It's the "do no harm" mix. Because, theoretically you won't hear any difference between this and "technique 43". Which is sad really, given how many hours I spent on it. Hours spent on the oh-so-exciting put-everything-in-Logic step…

The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…

Another Blacksmith Lesson, this time with intro musics! This episode explains how to build a coal forge out of a plastic bucket and some cat litter. All of the written lessons, along with pictures to illustrate some of the lessons, can be found…

A field recording of multiple boomboxes playing doctored field recordings of Baltimore's Inner Harbor, played back at the Inner Harbor.

Claudio Nuñez was born in Buenos Aires in 1959. He studied classical guitar during the 70s, composition with Hilda Dianda and obtained a choral conductor degree in 1980. Claudio lived in the USA between 1981 and 2004. He has released 7 CDs…

Nupitor, the planet of love. A Sluk & Xenos collaboration.

This is the audio version of my blacksmithing lesson which can be found at http://ironangelforge.blogspot.com/ This webcast covers more detail on the blacksmith's forge.

Uncle Bobo needs his keys back, and he has a reward for the first person who finds them!

Recorded August 28, 2009 Details: Martin D1 (DADFGC - capo II), Shure SM57, Audacity, Sound Forge. After digging this tune up really I really wanted to try it again on acoustic (which I don't play much). This is a second take recorded in…

A ballad about the perils of life. Featuring Bugzee & Tragic

A gritty street anthem featuring Bugzee.

called this track 'dirty awakenings' because it sounds like dirty awakenings.

The only song I ever wrote about an actual person I knew. She's heard it and she now sings all corny and gets the words wrong.

Beat created from different strokes on an electric guitar, which is probably of no suprise. Pretty simple arrangement but a fairly strong melancholy-pop song.

First take guitar part that I just liked the feeling of, which sounds a bit like a haunting version of Jeff Buckley's 'Hallelujah'.

Please someone jam on top of it. 97 Bpm.

That twanging sound at the beginning of the song is me putting my acoustic through an amp with all knobs on 10. Acoustics feedback at 440mhz, which is an A note. The song is in A. It kind of sounds like a high tension electrical wire.

This song went through multiple iterations before coming out like this. It was a great song to play live. Did anyone catch the tip of the hat to "Fire and Rain" at the very end of the song?