alonetone radio: Popular
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recorded live at the Monolith in Tulsa, Oklahoma August 28, 2008
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recorded live at the Monolith in Tulsa, Oklahoma August 28, 2008
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recorded live at the Monolith in Tulsa, Oklahoma August 28, 2008
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recorded live at the Monolith in Tulsa, Oklahoma August 28, 2008
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recorded live at the Monolith in Tulsa, Oklahoma August 28, 2008
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recorded live at the Monolith in Tulsa, Oklahoma August 28, 2008
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recorded live at the Monolith in Tulsa, Oklahoma August 28, 2008
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recorded live at the Monolith in Tulsa, Oklahoma August 28, 2008
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Cresencio Salcedo, del Album ALEGRIA DEL MUNDO, LATINOAMERICA. Porro.
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A quasi-ambient experiment with the Hypercyclic plugin.
I don't know if it's tacky to listen to your own stuff but I actually do listen to this one a lot.
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This is a song that I wrote several years ago. My partner, John Rigney, does a brilliant job with the vocals.
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This is the sound track to a short movie i made. YouTube movie coming soon!
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This is a tune that I did sitting on a plane. My laptop battery was fading fast...
I like the fact that this is a rough sketch. Not all perfect and finished. I offer this up in response to the forum thread "Do You Ever Finish Your Tracks…
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Kevin Emmrich added lyrics, vocals, harmonica and percussion to Walk That Lonely Road. Thanks Kevin!
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I know, not really a raga.
Darrin Kobetich on mandolin.
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Written and produced by Michelangelo. I just added some slide reso. Mick's dad played harp.
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We were supposed to comprise a beat across at least 3 tracks from individual sounds. We were also to explore sampling. The first beat and the fast drumming beat (towards the end) I made entirely, but I sampled the second section drums and the…
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I chose a reading of Dylan Thomas's "Do not go gentle into that good night" and illuminated it with some sound and music samples.
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entitled "Costume Shop Creeper." All sounds gathered from the inside and outside of a costume shop, excluding the "creeper" which was recorded as an outtake by my boyfriend. So in a sense, I made him the creeper when at the time of recording…
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Here is my practice run, 1/12 of the 24hour album. 2 minutes of music in two hours. This track was fun to make. I started with the acoustic guitar, added the bass, then the beat. To get a particular sound that I had in mind, I did a little beat…
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this is my contribution to the Mirror's Edge remix contest - vote for it (or just listen it as often as you can) at http://www.jamglue.com/mixes/7447495-Still-Alive-Catskill-Version
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This is a live recording of Shortwave Static. Done in Liverpool Nova Scotia, Using a all tube recieving station.
It has been mastered otherwise it unaltered.
This is number two in as series of recordings of static..
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there are literally 6 versions of this song that sound nothing like each other.
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started out in 5, but i couldn't sing to that.
it's not the loneliness, per say, it's just doing the same thing every day, alone, i'm not someone who needs daily tending, it's just that i would like to be tended to, eventually, and yet i remain…
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an older tune written for a long distance relationship
this silence was laughter before
this distance a warm embrace
blank screen, cold kansas night
don't worry my message is on its way
i'm typing with fingers
my fingers are arrows, flying…
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original lyrics were about the sheep in the US.
she's my distraction, as i crash into the sea, hurling towards the brink of my frail reality, she pushes buttons then waits for self destruct, fate has brought her to me then fate gets shot by…
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based on the book by knut hamsen
i stand beneath the cloudy city sky, passing time, and gnaw upon, ideas and dreams, broken self solitude, formulate my world around me, wander the streets and ravish my dreams, the scent of food surrounds me…
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I'm not quite sure where I was going with this. I love the Abaska Bong sound and was trying to pair it with something complementary. After going through some truly weird combinations I came up with this.
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Leaning a bit towards the new-agey side of things, but still kinda cool I think......
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Playing around with some new synth sounds, this happened.
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Tema TRadicional Ingles. La Agrupacion ALEGRIA DEL MUNDO, Del Trabajo discografico "II MILENIO".
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REAL major scale sounding, but fun to play. Kind of "Eaglesy" (at times, and not very, actually)
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Aquí teniu la segona entrega de les experiències d'en Joaquim Torner a Copenhaguen per a Ràdio Sabadell.
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As much as anything this was practice for me in setting up Logic to record three separate instruments in 3 tracks. In this case I used the EXS synth with upright bass, fireball decay, and Tibetan singing bowls. It's almost my first real attempt…
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Everybody hates waiting. Some more than others.
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Inspired by a gorgeous recording on a wax cylinder by the composer, Tanburi Cemil Bey (1873-1916).
Performed on politiki lyra (classic kemençe), a small bowed fiddle from Istanbul.
Recorded at The Banff Centre, November 2008.
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This is the second movement of my Sonata-Fantasie No. 1
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I got the impression when listening to this piece of moving towards an infinitely distant horizon, with an orange sun having just set behind it.
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Each time I sit down to learn something about Logic, I end up getting distracted and creating some kind of track...
This one uses EFM1 -> Delay Designer -> Live Cut
Some drums through similar craziness
and finally me playing some pads and…
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It's ALL bass, and one ocarina track. And a gong. And a radio broadcast from Saudi Arabia from Desert Storm (the first time we went over). So I guess it's not ALL bass. It's MOSTLY bass.
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this one almost didn't make it on. Used to like it, but now, not so much.
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One of MNCC's few songs with lyrics that can be recognized as english. Plus, it's a true story (even if it is about 2 different people) and it's got a Simpson's reference.
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one of the oldest songs MNCC's ever recorded. It's mostly bass and homemade drums plus a prerecorded beat. And lyrics about the consequences of forbidden love.
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An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
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A song about being a rapper and if you can imagane him being the things in his music!
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A big shout out to Sandbags making this track possible (with his fabulous creation [Elysium](http://lucidmac.com/products/elysium/)).
[Slightly more information](http://mmi-music.blogspot.com/2008/11/glockenfunmachine.html) on how I created…
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music made for a short experimental film,an dark ambient entry to a film competition on vimeo.com
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Another [Elysium](http://lucidmac.com/products/elysium/) enabled track. Such fun.
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