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This track was created as part of the October 2010 Alonetone 24 hr challenge. The challenge is to make 24 minutes of original music in one 24 hour period.
Featuring an except from "The Orton Diaries" edited by John Lahr.
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This track was created as part of the October 2010 Alonetone 24 hr challenge. The challenge is to make 24 minutes of original music in one 24 hour period.
Uploaded
This track was created as part of the October 2010 Alonetone 24 hr challenge. The challenge is to make 24 minutes of original music in one 24 hour period.
Uploaded
Played on an Italian single manual harpsichord (2x8', GG-d''').
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Played on a fretted clavichord.
Excuse the rough performance--I'm not a clavichordist.
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Played on a Flemish single manual harpsichord (8+4, GG-d''')
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Played on an Italian single manual harpsichord (8', CC-c''').
Sorry about the tuning and the random E that should be flatted.
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Requires work. Would be the first thing to say.. not least the bloody clipping. Just wanted to post something to prove im not dead.
The song is inspired by my counselor kindly allowing me to leave my guilt with her last time i saw her. i told…
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Steve and I on a Sunday afternoon jam. haven't changed it a lick. Minimally processed it. I liked the openess of it, so I left it alone. Went to Crater Lake, and found this songs home. Played it to the stars the moon and the waters, as the moon…
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A dark and dramatic solo piano piece inspired by the sounds of dozens if not hundreds of trees breaking down and collapsing under the weight of sticky ice and snow last winter in Saratov, Russia, where I was on a visit.
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Jonathan Thomas continues to look at 1 Corinthians 7 and asks what it teaches about being single and the issue of divorce.
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Guitar/Vocals: Liam Sanders
Percussion: Norm
A song I wrote about feeling undervalued, with percussion from the wonderful Norm.
Lyrics:
I should be more than a Sunday afternoon watching awful films.
I should be more than the shirt you…
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When enough is enough and something needs to be done.
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The title track from my second album "The Innocence Of Obsession".
A song about how differently things can be interpreted.
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A track from my second album "The Innocence Of Obsession", more keyboard based than my usual guitar based stuff.
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