live at übelmesser 08. april 2017

live at a.l.s.o. kulturcafe 20. mai 2017

reason 9

Ambient guitar

Segments recorded and remixed manipulated in Pure Data patch of mine.

The link between Try Replenish and your setup might be different than you expect. Without a doubt, you'll get something from that. It is how to request our book on Try Replenish. Market demand for their outfit has been steady. I had not explored…

This is how to present Bio Rocket Blast to the public. You should explain to yourself what is and what isn't. It is since I use a lot of that to be painful. In Bio Rocket Blast, one has to use the correct Bio Rocket Blast since this adjustment…

Endless roads....

bass clarinet/re301 improv.

soprano clarinet/ re301. used the "sound on sound" feature controlled by random time manipulations of the tape, via pedal control.

altered lap steel

Inspired by Miss Manners and Sytrus sequencers. "Proper" EDM among civilized dancers. 8-)

acoustic improv for SoundIn event soundin.org.

I'm invited to play at Moscow's Banjofest next month. I decided to do a clawhammer banjo set, as nobody much is playing that style over here. I'm recording backing tracks so I can play the tunes with a virtual band, and this mix of this old traditional…

Lyrics, Vocals, Vocal Melody: Gerry Finan Backup Vocals: Kim Noble Drums: Robert Cudmore Bass: George Schiessl Saxophone: Jan Kopcak Percussion: Pete Smith MIDI Guitar: Gary Miller Original Music, Production & Mix: Steffen Offermann

Journey in 7/8 time, Darbuka drum and looped bass with nods toward 60s/70s thriller soundtracks.

Sound provided by 17 equal guitar using Moog MF ring, Boss DA-2 adaptive distortion, Boss MO-2 Adaptive Overtone pedals and software effects.

Using iPad app Sector with my 17 note per octave guitar.

DOPE

Tenor sax w/ effects. Based on a riff from Brian Eno's song "Back in Judy's Jungle" from the LP Taking Tiger Mountain (by Strategy).