alonetone radio: Popular
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the bigging of rave 'n lunacy parts of the on going works @ newbold studios, mostly beated in quick 151 bpm set up ,, better then the 151 feedback beats psytrance is trying to make LOL
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this is the thing that is neat really neat I like this cause it is close to noise but rippen first and ripplen second but nice too.
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I extended my very short Halloween piece - doubled it in length - not too hard considering it still is only a minute long.
This is using the Garritan Personal Orchestra sample set.
2 organs, piano, flute, bassoon.
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This song was inspired by a sample made by Sandbags (Neurotic beat 5) heard in the beginning (and throughout the piece). Thank you Matt!
Now even better, brighter and more beautiful.
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This dreamy, meditative ambient track was inspired by Claude Debussy's piano prelude "Danseuses de Delphes".
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All of this is performed - Norm's many percussion devices, Fender Mustang, and GR-20 driven by the guitar for the rest of the voices excepting a bit of a choir at the end.
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the thoughts and theory for this piece is described here...in the eee blog i am working on/with.
http://notonlymusic.com/wp/eeeblog/2010/10/19/ambish-sonds-for-eee/
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frags delivered me a ratata soundwav and this came out.... Another track from the BackvieW playlist
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A different arrangement of the Leonard Cohen classic, faster tempo with slide lead
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A nice acoustic/finger picking progression I wrote late one night
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Piano versus vibraphone in Expedition1....just because you can with the click of a mouse change the feel!
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(Lennon/McCartney) - from the Beatles album 'Revolver'. This was my first Beatlesfest entry for Songcrafters.
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(George Harrison) - from the Beatles album 'Rubber Soul'; my second entry for Beatlesfest at Songcrafters
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(Lennon/McCartney) - from the Beatles album 'Let It Be'. My third Beatlesfest entry at Songcrafters - this one is a duet with the great henwrench.
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an IF tweaked-improv piece from 5/10.
some non-western & xenharmonic elements
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A small attempt at covering Mad world by Garry Jules.
Ignore the small disturbances due to cheap mic.
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A cinematic, slow and psychologically charged dark ambient track, musically inspired by Maurice Ravel's noble and sentimental piano waltzes and thematically by Wim Wenders' 1984 movie Paris, Texas.
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the first recorded song for the next album, "Candidus"
Lyrics:
Maybe I should have known
The damage in my heart
Maybe this could all be my fault
Maybe I should have known
Better than to trust
Maybe this could all be your fault…
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The completion of an utterly nostalgic gaze back at pastoral childhood experiences...chickens, powerlines, shanties, rivers...
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Something i wrote after a few bad years in a relationship
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