I might go back and do an expanded version of this someday. Despite the title, I think it works nicely as an ambient piece.

Based around an anonymous little kid's unique rendition of "Old MacDonald Had A Farm". Tom Meade contributed a recorder loop here.

Originally written for songfight - it got no votes and decidedly mixed reception on their forums, but I really ought to try my hand there again sometime.

Originally conceived as a contribution to remix fight, but I missed the deadline and it ultimately didn't use much of the source material anyway. Disclaimer: Quetzalcoatlus does not condone drug use.

I originally was going to rap over this, but I decided it would be better to not subject anyone to that. If anyone here wants to use it as a beat they're welcome to though. Named in tribute to the orange t-rex in front of a mini-golf course on…

Composed in digital performer for a course in computer music. Some of the presets reminded me of Kraftwerk, so I thought I'd attempt something in that style. "The doom house" was my sister's nickname for her place of residence at the time.

I was pretty much trying to be The Field with this one.

Jesus looks at why the Jews and Pilate rejected Jesus as King

burn burn BURN. this song takes us back to our flok rock roots. rythym guitar is strong, and severely off centre. Vocals are Jupiter Summit doing her best to entice the paper-cut out into an office space fracas. It's about spending too much…

our 2010 entry for the RPM Challenge. members included: Minibar Madness - sound effects & noise, Commoner - Amplifier worship, pedals, electrical guitar, The Chaos Council - MicroMoog , alto sax, effects, Tone the Destroyer - violin &…

All sounds on this were originally played on a cheap battery operated keyboard.

I was thinking about unlikely superpowers one day for some reason, and just came up with this weird little story that I then decided to set to music. One Kilometer Per Year was almost this album's title.

More ambient music based around my cheap battery operated keyboard. I was trying for the sort of song that might turn up in an enchanted forest in an 8-bit RPG.

The good ol' battery operated keyboard again, this time with some whistling.

This song is mainly toy accordion, so I couldn't resist the pun.

I personally wasn't that happy with how this turned out, but to me when it comes to RPM albums there should be no such thing as outtakes.

This is supposed to be sort of annoying, I swear.

If you've ever played the pretty good but questionably translated X-Men arcade game, you should recognize this title.

Like "Neon Orange Dinosaur" this is a track that I think would make a pretty good hip-hop beat.

A pretty little ambient loop I might go back and expand into something else someday.

One of a few songs on the album where the percussion is a loop of myself hitting my computer desk with my hands. I think I got a nice hypnotic vibe going with this one.

One of a few pieces composed on a battery operated toy keyboard that I nicknamed the Powersockey, due to the fact that the power socket was labeled that.

I'll admit I completely ripped off the rhythm of "Closer" by NIN here.

Possibly my personal favorite of everything I've written so far. I will admit that I can barely play guitar and this is the result of a lot of looping and editing.

My attempt at one of Amelia's (The Missed Connections) songs. I think I darkened one of her few upbeat sounding songs.

HE'S RIGHT BEHIND YOU. We thought this instrumental was just dying to be in a horror flick. The producers went with DMX instead. Really? up in here?

dont worry..its not your speakers..its the ultra intense vocals in this hot song.

after a short intro this instrumental takes off on a cross country jog to get to the other side

A piece written for Silesian Rostrum of Composers.

My first piece written in SuperCollider.

A piece written to commemorate second anniversary of passing away pope John Paul II - Karol Wojtyla.

A piece dedicated to memory of Karol Wojtyla.

yelyah - "solo piano 20100319" (live improvisation) I have mixed feelings on releasing the song this way. If you heard my 24 hour album ([insert "poor you" here]), 17.1 of the total 26.2 minutes was completely live/improv'd. I'll admit that…

Another live improv. Listen as I start out with a semi-interesting left hand pattern that I totally can’t maintain independently and end up resorting to patterns I already know.