasing.
Cool sounding!
I don't know what movie this is, but I think I want to see it!
Kinda musique concrete, I like!
Like the subtle tonal colors
Yeah! Now I wanna get a hardware synth!
hommmm
hello
Good job!
this may be long, but it isn't empty. I really, really like this one!
nice sense of tonal nostalgia, true electro-acoustic
this has a lovely mood that is introspective and unique
this is the better stretching of the two stretches this time.
thanks Jim... I don't like the fuzzy static sounds like the recording is not "clean" you know
ghost in machine. Nice and short to the point!
nice curve to this Bill
Very strategic and effective mix of the two improvs, Bill. Great job and thank you.
I think the material from 2007 / 2008 resides on the server in a folder left from the old soonlabel forum. I didn't delete that folder so that the links would not break. But now a decade later perhaps I should just delete it. This is very mysterious - sounds like you are running you voice through the synth?
Comments made by Newbold
Ohh wow π― so π cool π
Yes oh so great π.. WOW π²..
So nice ππ really did a great job with this
I really like doing things between midi instruments made by totally different companies.. I do it with my novation supernova II and my microkorg xl it's just a matter of learning to ways that the midi signal is mapping back and forth...
Nice ππ
How do you create this sound??
Experimental ambient stuff is the best.. I like the scratchy sounds connecting with stereo Pong pan process especially when the rest of the sounds are not in any beat form or texture.. thanks ππΆπ§π΅πΈπ½
Excellent groove and beat.. πͺ
Totally different song from the shower song it's hard to believe it is just a tempo change.. thanks..
Excellent thanks for taking time and making this happen.. βΊοΈ this is a most abstract poem like Candy dishes made from a car Axel's while hanging from circular rainbows spilling out of a glass of milk π₯...
I agree with Jim.. but more than ghostly some kind of robotics ghost haunting our ears and minds.. and yet not long enough to get us too scared π³
I can hear several Jerry Garcia riffs bouncing around in this one.
Repetitive single notes... I have always loved.. and the dissonances just perfect.. I feel that dissonance on a piano πΉ is really good.. it's a kind of music I like more than a harmony and standard chords.. thanks for sharing this and playing.. wonderful π
I like this idea π‘ you have here βΊοΈ
I kinda think that there is a lot more to learn about playing a saxophone π· than what the Casio DH-100 would teach me.. although it was released in 1988 .. it's cool yours still works.. and quite well at that.. with a saxophone my problem is the wood reed buzzing that tickles my whole face.. I don't get that with my trombone.. but saxophones and clarinets the reed buzzing was very hard for me to make happen.. gosh I have over shared yet again lol π
Pure data pd π€― just not easy to create compositions but once I started using maxy like I do I can see how much patience pd requires that I just didn't have.. I have now found touchdesigner it's only been out on the net since 2000 .. but I bet touchdesigner and pure data are able to talk in real time.. π with each other and I don't really know what that could mean for live performance.. ??
Beautiful π
Nice ππ
so very intense 000 OOO...
I like that it is a kind of fly buzzing ... LOL just on and on with the fly that won't die :) cool