Re-working of an essay of the same title by William Wilson, from "Breaking the Sound Barrier: A Critical Anthology of the New Music." edited by Gregory Battock. This was itself subjected to operational procedures such as: randomization by creating…

these midi recordings inline will be edited with the silent parts deleted at a later date --- mmmm later today probably--- when the dauting tasks of the audacity in the background can finish and I can edit the songs via audacity and such---

these midi recordings inline will be edited with the silent parts deleted at a later date --- mmmm later today probably--- when the dauting tasks of the audacity in the background can finish and I can edit the songs via audacity and such---

these midi recordings inline will be edited with the silent parts deleted at a later date --- mmmm later today probably--- when the dauting tasks of the audacity in the background can finish and I can edit the songs via audacity and such---

Fawm 6 a quick jaunty pop song to SR Coops really nice lyric

My favourite write for a long time! Jukebox records don’t play no happy songs no happy songs no happy songs those wedding bells don’t hear them ring don't hear ring don't hear them ring I cant understand why, I always make you cry Its…

these midi recordings inline will be edited with the silent parts deleted at a later date --- mmmm later today probably--- when the dauting tasks of the audacity in the background can finish and I can edit the songs via audacity and such---

accumulation 🌨️❄️🌨️ layering of crunchy synth Track 1 of my 2021 RPM Challenge EP that is snow ❄️ themed. I'm aiming for 5 tracks this month. made using a custom cobalt8m patch sequenced and mixed on Synthstrom Deluge using Boards of…

these midi recordings inline will be edited with the silent parts deleted at a later date --- mmmm later today probably--- when the dauting tasks of the audacity in the background can finish and I can edit the songs via audacity and such--

these midi recordings inline will be edited with the silent parts deleted at a later date --- mmmm later today probably--- when the dauting tasks of the audacity in the background can finish and I can edit the songs via audacity and such---

these midi recordings inline will be edited with the silent parts deleted at a later date --- mmmm later today probably--- when the dauting tasks of the audacity in the background can finish and I can edit the songs via audacity and such---

these midi recordings inline will be edited with the silent parts deleted at a later date --- mmmm later today probably--- when the dauting tasks of the audacity in the background can finish and I can edit the songs via audacity and such---

these midi recordings inline will be edited with the silent parts deleted at a later date --- mmmm later today probably--- when the dauting tasks of the audacity in the background can finish and I can edit the songs via audacity and such---

these midi recordings inline will be edited with the silent parts deleted at a later date --- mmmm later today probably--- when the dauting tasks of the audacity in the background can finish and I can edit the songs via audacity and such---

these midi recordings inline will be edited with the silent parts deleted at a later date --- mmmm later today probably--- when the dauting tasks of the audacity in the background can finish and I can edit the songs via audacity and such---

these midi recordings inline will be edited with the silent parts deleted at a later date --- mmmm later today probably--- when the dauting tasks of the audacity in the background can finish and I can edit the songs via audacity and such---

these midi recordings inline will be edited with the silent parts deleted at a later date --- mmmm later today probably--- when the dauting tasks of the audacity in the background can finish and I can edit the songs via audacity and such---

Too much to tell. It took a long time to write and record. As the album title suggests, others throw in "everything but the kitchen sink" and I added that ingredient as well.

I'm new to alonetone and uploaded my old song to test this site

skirmish SKIRMISH # S020421A Theres a hole in my heart Where my love used to live Theres a place in my mind Where sense you could find But its all gone away now Im dazed and confused All good seems forbidden The pathway is hidden…

From the Sandbox: playing around with rhythm.

From the Sandbox: playing around with rhythm.

From the Sandbox: playing around with rhythm.

watching the gentle falling of ice crystals chillhop Track #2 for the RPM challenge EP made on the synthstorm deluge using custom patches and Boards of Deluge #4 sent through a strymon nightsky reverb

Careful it might all crack Track no. 3 for my RPM challenge EP Made on the Synthstrom Deluge Made with muted.io/deluge synths and with boards of deluge 2 & 4 synths Mixed into a Strymon Nightsky

warm up your hands and heart Track no. 4 for my RPM challenge EP Made on the Synthstrom Deluge and Model Electronics Cobalt8

My first track for FAWM 2021. Inspired by my laundry basket.

layers of 17 note per octave guitars with effect

gamelan bells, strat and an audio glitch. A shorty for RPM '21

Another FAWM song. to the week 1 prompt a song with a name in it!

I closed my Eyes for this one and played. This was made for the Sound-In weekly event Blindfolded. 4th Feb. 2021.

Fawm skirmish. woke up blank sheet to here in 30 minutes! hmmmm bit of crackle!

Fawm Skirmish

Fawm prompt Looking forward first real use of the cuatro!

yup getting old but hey its a privilege

Spoke mhan . Normally known as charlle boy . Afro singer . Little lyrics of no dulling .. Which kind life wey we never see my brother them must to talk ooh . Chale listen