this track is part of an album i'm writing, rpm-style, for my wife for the winter holidays

like should i mix this one with the last one to see what I get you know in the track for track form :>>

finding meaning in nothing new. Mon Apr 7, 2008, 1:21 AM Mood: Lazy Listening to: "next other" 74:25 min song I wrote Reading: spacetime bororo of brazil by S. M. Fabian Watching: tracy like trails into the nite Playing: Apophysis Eating: brain…

There are times, moments, sounds, shadow falls that take us to and bring us back to magical times in our lives,,,Something in this piece by Johnny Mercer & Henry Mancini,, can pull me in so many different ways,,, it's always been a favorite…

an improvisation.

A composition in Semimarvelous 17 note dwarf for amplified voice, amplified piano, fretless electric guitar, amplified jazz drum kit and amplified Asian percussion. Words by William Newbold and Visual by Emily. The dialog by William Newbold…

slow beginning

A little bit to dance to on a cold Friday night in november

He loves you.............

Recorded in 2001. Tom Higgins - vocals Joe Silence - guitars Mark Cook - fretless bass and beats This track sounds kinda fuzzoid for a reason: It was originally recorded to a Roland VS-880 hard disk recorder, but then mixed to cassette…

Recorded in 2009 for RPM Challenge. Joe Silence - organ and synth bass Guitar by Giahni Burik.

Recorded in 2006. Joe Silence - guitars, beats, vocals Mark Cook - fretless and 12-string basses Originally written by Russell Cowser. New arrangement and additional material by Joe Blair.

from the new CD "Orange" You can feel the sameness, all around Beat tomorrow, into the ground, a-ha It's just the weight of sound You can smell forgiveness, if you try And hold back sorrow until you cry, a-ha It's just the weight of sound…

Love sweet love plain and simple

Recorded in 2005. The keyboard sound in the second half is a backwards electric piano processed through a triggered filter (kind of like a Mutron III). Muted the vocals cos I'm not too pleased with the lyrics or performance.

Recorded in 2008. Fuzz guitar through an old DDL into a pitch transposer, recorded in one pass with no edits or overdubs. Just a minute noodle doodle, really, but it's gonna go somewhere. Honest!

Recorded in 2006. ambient, Ambien, muy bien. *opens window and takes deep breath* Backwards electric piano through a ring modulator and an echo, then processed to death in WaveLab.