dedicated to our "cold hearted orb that rules the night",, bassoon and french horn exchange glances with one another, cross a web of strings with a little timpani,in for the flavor,,, i have been trying to figure a bassoon into my work, so here…
a small quiet piece for a Sunday evening,, all four string sections are present here,, violin, viola,cello and contrabass,,it's kind of fun to try to mix, and pass the various themes around,,
a small quiet piece for a Sunday evening,, all four string sections are present here,, violin, viola,cello and contrabass,,it's kind of fun to try to mix, and pass the various themes around,,
a small quiet piece for a Sunday evening,, all four string sections are present here,, violin, viola,cello and contrabass,,it's kind of fun to try to mix, and pass the various themes around,,
rpm #7,, i think this will be the overture, to a small midi orchestral suite, which i hope will finish up as my remaining 3 pieces for this years rpm, but well see how that goes,, thanks for all the helpful comments i have received on this project…
dedicated to our "cold hearted orb that rules the night",, bassoon and french horn exchange glances with one another, cross a web of strings with a little timpani,in for the flavor,,, i have been trying to figure a bassoon into my work, so here…
a small quiet piece for a Sunday evening,, all four string sections are present here,, violin, viola,cello and contrabass,,it's kind of fun to try to mix, and pass the various themes around,,
dedicated to our "cold hearted orb that rules the night",, bassoon and french horn exchange glances with one another, cross a web of strings with a little timpani,in for the flavor,,, i have been trying to figure a bassoon into my work, so here…
dedicated to our "cold hearted orb that rules the night",, bassoon and french horn exchange glances with one another, cross a web of strings with a little timpani,in for the flavor,,, i have been trying to figure a bassoon into my work, so here…
dedicated to our "cold hearted orb that rules the night",, bassoon and french horn exchange glances with one another, cross a web of strings with a little timpani,in for the flavor,,, i have been trying to figure a bassoon into my work, so here…
dedicated to our "cold hearted orb that rules the night",, bassoon and french horn exchange glances with one another, cross a web of strings with a little timpani,in for the flavor,,, i have been trying to figure a bassoon into my work, so here…
rpm #7,, i think this will be the overture, to a small midi orchestral suite, which i hope will finish up as my remaining 3 pieces for this years rpm, but well see how that goes,, thanks for all the helpful comments i have received on this project…
rpm #7,, i think this will be the overture, to a small midi orchestral suite, which i hope will finish up as my remaining 3 pieces for this years rpm, but well see how that goes,, thanks for all the helpful comments i have received on this project…
rpm #7,, i think this will be the overture, to a small midi orchestral suite, which i hope will finish up as my remaining 3 pieces for this years rpm, but well see how that goes,, thanks for all the helpful comments i have received on this project…
at the end of an evening, after the house lights have gone down, in the quietness of the hall,, two cellos, share a quiet moment.. dedicated to the old couple who have lived so long together, to parent who watches as their child sleeps, to the…
Yes, I like less reverb, but who am I to know. I thought you got a more natural sound on the other setting.
They're both good, and if there wasn't the request for comparison, the differences would have gone unnoticed.
well this is a bit awkward, but i have been chatting with Nosda Cariad about the various plus and minus of sound settings ie reverb,,, sometimes i feel like i have used too much, as sort of a crutch. in this version the reverb has been toned down…
rpm #7,, i think this will be the overture, to a small midi orchestral suite, which i hope will finish up as my remaining 3 pieces for this years rpm, but well see how that goes,, thanks for all the helpful comments i have received on this project…
rpm #7,, i think this will be the overture, to a small midi orchestral suite, which i hope will finish up as my remaining 3 pieces for this years rpm, but well see how that goes,, thanks for all the helpful comments i have received on this project…
rpm #7,, i think this will be the overture, to a small midi orchestral suite, which i hope will finish up as my remaining 3 pieces for this years rpm, but well see how that goes,, thanks for all the helpful comments i have received on this project…
rpm #7,, i think this will be the overture, to a small midi orchestral suite, which i hope will finish up as my remaining 3 pieces for this years rpm, but well see how that goes,, thanks for all the helpful comments i have received on this project…
I saw "the Watchmen"....got me thinking.
are we truly immortal?
will we live through the material passing
or have we died oh so close to the light
not from this earth
not bound by its laws
A slave of no one
I will move beyond
are…
This song is something special to me. I think it was special to John too. It hurts to miss people who are gone from your life, but I think it's worse to forget them.
Felt the need to go back to something more sound driven.
I've been learning a lot of new Jazz chords and wondered what they might sound like as pads. I ended up creating a device chain in Ableton Live featuring Alchemy, Omnisphere, and Absynth…
very nice sound space,, the sounds do pan well through my speakers (just got a new set, and this sounds really cool),, i am always impressed by the range for music/sound/feelings found on alonetone,, from my old piano plunking to your spatial symphony,, through the great guitar and vocals,, so much here to enjoy,, anyhow well played
from the album "the Hardest Blow" featuring vocals and slide guitar from Gregg Todt
My father says, it’s not enough
This mortal strife, gets too rough
And sinners dance, upon your grave
Waiting for, your bones to bleed
The hardest blow…
I am leaving this week for a while but couldnt resist adding as the third collaborator on this excellent track by Keith Landry and Osckilo before I go.
