Just a basic dance track because its just fun to bounce around sometimes. Also another excuse to use a growly bass sound... a "60 Hz Hum Bass" soundfont I had clearly neglected for too long.

I mostly wanted to make music with a funky clav line I'd come up with, so this is it. For the voiceover, I unabashedly used an awesome monologue by Ken Nordine.

I came up with the main bass riff on my electric bass, but after recording it I was unhappy with the tone, so I used a sampled upright bass. On top of that is a layer of doodling "lead guitar" (played on my bass), a dreamy semi-harsh organ sound…

I came up with the main bass riff on my electric bass, but after recording it I was unhappy with the tone, so I used a sampled upright bass. On top of that is a layer of doodling "lead guitar" (played on my bass), a dreamy semi-harsh organ sound…

I mostly wanted to make music with a funky clav line I'd come up with, so this is it. For the voiceover, I unabashedly used an awesome monologue by Ken Nordine.

I imagine this music playing in a bar sometime in the future, probably in the background while cybernetic bar patrons interface with one another in full view of the world's sensor network.

Just a basic dance track because its just fun to bounce around sometimes. Also another excuse to use a growly bass sound... a "60 Hz Hum Bass" soundfont I had clearly neglected for too long.

From the RPM 2010 album.

Fun little tune about the evils of strong drink.