Another in my series of evolving sonic noise experiments.
The source for this piece was a recording from my latest Reaktor instrument [TMA-2](http://www.youtube.com/watch?v=lyEEW-tCNL4) with a sample map constructed from [Richard Devines](http…
Well done. I don't really have any suggestions about structure except to say don't get too hung up on it :-)
I kind of think that the way this ebbs and flows is all the structure it needs.
Another in my series of evolving sonic noise experiments.
The source for this piece was a recording from my latest Reaktor instrument [TMA-2](http://www.youtube.com/watch?v=lyEEW-tCNL4) with a sample map constructed from [Richard Devines](http…
@NebulonicAlchemy: I've no recollection of the conversation you're talking about. I use a lot of effects in Live and Logic so it doesn't sound like me.
My point is about creating an arrangement where there is more control over sonic density. Particularly intense points should not be clustered together or they become overwhelming.
I think the issue is with taking a single, long, piece of audio and trying to treat give it a different structure.
Another in my series of evolving sonic noise experiments.
The source for this piece was a recording from my latest Reaktor instrument [TMA-2](http://www.youtube.com/watch?v=lyEEW-tCNL4) with a sample map constructed from [Richard Devines](http…
Your efforts to create space are interesting. I'm not sure I comprehend exactly what you mean. I believe you once said you dont' like using efx which comes with audio editing/recording sofware. Maybe this a route you may want to take?
Another in my series of evolving sonic noise experiments.
The source for this piece was a recording from my latest Reaktor instrument [TMA-2](http://www.youtube.com/watch?v=lyEEW-tCNL4) with a sample map constructed from [Richard Devines](http…
Another in my series of evolving sonic noise experiments.
The source for this piece was a recording from my latest Reaktor instrument [TMA-2](http://www.youtube.com/watch?v=lyEEW-tCNL4) with a sample map constructed from [Richard Devines](http…
I'm not quite sure where I was going with this. I love the Abaska Bong sound and was trying to pair it with something complementary. After going through some truly weird combinations I came up with this.
I'm not quite sure where I was going with this. I love the Abaska Bong sound and was trying to pair it with something complementary. After going through some truly weird combinations I came up with this.
If you read my post in that thread I talked about one of my tracks being downloaded over & over again by Chinese spammers/spambots. This is that track.
I'm not quite sure where I was going with this. I love the Abaska Bong sound and was trying to pair it with something complementary. After going through some truly weird combinations I came up with this.
wildgease and I were talking about play counts...he said he posts links to his songs on other pages...did you do that for this one? On what pages did you put the link for this song?
Another slice of Reaktor based weirdness from the particle collider ensemble I am tentatively naming TMA-2.
You can't tell from how it sounds I guess but the latest development is that particle energy now governs velocity, i.e. more energetic…
This is made with a very experimental Reaktor instrument I am building.
It uses a very simple particle collision model with 64 particles in a 100x100 box. When two particles collide they trigger a sampler to play a slice of either of two samples…
I can definitely hear the Dune soundtrack in this. Nice work on the Reaktor instrument! It'll be interesting to hear what else you end up doing with it.
Another slice of Reaktor based weirdness from the particle collider ensemble I am tentatively naming TMA-2.
You can't tell from how it sounds I guess but the latest development is that particle energy now governs velocity, i.e. more energetic…
Another slice of Reaktor based weirdness from the particle collider ensemble I am tentatively naming TMA-2.
You can't tell from how it sounds I guess but the latest development is that particle energy now governs velocity, i.e. more energetic…
Another slice of Reaktor based weirdness from the particle collider ensemble I am tentatively naming TMA-2.
You can't tell from how it sounds I guess but the latest development is that particle energy now governs velocity, i.e. more energetic…
The samples were not carefully chosen just a few random snippets I had lying around and some vocal samples I've been collecting for another project. I just needed something to feed into it.
Another slice of Reaktor based weirdness from the particle collider ensemble I am tentatively naming TMA-2.
