My 100th upload to Alonetone!
I played a pretty random arpeggio which I arranged into 3 versions of medium notes, long notes, and short notes followed by a gap. I cloned these version and transposed them up and down one octave respectively…
My 100th upload to Alonetone!
I played a pretty random arpeggio which I arranged into 3 versions of medium notes, long notes, and short notes followed by a gap. I cloned these version and transposed them up and down one octave respectively…
My 100th upload to Alonetone!
I played a pretty random arpeggio which I arranged into 3 versions of medium notes, long notes, and short notes followed by a gap. I cloned these version and transposed them up and down one octave respectively…
My 100th upload to Alonetone!
I played a pretty random arpeggio which I arranged into 3 versions of medium notes, long notes, and short notes followed by a gap. I cloned these version and transposed them up and down one octave respectively…
My 100th upload to Alonetone!
I played a pretty random arpeggio which I arranged into 3 versions of medium notes, long notes, and short notes followed by a gap. I cloned these version and transposed them up and down one octave respectively…
My 100th upload to Alonetone!
I played a pretty random arpeggio which I arranged into 3 versions of medium notes, long notes, and short notes followed by a gap. I cloned these version and transposed them up and down one octave respectively…
Here's to insignificance my friend. May you never be squashed like a bug.
Instruments used: Kontakt, LoopShifter, Stylus RMX
Effects used: Eos, DubStation, Replicant, Augustus Loop
Increasingly I think the music I am making is less about sound design and more about expressing some of the things inside of me that want out. I guess I may be starting to know what I want.
This one started with a beat (using Stylus RMX to…
I see the entry to the exit, to a special place. But why through a window? :-) Ah! This is such an idea, clear. Seriously: to become a complete art piece it should be longer, and should go down into the coda at the end, as I see it. Working on it?
A second outing for my new Reaktor ensemble codenamed "BD". This time I used only once instance of the ensemble but noodled around through a series of samples allowing the guided-randomators to vary the speed, grain density, and grain length…
A second outing for my new Reaktor ensemble codenamed "BD". This time I used only once instance of the ensemble but noodled around through a series of samples allowing the guided-randomators to vary the speed, grain density, and grain length…
A second outing for my new Reaktor ensemble codenamed "BD". This time I used only once instance of the ensemble but noodled around through a series of samples allowing the guided-randomators to vary the speed, grain density, and grain length…
Like being in the belly of a machine that's desperately trying to live.
Liking the light at around 3 mins 10, sounds like hope amongst the feeding frenzy.
(You should definitely consider getting in to incidental horror music.)
A second outing for my new Reaktor ensemble codenamed "BD". This time I used only once instance of the ensemble but noodled around through a series of samples allowing the guided-randomators to vary the speed, grain density, and grain length…
A second outing for my new Reaktor ensemble codenamed "BD". This time I used only once instance of the ensemble but noodled around through a series of samples allowing the guided-randomators to vary the speed, grain density, and grain length…
Yeah, that was interesting to say the least.
How oh earth do you do that. Sounds like some undiscovered species on an eating spree. You would be great for sound effects on creepy movies.
Part of a sound walk that takes place through the Station North district of Baltimore. This piece is the last segment of the walk.
Live 8, Logic, field recordings, clay flute, and samples from Tennyson's "Bugle Song".
4 stereo guitar tracks played out one at a time.
Another late night - early morning recording.
I like to keep a positive attitude about the things that haunt me, but sometimes dreams change course unexpectedly, and the worms creep in.
24-hour album.
This album is a collage of several disconnected pieces recorded & mixed over 18 hours or so.
I've left it as a single long track, but here's a sort of navigational guide if you want to skip around:
0:00 - 1:30 = Living…
24-hour album.
This album is a collage of several disconnected pieces recorded & mixed over 18 hours or so.
I've left it as a single long track, but here's a sort of navigational guide if you want to skip around:
0:00 - 1:30 = Living…
Half way through and, so far, this has been quite a trip. I love how you have blended ambience and anti-ambience without a huge explosion! It's quite freaky to be surrounded by heavy grinding guitars and know that, just moments ago, I was bathing in a smooth still pond.
i remember the exact moment my tears fell...
this song was written for my dad...it sums up the loss i feel...i dealt with my emotions in the only way i know how...
I frequently go on training skates on a beach front trail. The parking lot is just off of a major highway bridge (the Burlington Skyway for those that know it). It's always an interesting sound there...
I recently acquired got a little Pocketrax…
Well... what do you say?
I think you have made something very beautiful and involving. I love the way that, at the beginning (especially but also, to a degree, throughout the piece), the whole thing moves as if riding waves.
