Another in my series of evolving sonic noise experiments.
The source for this piece was a recording from my latest Reaktor instrument [TMA-2](http://www.youtube.com/watch?v=lyEEW-tCNL4) with a sample map constructed from [Richard Devines](http…
Well done. I don't really have any suggestions about structure except to say don't get too hung up on it :-)
I kind of think that the way this ebbs and flows is all the structure it needs.
Another in my series of evolving sonic noise experiments.
The source for this piece was a recording from my latest Reaktor instrument [TMA-2](http://www.youtube.com/watch?v=lyEEW-tCNL4) with a sample map constructed from [Richard Devines](http…
@NebulonicAlchemy: I've no recollection of the conversation you're talking about. I use a lot of effects in Live and Logic so it doesn't sound like me.
My point is about creating an arrangement where there is more control over sonic density. Particularly intense points should not be clustered together or they become overwhelming.
I think the issue is with taking a single, long, piece of audio and trying to treat give it a different structure.
Another in my series of evolving sonic noise experiments.
The source for this piece was a recording from my latest Reaktor instrument [TMA-2](http://www.youtube.com/watch?v=lyEEW-tCNL4) with a sample map constructed from [Richard Devines](http…
Your efforts to create space are interesting. I'm not sure I comprehend exactly what you mean. I believe you once said you dont' like using efx which comes with audio editing/recording sofware. Maybe this a route you may want to take?
Another in my series of evolving sonic noise experiments.
The source for this piece was a recording from my latest Reaktor instrument [TMA-2](http://www.youtube.com/watch?v=lyEEW-tCNL4) with a sample map constructed from [Richard Devines](http…
Another in my series of evolving sonic noise experiments.
The source for this piece was a recording from my latest Reaktor instrument [TMA-2](http://www.youtube.com/watch?v=lyEEW-tCNL4) with a sample map constructed from [Richard Devines](http…
I'm not quite sure where I was going with this. I love the Abaska Bong sound and was trying to pair it with something complementary. After going through some truly weird combinations I came up with this.
I'm not quite sure where I was going with this. I love the Abaska Bong sound and was trying to pair it with something complementary. After going through some truly weird combinations I came up with this.
If you read my post in that thread I talked about one of my tracks being downloaded over & over again by Chinese spammers/spambots. This is that track.
I'm not quite sure where I was going with this. I love the Abaska Bong sound and was trying to pair it with something complementary. After going through some truly weird combinations I came up with this.
wildgease and I were talking about play counts...he said he posts links to his songs on other pages...did you do that for this one? On what pages did you put the link for this song?
Another slice of Reaktor based weirdness from the particle collider ensemble I am tentatively naming TMA-2.
You can't tell from how it sounds I guess but the latest development is that particle energy now governs velocity, i.e. more energetic…
This is made with a very experimental Reaktor instrument I am building.
It uses a very simple particle collision model with 64 particles in a 100x100 box. When two particles collide they trigger a sampler to play a slice of either of two samples…
I can definitely hear the Dune soundtrack in this. Nice work on the Reaktor instrument! It'll be interesting to hear what else you end up doing with it.
Another slice of Reaktor based weirdness from the particle collider ensemble I am tentatively naming TMA-2.
You can't tell from how it sounds I guess but the latest development is that particle energy now governs velocity, i.e. more energetic…
Another slice of Reaktor based weirdness from the particle collider ensemble I am tentatively naming TMA-2.
You can't tell from how it sounds I guess but the latest development is that particle energy now governs velocity, i.e. more energetic…
Another slice of Reaktor based weirdness from the particle collider ensemble I am tentatively naming TMA-2.
You can't tell from how it sounds I guess but the latest development is that particle energy now governs velocity, i.e. more energetic…
The samples were not carefully chosen just a few random snippets I had lying around and some vocal samples I've been collecting for another project. I just needed something to feed into it.
Another slice of Reaktor based weirdness from the particle collider ensemble I am tentatively naming TMA-2.
You can't tell from how it sounds I guess but the latest development is that particle energy now governs velocity, i.e. more energetic…
Another slice of Reaktor based weirdness from the particle collider ensemble I am tentatively naming TMA-2.
You can't tell from how it sounds I guess but the latest development is that particle energy now governs velocity, i.e. more energetic…
I seriously think this could lead to not so silly things. Have you ever heard of the tribe of people...from thousands of years ago, who knew the EXACT orbital patterns of stars and planets they couldn't even see? Maybe this too..like MMI said...is a happy accident?
Another slice of Reaktor based weirdness from the particle collider ensemble I am tentatively naming TMA-2.
You can't tell from how it sounds I guess but the latest development is that particle energy now governs velocity, i.e. more energetic…
The idea came to me in a conversation as a kind of silly thing to do. I was thinking about how to mess with samples and the idea of slicing them and trigger them by collisions just popped into my head.
At the moment the energy levels are fixed. One of the things to complete the model is for collisions to drain energy. Then I plan to add "warming" that is a constant influx of energy which will be controllable.
Beyond that I really want to play with having the collision sequencer drive other things like a bank of oscillators. I'm also considering how it could sensibly output MIDI.
Another slice of Reaktor based weirdness from the particle collider ensemble I am tentatively naming TMA-2.
You can't tell from how it sounds I guess but the latest development is that particle energy now governs velocity, i.e. more energetic…
I was thinking that more outside variables would be interesting. I like the gravity well idea. So where did you get the idea for this? And...do energy levels change when there is a collision?
Another slice of Reaktor based weirdness from the particle collider ensemble I am tentatively naming TMA-2.
You can't tell from how it sounds I guess but the latest development is that particle energy now governs velocity, i.e. more energetic…
Another slice of Reaktor based weirdness from the particle collider ensemble I am tentatively naming TMA-2.
