A finalist for the 24th Awitenista.

slow and dronish start with the exciting inserts starting about minute ten to minute forty :)

These tight and easy 151bpm beats just to show off for some reason like yeah I can do this but so what , ever.

Lyrics by Joseph Brown Music by Jason Wildcat

There’s a fire in your eyes It burns, it bleeds A raging wind inside knocks me off my feet You light up like a sunbeam And you run through my bloodstream All the time Your light, it blinds My sight, my eyes I’m struck by lightning You’re forked…

Inspired in part by some of the great pioneers of electronic music in the 1970s, Jarre, Tangerine Dream and others. Also a sort of tribute to one of my favorite authours, Stanislaw Lem.

techno

techno

HAPPY Happy is the anvil as the hammer strikes the blade A fleeting spark that fades out as the memory is made Happy is the spark when the hammer strikes the steel Before the spit has sizzled into a vapor trail And happy is the planner…

Electronic Dream #1 was made for the Internet Movie Project in 2002 that fell apart as I remember. All but the initial bright sweep which comes from the CZ-101 is from the Korg MS2000 analog modeling synthesizer. Excepting the Casio sample this…

Written in 1989 and performed ever since by the Sluggos, this song was also covered by Split Lip Rayfield and appears on their album "Never Make It Home." The one song in my catalog that draws any royalties.

This song is the only surviving track from a rock opera I wrote circa 1990. This recording was made by Mike Coykendall (currently playing with M. Ward/She & Him) at a May 1991 show at The Spot (RIP) in Wichita.

A protest song of sorts, regarding Vulcan Chemicals' disregard for the environment. Recorded in 1991 on four-track cassette as part of the never-released "Banana Syndrome" album. I play and sing everything on this one — perhaps my first recorded…

A lonesome tune from a lonesome time. Recorded in 1991 on four-track cassette as part of the never-released "Banana Syndrome" album. I played everything on this one.

This song was composed spontaneously while the four-track rolled during a monumental LSD trip in 1991. The background vocals and backward percussion were added the next morning before sleep came.

Written on Christmas, 1992, and recorded immediately onto four-track, this song was a gift. Midtown, Wichita.