Overlapping noise-based drones playing time & tone shifted noise tracks ,often dozens of copies of a single source, off and against each other to create beat frequency throbs, overlapping rhythms and near chords.

Overlapping noise-based drones playing time & tone shifted noise tracks ,often dozens of copies of a single source, off and against each other to create beat frequency throbs, overlapping rhythms and near chords.

A series of echoing gongs played in various keys to create patterns of echoes, and occasionally chords. One of my mellowest pieces, almost meditative.

The first track of a suite based on the SubGenius Pamphlet #1; the track has a Drone-y bassline with an avalanche of drums, no real melody to speak of, and the words are spoken by an old, wonky MicroSoft Text to Speech engine.

A track based on an accidental rhythm track I created while playing with a free VTS Host program, overlaid with an ambient tone and a Text to Speech-ified reading from Francis E. Dec's "GANGSTER COMPUTER GOD WORLD- WIDE SECRET CONTAINMENT POLICY…

RPM demo filler track. you see where this is all going.

work in progress

rehearsal recording martin - keyboard georg - guitar ulrich - drums helmut - bass not 'pink floyd' but genesis. as you hear, we are into the seventies - the only drugs involved: german beer ;-)

Spastic + Angular = Spazangles

Album: Goodbye

Album: Goodbye

Album: Goodbye