You can't tell from how it sounds I guess but the latest development is that particle energy now governs velocity, i.e. more energetic…
Another slice of Reaktor based weirdness from the particle collider ensemble I am tentatively naming TMA-2.
You can't tell from how it sounds I guess but the latest development is that particle energy now governs velocity, i.e. more energetic…
Written and recorded as part of our family RPM project this year. :-D
13 year old Jasmine on vocals and ukulele.
We wrote and recorded 10 songs under the name Cattica. It was just the best month of lockdown imaginable.
This is the recording of my performance of Einaudi's 'I due fuimi' at the Littlewick Green church hall as part of the Cherry Garden Music winter concert.
It was played on a seemingly quite old Steinway concert grand. I aim to find out more…
This is from years ago, living in santa fe.
I loved driving around in my little 1980s toyota corolla and listening to cassettes. I loved the way they sounded.
So I took a piano song I was working on, recorded it to cassette, dragged mic…
Listening again and I actually really love the lo-fi almost accidental feel to this recording. Work of art. My one regret is that I can't double-favourite it.
With Big Time Operator, who originally uploaded his awesome music with the offer that anyone can add vocals...too good to miss! Love this music, and had loads of fun wailing. Thanks Chris!
Played on BBC Radio Introducing. :)
http://alonetone…
Thanks for the kind words both. Chris it is a pretty good idea but I can't take any credit for that, I got it from Pendle @ SoundDust. He uses it to build his Plastic Ghost Piano and I thought it sounded like something cool to play with.
No rhyme, no reason, just a colony of mournful machines piping their clangorous, grinding sonorisms at each other across an barren electronic landscape.
This will also be some of the source material that I will process later into something…
Has the feel of drifting effortlessly through different spaces. I like the sparseness and the use of a range of sounds. Geosonics looks like a great source material.
Comments on Mr Sandbags's stuff
Well done. I don't really have any suggestions about structure except to say don't get too hung up on it :-) I kind of think that the way this ebbs and flows is all the structure it needs.
@NebulonicAlchemy: I've no recollection of the conversation you're talking about. I use a lot of effects in Live and Logic so it doesn't sound like me. My point is about creating an arrangement where there is more control over sonic density. Particularly intense points should not be clustered together or they become overwhelming. I think the issue is with taking a single, long, piece of audio and trying to treat give it a different structure.
Your efforts to create space are interesting. I'm not sure I comprehend exactly what you mean. I believe you once said you dont' like using efx which comes with audio editing/recording sofware. Maybe this a route you may want to take?
This is full of great sounds mate very cool.
Wild sounds ... Great mix
ok....I think I did see that.
If you read my post in that thread I talked about one of my tracks being downloaded over & over again by Chinese spammers/spambots. This is that track.
wildgease and I were talking about play counts...he said he posts links to his songs on other pages...did you do that for this one? On what pages did you put the link for this song?
Reminds me of the voice of Shodan, the AI in the System Shock series of computer games. :)
I can definitely hear the Dune soundtrack in this. Nice work on the Reaktor instrument! It'll be interesting to hear what else you end up doing with it.
I like it....very...interesting..music that creates itself...in a way...
You should develop some iPhone/Pod apps like this. Cool.
The samples were not carefully chosen just a few random snippets I had lying around and some vocal samples I've been collecting for another project. I just needed something to feed into it.
i like the samples u used. What are they from??
I seriously think this could lead to not so silly things. Have you ever heard of the tribe of people...from thousands of years ago, who knew the EXACT orbital patterns of stars and planets they couldn't even see? Maybe this too..like MMI said...is a happy accident?
The idea came to me in a conversation as a kind of silly thing to do. I was thinking about how to mess with samples and the idea of slicing them and trigger them by collisions just popped into my head. At the moment the energy levels are fixed. One of the things to complete the model is for collisions to drain energy. Then I plan to add "warming" that is a constant influx of energy which will be controllable. Beyond that I really want to play with having the collision sequencer drive other things like a bank of oscillators. I'm also considering how it could sensibly output MIDI.
I was thinking that more outside variables would be interesting. I like the gravity well idea. So where did you get the idea for this? And...do energy levels change when there is a collision?
http://en.wikipedia.org/wiki/BBC_Radiophonic_Workshop
Loving your work with vox!
Great stuff mate this is very cool.
Comments made by Mr Sandbags
If anything can be very lovely, this is.
I like, especially the part around the 1m mark onwards, nice choice and mix of sounds, and nice outro a little haunting as 2starsho says.
Can you see this?
Lovely sound and beautiful vocals. I especially liked where it sounded like you were self-harmonizing.
Thanks Tess, that’s very kind :-)
I liked this until the voices cut in… then I loved it.
Listening again and I actually really love the lo-fi almost accidental feel to this recording. Work of art. My one regret is that I can't double-favourite it.
I have no idea why I thought "Edward Lear" and "Ring Modulator" in the same moment. Probably I shouldn't have.
Great track, music and vocals blend well.
Like this.
Interesting variety, works well.
Gets nice and dark around 3:15, I like it.
Love when it really kicks in at ~2:40, great stuff.
Thanks for the kind words both. Chris it is a pretty good idea but I can't take any credit for that, I got it from Pendle @ SoundDust. He uses it to build his Plastic Ghost Piano and I thought it sounded like something cool to play with.
Touché Igor :)
This is very sweet.
Hey this is pretty cool, totally trips along.
Oh I do love that guitar sound you got going and you know I like the loopin :)
Has the feel of drifting effortlessly through different spaces. I like the sparseness and the use of a range of sounds. Geosonics looks like a great source material.
Nice use of radio noise. Like it.