alonetone radio: Latest
Latest
The film was supposed to be dark and disturbing, something about a man who works in an antique shop who thinks a mannequin is making him kill people. Or maybe the mannequin really was making him kill people. I don't know, it was hard to tell from…
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these first two songs were recorded, along with two others, as a soundtrack for a film tentatively called "Soul Destroyer". See more notes under"black ceasar".
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Publicado bajo autorizacion y sin animo de lucro .
www.carranga.org
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Each time I sit down to learn something about Logic, I end up getting distracted and creating some kind of track...
This one uses EFM1 -> Delay Designer -> Live Cut
Some drums through similar craziness
and finally me playing some pads and…
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I name each instrument track that I lay down when creating a song. Sometimes it's simple, like "Bass" or "Drum Kit," but sometimes I get creative. "Breath of Men" was the name of one of the synth tracks on this song, and I ended up naming the…
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I got the impression when listening to this piece of moving towards an infinitely distant horizon, with an orange sun having just set behind it.
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This is the second movement of my Sonata-Fantasie No. 1
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Here is another remix. A surprise for Sudara when he wakes up tomorrow.
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Inspired by a gorgeous recording on a wax cylinder by the composer, Tanburi Cemil Bey (1873-1916).
Performed on politiki lyra (classic kemençe), a small bowed fiddle from Istanbul.
Recorded at The Banff Centre, November 2008.
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Everybody hates waiting. Some more than others.
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As much as anything this was practice for me in setting up Logic to record three separate instruments in 3 tracks. In this case I used the EXS synth with upright bass, fireball decay, and Tibetan singing bowls. It's almost my first real attempt…
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Aquí teniu la segona entrega de les experiències d'en Joaquim Torner a Copenhaguen per a Ràdio Sabadell.
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REAL major scale sounding, but fun to play. Kind of "Eaglesy" (at times, and not very, actually)
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Like my "Chicago" attempt, VERY rough, but fun!
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Tema TRadicional Ingles. La Agrupacion ALEGRIA DEL MUNDO, Del Trabajo discografico "II MILENIO".
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Playing around with some new synth sounds, this happened.
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Leaning a bit towards the new-agey side of things, but still kinda cool I think......
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Just a piece I wrote going for a Celtic sound.
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I'm not quite sure where I was going with this. I love the Abaska Bong sound and was trying to pair it with something complementary. After going through some truly weird combinations I came up with this.
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based on the book by knut hamsen
i stand beneath the cloudy city sky, passing time, and gnaw upon, ideas and dreams, broken self solitude, formulate my world around me, wander the streets and ravish my dreams, the scent of food surrounds me…
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original lyrics were about the sheep in the US.
she's my distraction, as i crash into the sea, hurling towards the brink of my frail reality, she pushes buttons then waits for self destruct, fate has brought her to me then fate gets shot by…
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an older tune written for a long distance relationship
this silence was laughter before
this distance a warm embrace
blank screen, cold kansas night
don't worry my message is on its way
i'm typing with fingers
my fingers are arrows, flying…
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started out in 5, but i couldn't sing to that.
it's not the loneliness, per say, it's just doing the same thing every day, alone, i'm not someone who needs daily tending, it's just that i would like to be tended to, eventually, and yet i remain…
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there are literally 6 versions of this song that sound nothing like each other.
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This is a live recording of Shortwave Static. Done in Liverpool Nova Scotia, Using a all tube recieving station.
It has been mastered otherwise it unaltered.
This is number two in as series of recordings of static..
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this is my contribution to the Mirror's Edge remix contest - vote for it (or just listen it as often as you can) at http://www.jamglue.com/mixes/7447495-Still-Alive-Catskill-Version
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Here is my practice run, 1/12 of the 24hour album. 2 minutes of music in two hours. This track was fun to make. I started with the acoustic guitar, added the bass, then the beat. To get a particular sound that I had in mind, I did a little beat…
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entitled "Costume Shop Creeper." All sounds gathered from the inside and outside of a costume shop, excluding the "creeper" which was recorded as an outtake by my boyfriend. So in a sense, I made him the creeper when at the time of recording…
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I chose a reading of Dylan Thomas's "Do not go gentle into that good night" and illuminated it with some sound and music samples.
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We were supposed to comprise a beat across at least 3 tracks from individual sounds. We were also to explore sampling. The first beat and the fast drumming beat (towards the end) I made entirely, but I sampled the second section drums and the…
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Written and produced by Michelangelo. I just added some slide reso. Mick's dad played harp.
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I know, not really a raga.
Darrin Kobetich on mandolin.
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Kevin Emmrich added lyrics, vocals, harmonica and percussion to Walk That Lonely Road. Thanks Kevin!
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More music from the Hubert Selby Jr. documentary. The best thing about writing a bop tune is naming it.
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More from the Jam Camp live CD. David Broyles and Michael "Smitty" Smith are the wonderful guitarists in this band.
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This is a tune that I did sitting on a plane. My laptop battery was fading fast...
I like the fact that this is a rough sketch. Not all perfect and finished. I offer this up in response to the forum thread "Do You Ever Finish Your Tracks…
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This is the sound track to a short movie i made. YouTube movie coming soon!
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This is a composition I recorded with "Jam Camp" in 2006 on the Flying Spot Records CD "Jam Camp Live".
Trees just don't get enough songs.
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This song was recorded for the independent film documentary, "It/ll be better tomorrow, the life of Hubert Selby Jr.". Sadly, it did not make the final cut, but it will always be a favortite of mine.
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From Whittier to Huntington Beach, it was a straight shot to the Pacific Ocean. Right pass the Alligator Farm and Knott's Berry Farm.
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This is a song that I wrote several years ago. My partner, John Rigney, does a brilliant job with the vocals.
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A quasi-ambient experiment with the Hypercyclic plugin.
I don't know if it's tacky to listen to your own stuff but I actually do listen to this one a lot.
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