alonetone radio: Latest
Latest
A minimal piano piece to start off "50 songs in 90 days"
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This is a partial piano demo of the (still) unfinished "tornado warning" vocal song.
Some day I swear I'll finish it!
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this is a speeded up remix of this tune i made a while ago (which is actually a remix of a remix and is now remixed.......mad eh?) improved kik performance with some new crash samples and a bit of 303... have fun num
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a fragile little piece.
Instrumentation: broken harp, kitchen sink, electric piano, drum programming, vocals, and loads of wine.
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This is a remixed version of the title track from my 2008 RPM album, to be included on an as-yet unnamed compilation album I'll be releasing later this year.
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A tale about true love found on a web site. Or is it!?
Originally written & recorded (simultaneously) in Octobert of 2008. Re-recorded in July 2009.
Lyrics:
Hey you
I saw you on your webpage
Hey you
I want to get to know you
Hey you
Your…
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this is a reworking of a tune i made a while ago which was a bit boring....
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a beautiful thought during a dark hour.
nylon acoustic, electric piano, electric guitar with bow
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A sample tune from my 2006 cd "Texas Tonefreak" . Commercially available in all the usual places.
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something i found on my pc that i never put bass to, never sorted out the clipping samples on, and that I now no longer have in any form bar this file. shame
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ninety minutes into this mischievous idea...
sounds:
electric guitar/and with bow, tambourine, fake drummer boy.
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From Brazil: the title music from Animal Crossing.
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This is the intro for "Hu$tlaz Muzik" the track was produced by MindSoulja it Features Daze from Neva Out Done written by Daze with singing vocals by AJA.
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true hiphop!!! from melatone's free downloadable ep (Pay Attention)
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true hiphop!!! from melatone's free downloadable ep (Pay Attention)
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true hiphop!!! from melatone's free downloadable ep (Pay Attention)
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true hiphop!!! from melatone's free downloadable ep (Pay Attention)
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true hiphop!!! from melatone's free downloadable ep (Pay Attention)
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true hiphop!!! from melatone's free downloadable ep (Pay Attention)
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Instrumentation: Acoustic guitar, synth, tambourine, kitchen sink.
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Just a little political tale from the dark side. another quickie.
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Friday evening. No plans. Life is good.
No major trickery to describe. Just three tracks and a whole lotta reverb.
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this is the slow version of a 6/8 over 4/4 idea repetitive thingy...
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instrumentation:
synthesizers, nylon acoustic, electric guitar + violin bow, tabla, voice
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This is nothing to do with what I've been doing.. The truth is I was bored and turned on my roland juno-d and I started mixing up some sounds and well this is it, I know its not my musical area but wanted to try...
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This is a song that I wrote. Once again I am playing all of the instruments and doing the singing. The style has been described as a mixture of Depeche Mode and the Human League, but I don't know why anyone would think it sounds like the Human…
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This should be the final tune from Nitro's "Wanna Dance" album project. Ruthie's "theme song". I added the slide guitar at the end.
Nitro:Guitar/Drums/vocal
Ruthie:vocals
Tommy:Bass
Charlie:harmonica
Bull: Keys
Rick:Lead G.
Kavin:Lead G.
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brainstorming.
voice belongs to Sister Savage.
I hijacked it from some audio notes
she sent for a song we are working on.
The guitars and percussion were written
and recorded in an hour. They replaced
a previous musical section that I spent…
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MMi's Voices
http://alonetone.com/mmi/tracks/voices-3
MMi wrote the song. I programmed percussion, recorded tabla and vocals.
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A quick transitional piece - sort of a hybrid of ambient drone and louder rock.
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There's some kind of Tool/Pain Of Salvation vibe to this one, albeit murked up by a lot of electronic ambience.
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Sorry - I forgot to take my medication when I came up with this one.
It began as an exercise in strange sound effects, and developed into this exploration of headphone space.
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Format Sea - Part Four. The outro.
(One of the spots where I actually think I got the vocals fairly okay.)