The sounds are interesting but seem to blend quite seamlessly, I think the arrangement is very good. I particularly like the use of resonation, I think it creates a great ambience towards the end of the track.
I really wasn't ready for it to end.
A typical folk song.
Written and recorded in about an hour for the 24 hour album (attempted on March 13th). Excuse roughness and vocal glitches, it was 2am and this was my first full take.
Thanks to montgomeru for his chord suggestions…
Kind of a chillout, lullaby type tune.
—
Notes:
I think the shaker comes in too strong. I think the intro goes on for probably 1 or 2 more phrases than it should.
Gurgling, bubbling, churning.
This is the last track of the March 2010 24 hour challenge.
The process...
- find some interesting synth sounds (have collected many)
- work out some basic chords
- do some filtering
- add two tracks of e-bow…
So I just figured out that the EXS24 sampler instrument in Logic Pro (the DAW I use) can also import SoundFont2 files, which I happened to have a bunch of from a previous life as a Cakewalk user. All the tracks in this tune were played using old…
Well i gues i was just sitting bored at home in new years even and i came up with the hook , then just worked on it on and off, and ended up with this.
Hope you enjoy it :)
Very much. I'd say time well spent. The percussion has a really crisp snap to it that I love (wish I could figure that trick out myself) and everything layers well and sounds great. Kudos!
I came up with the initial rhythmic riff on my bass, then looped it to create the basis for this track. Then, I layered another "lead" bass track on top of that, added some percussion, and finally topped it off with an electric piano-ish sound…
I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds.
I spent many hours going through Reaktor ensembles I've downloaded searching…
Thanks again for all the kind words. I think the next piece will be very largely based on vocals, if I can get some more female voices to balance things out!
Comments on Mr Sandbags's stuff
Stop! Motion! It has to happen. Sinister and clever (as usual). Congrats on 100 uploads! Here's to another 100.
Happy 100th Bags.
silky glitchy subbed sounds!
Great mix top sounds mate.
nice
Nice! Some super cool sounds you've created.
I LIKE IT
Nice mate great mix dig it.
May you never be squashed like a bug. With drinks.
One of your greatest tracks! Beautifully dark and powerful.
Mystic.
I see the entry to the exit, to a special place. But why through a window? :-) Ah! This is such an idea, clear. Seriously: to become a complete art piece it should be longer, and should go down into the coda at the end, as I see it. Working on it?
Mmm. A beautiful overture.
So, about this special place ..... Yeah I know who I am, is it me?
Intriguing and mystical.
Love it. Reminds me a little of my first time playing Halo but better.
From a "Rustles" cycles, mysterious Matt.
Like being in the belly of a machine that's desperately trying to live. Liking the light at around 3 mins 10, sounds like hope amongst the feeding frenzy. (You should definitely consider getting in to incidental horror music.)
Brilliant sounds mate. yes sound track material for sure.
Yeah, that was interesting to say the least. How oh earth do you do that. Sounds like some undiscovered species on an eating spree. You would be great for sound effects on creepy movies.
Comments made by Mr Sandbags
Awesome piece you've made here. So much in it but all blended superbly. I especially love the voices towards the end.
Oh yeah, liked this a lot.
Really enjoyed this piece.
Well you were wondering yesterday how it would come together and I can tell you, it came together great! An amazing effort, bravo!
Half way through and, so far, this has been quite a trip. I love how you have blended ambience and anti-ambience without a huge explosion! It's quite freaky to be surrounded by heavy grinding guitars and know that, just moments ago, I was bathing in a smooth still pond.
Beautiful playing and something reminiscent of Glu about the birdsong & engine noise which works really well here. Kudos!
Full of desolation and dark overtones. Beautiful.
Well... what do you say? I think you have made something very beautiful and involving. I love the way that, at the beginning (especially but also, to a degree, throughout the piece), the whole thing moves as if riding waves. The sounds are interesting but seem to blend quite seamlessly, I think the arrangement is very good. I particularly like the use of resonation, I think it creates a great ambience towards the end of the track. I really wasn't ready for it to end.
You may be surprised to hear it, but I really like this one!
Beautiful.
Strange and understated, I really love this.
Cool sound. More gritty bass which we like :)
Very much. I'd say time well spent. The percussion has a really crisp snap to it that I love (wish I could figure that trick out myself) and everything layers well and sounds great. Kudos!
Like this one a lot, it's got a haunting quality to it.
You asked for criticism but I can't give you any. I can only echo dAb and Sister's comments; this is great.
Thanks again for all the kind words. I think the next piece will be very largely based on vocals, if I can get some more female voices to balance things out!
Love your sound.
You're having wayyyy too much fun here :)
I think the two of you should be congratulated, then taken into care :)
Ah the infamous!