instrumentation: synthesizers, nylon acoustic, electric guitar + violin bow, tabla, voice

This is nothing to do with what I've been doing.. The truth is I was bored and turned on my roland juno-d and I started mixing up some sounds and well this is it, I know its not my musical area but wanted to try...

C'EST MON RAP - MR-JL KESSEY VERSION DEF

This is a song that I wrote. Once again I am playing all of the instruments and doing the singing. The style has been described as a mixture of Depeche Mode and the Human League, but I don't know why anyone would think it sounds like the Human…

This should be the final tune from Nitro's "Wanna Dance" album project. Ruthie's "theme song". I added the slide guitar at the end. Nitro:Guitar/Drums/vocal Ruthie:vocals Tommy:Bass Charlie:harmonica Bull: Keys Rick:Lead G. Kavin:Lead G.

brainstorming. voice belongs to Sister Savage. I hijacked it from some audio notes she sent for a song we are working on. The guitars and percussion were written and recorded in an hour. They replaced a previous musical section that I spent…

Book III

 MMi's Voices http://alonetone.com/mmi/tracks/voices-3 MMi wrote the song. I programmed percussion, recorded tabla and vocals.

A quick transitional piece - sort of a hybrid of ambient drone and louder rock.

There's some kind of Tool/Pain Of Salvation vibe to this one, albeit murked up by a lot of electronic ambience.

Sorry - I forgot to take my medication when I came up with this one. It began as an exercise in strange sound effects, and developed into this exploration of headphone space.

Format Sea - Part Four. The outro. (One of the spots where I actually think I got the vocals fairly okay.)

Part 3 of the Format Sea suite. Probably the closest thing to honest-to-goodness electronica here.

Self-titled opening track from Dead In The Water. Part one of the Format Sea suite.

5. The 'Hidden" track, appears after a lengthy pause on the CD version. The little artsy trick that all prog albums must have at the end.

4. The prog album's musical climax, with full orchestral treatment. I did NOT get the London Symphony to come to the session, alas.

3. This is the "preferred" track from the 2008 challenge, and I think it stands well by itself. It is the narrative climax to the piece. Thanks, Mick!