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Part 3 of the Format Sea suite. Probably the closest thing to honest-to-goodness electronica here.
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Self-titled opening track from Dead In The Water. Part one of the Format Sea suite.
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5. The 'Hidden" track, appears after a lengthy pause on the CD version. The little artsy trick that all prog albums must have at the end.
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4. The prog album's musical climax, with full orchestral treatment. I did NOT get the London Symphony to come to the session, alas.
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3. This is the "preferred" track from the 2008 challenge, and I think it stands well by itself. It is the narrative climax to the piece. Thanks, Mick!
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2. "This Wall Within Me" exposes the struggle to overcome one's own limitations during the RPM challenge. Story (and struggle) by Mick, music by Alan Hall
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1, Intro to the arduous task of facing one's personal wall.
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V. The bug-like creatures celebrate their victory over the alien invaders (formerly known as space pioneers).
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IV. While the space colonists are sleeping, the alien creatures descend on their camp. A battle between space bugs and the interstellar Orkin man ensues. The space pioneers beat a hasty retreat from the supercharged bugs.
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III. The ion storm draws nearer to base camp, and with it, weird alien creatures that are part bug, part raw energy. The bugs play fetch with the elemental forces that surround them.
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II. Off in the distance, an ion storm is brewing while the space colonists enjoy cocktails on the spaceship's veranda.
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I. The triumphant space pioneers land on the new planet, set up camp and decide to have a party.
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This song is one of the few i wrote just for Abide. I've been listening almost
non-stop to Dylan's latest release and this is what I got out of it. I mean no
disrespect to Bob, just trying to sing my songs.
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This is one of the songs I wrote for Filthy Time that's been hiding
in the back of a notebook waiting for music to be chugged out. I'm
really glad I let this seep for a while before letting loose.
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Supposed to be the biggest joke on this album, Candle turned more into an actual
like-able song. I was trying to make fun of Sonic Youth stuff, but it ended up
growing and becoming an instant Mud Octave classic track. The Lyrics were written…
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I'm not usually good at mixing two of my songs together, but i think this turned
out great. Maybe a little too Velvet Underground. Maybe nothing is ever too
Velvet Underground... Written just for Abide.
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Inspired partly by a co-worker who was a great, now lost musician. This track is
somewhat about my five year stint in Gallup, New Mexico (Bob Dylan anyone?). This
was written as a poem before I started writing Slumber Love.
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Not much to say about this but that it's one of the first songs I actually
wrote down every note for. I think that makes it a small cut above most of my
instrumental songs.
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A couple months in a metal band called Season's Legion inspired this song. The
lyrics were written in what we (Katie Lawrence Co-wrote) thought would be what
their singer would have written for this type of song. The title was supposed
to be…
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I don't know if even I can tell, but this is inspired by Captain Beefheart's
Trout Mask Replica. Ok, maybe its not so well hidden. Katie Lawrence can be heard
on this track, recording this having never seen the lyrics prior to.
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Drinking coffee at my modest kitchen table around noon, after just waking up, I
starred out the skinny window next to my door and saw the back of a stairway. These
Lyrics were partly inspired by Bukowski's style, partly remnants of growing up…
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This was supposed to be my "folky" track, but I love the way this turned out.
It was originally written Napalm Shoot up but My Chair took it's place on that
album.
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I've never heard "Horse with No Name" all the way through, and i wasn't trying to
rip it off, but i really like the melody i wrote for this and it turned out to fit
perfectly with the sound of the bass. Really proud of my composing on this track…
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I Believe by far my most beautiful instrumental track, much the
opposite of You Forgot Bush's War Crimes. Maybe because I haven't commited any?
I'm growing to accept that most of the time, my instrumentals should be short and
sweet.
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Track 9 from the RPM 2009 challenge album. This one is the odd-one-out from the album. I wanted to do something in February to commemorate Abraham Lincoln's Bicentennial. Of all the concepts I had, this is the only one to make it on the challenge…
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Track 2 from the RPM 2009 challenge album. For my brother in Christ, Dave Fellows.
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