Added some bass,ambient stings, and of course sleigh bell
Hope you guys like it.
See you…
Ideas and patterns, especially in music, comes immediate, and often as quickly disappear - as if they were not there at all. That is why a true Knight Of The Music is always ready. In the modern sense, this means that his studio all the time is…
This is probably the last of this stuff from the archives that I'll upload. Rescued from a cassette tape of a live performance with former band mates in Scartaglen. These tunes are popular down in the Southwest of Ireland. Michael(Fiddle) and…
Thanks for the listen and comment,,, i have been away from the site for a lot of the summer. i have been enjoying the recent tapes you have been putting up.. one of the cd's i have been listening to this summer is "will the circle be unbroken 1 & 2" if you are not familiar with them, i think you might like to listen sometime,, thanks Richard
Year: 1997
Me trying to be a 3 piece band back in 1997 using the portastudio 1, fender mustang, crate amp, no-name bass, and jazz drum set.
I've tried to improve it by remastering in sonar.
Contributors:
Please visit the graphic…
When love is no longer enough....
Stay Awake
I hear every little sound,
Every breath, hearts beating,
They're breathing....
See the passion in her heart,
A witness of her fire,
Desire....
I feel myself drifting off,
The pillow…
a collaboration of Alister Flint - Carlo Serafini - Chris Vaisvil
so, Chris did this. Carlo did that. and i added some. for the technical stuff, see below. :)
This piece uses multiple tunings simultaneously and is the inaugural…
very nice you three,,, an interesting journey on this late, last day of July evening,, well played,, the synth trumpet takes on a life of its own an almost other worldly feeling at times..........
Everyone has a first time....
This is an "out-take" from the You EP. Written in 2000 it was not finished as far as it is until 2005. Being lazy I just adapted the original rough take I made so I would not forget the song.
There are a few electric…
This is a chord progression I found when waiting for Debbie to come home.
Left channel is a piano voice via GR-20, right channel my Mustang's own voice through the DOD FX-7
Any collaboration would be welcome.
Comments on richardlaceves's stuff
You are really creating yourself an RPM Challenge masterpiece. It's another beautiful contribution.
I thought I heard a little Aaron Copland in there. It's beautiful
This is Gorgeous!
Beautiful mate.
i'm wondering what you made this with, i love medieval music. thumbs up from me!
This is wonderful!
Absolutely brilliant! It moved my soul.
majestic.Lovely stuff.
Really nice piece, once again. But too short.
That is incredible..I am imagining a scene showing a battle field and the aftermath of war...something along those lines.
Way cool , dig those horns.
Excellent! Love the tension/ release especially at about 3 minutes
Magical stuff. Very tasty.
awesome arrangement.. i couldn't stop listening
Yes, I like less reverb, but who am I to know. I thought you got a more natural sound on the other setting. They're both good, and if there wasn't the request for comparison, the differences would have gone unnoticed.
The reverb setting is a success to my ears. Nice Cello and overall piece.
Breathtaking Good tension and resolution with captivating arrangement. Nice one Richard.
If you do not do work for film....u should. Very nice piece here.
Yes! This should be an overture! Absolutely wonderful, Richard!
Very soundrack-ish, well done!
Comments made by richardlaceves
interesting ,, sort of the opposite of the vast open sound scape i often hear, this feels to me very internal and close
very beautiful,,,
well played,, a very pretty rendition of a very pretty song
very nice sound space,, the sounds do pan well through my speakers (just got a new set, and this sounds really cool),, i am always impressed by the range for music/sound/feelings found on alonetone,, from my old piano plunking to your spatial symphony,, through the great guitar and vocals,, so much here to enjoy,, anyhow well played
interesting,,,
a very beautiful story,, as told on the keyboard,, well done
interesting, i will listen to this a few more times
i enjoyed this, very nice flavor
very fine,, sounds like you must have had a lot of fun playing this!!
i really enjoy your work,,,this is a very fine sound land, a treat for my ears and more
very fine
very nice fellows,,rich sounding,wonderful feelings
well played,, sweet little piece
Chris,,, well played, the piano has a very nice deep sound
Thanks for the listen and comment,,, i have been away from the site for a lot of the summer. i have been enjoying the recent tapes you have been putting up.. one of the cd's i have been listening to this summer is "will the circle be unbroken 1 & 2" if you are not familiar with them, i think you might like to listen sometime,, thanks Richard
Interesting,,,, i also just listened to the cage but could not leave a comment or fav ......my how we change/evolve over time...
Alister's comment about the shaking hair is on target ,, very nice work... also agree about the guitar solo 3:30 into the piece
very nice you three,,, an interesting journey on this late, last day of July evening,, well played,, the synth trumpet takes on a life of its own an almost other worldly feeling at times..........
well spoken friend,,,i see you have a bit of that dramatic poetic within your wonderful musical talents,, i like this side of you very much R
simple and smooth,,, simple and captivating, simple and poetic,,, simply very cool,, well played