You can't tell from how it sounds I guess but the latest development is that particle energy now governs velocity, i.e. more energetic…
Another slice of Reaktor based weirdness from the particle collider ensemble I am tentatively naming TMA-2.
You can't tell from how it sounds I guess but the latest development is that particle energy now governs velocity, i.e. more energetic…
I seriously think this could lead to not so silly things. Have you ever heard of the tribe of people...from thousands of years ago, who knew the EXACT orbital patterns of stars and planets they couldn't even see? Maybe this too..like MMI said...is a happy accident?
Another slice of Reaktor based weirdness from the particle collider ensemble I am tentatively naming TMA-2.
You can't tell from how it sounds I guess but the latest development is that particle energy now governs velocity, i.e. more energetic…
The idea came to me in a conversation as a kind of silly thing to do. I was thinking about how to mess with samples and the idea of slicing them and trigger them by collisions just popped into my head.
At the moment the energy levels are fixed. One of the things to complete the model is for collisions to drain energy. Then I plan to add "warming" that is a constant influx of energy which will be controllable.
Beyond that I really want to play with having the collision sequencer drive other things like a bank of oscillators. I'm also considering how it could sensibly output MIDI.
Another slice of Reaktor based weirdness from the particle collider ensemble I am tentatively naming TMA-2.
You can't tell from how it sounds I guess but the latest development is that particle energy now governs velocity, i.e. more energetic…
I was thinking that more outside variables would be interesting. I like the gravity well idea. So where did you get the idea for this? And...do energy levels change when there is a collision?
Another slice of Reaktor based weirdness from the particle collider ensemble I am tentatively naming TMA-2.
You can't tell from how it sounds I guess but the latest development is that particle energy now governs velocity, i.e. more energetic…
Another slice of Reaktor based weirdness from the particle collider ensemble I am tentatively naming TMA-2.
You can't tell from how it sounds I guess but the latest development is that particle energy now governs velocity, i.e. more energetic…
Another slice of Reaktor based weirdness from the particle collider ensemble I am tentatively naming TMA-2.
You can't tell from how it sounds I guess but the latest development is that particle energy now governs velocity, i.e. more energetic…
One of four tracks I did for the August 2009 24 hour challenge. This was the last track I did, and it shows.
I was pretty tired after finishing 3am chill, and had to mess round for ages mangling loops and trying out different things before…
One of four tracks I did for the August 2009 24 hour challenge. This was the last track I did, and it shows.
I was pretty tired after finishing 3am chill, and had to mess round for ages mangling loops and trying out different things before…
One of four tracks I did for the August 2009 24 hour challenge. This was the first track I did, when I was still fresh.
I'd wanted to play around with Guitar Rig 3 since getting it at the weekend. The guitars are ableton loops mangled with guitar…
One of four tracks I did for the August 2009 24 hour challenge. This was the second track I did.
I'm an old trance head, so I had to have a go at making a trance tune during the 24 hours. This had the advantage that I could stretch out the breakdown…
One of four tracks I did for the August 2009 24 hour challenge. I'd just finished the trance track, it was 3am, and I wanted something completely different.
It's 110bpm, the piano is NI AkousticPiano Steingraber 130. The bass and organ are done…
This is quite an old track that got abandoned because I didn't feel it was right or going anywhere.
But listening to it in iTunes this morning I thought it passed muster. I don't think it has enough variation to justify it's length but it's gently…
Click on "View More" button to see video.
instrumentation:
Mostly electric guitar and violin bow. The end is accompanied by my blubbing and a haunting sound recorded by Sudara (an ebow against what I think is a piano string... he'll have…
![a photo](http://i52.photobucket.com/albums/g9/iloveglu/Picture141.png)
MMi's Voices
http://alonetone.com/mmi/tracks/voices-3
MMi wrote the song. I programmed percussion, recorded tabla and vocals.
This is the first public output after going through about 40% of nickstutorials.com sound design series.
All the sounds started off with my sampling myself either saying something, clicking my fingers or clapping. They were recorded through…
A morning storm recorded in the courtyard and a musical motif written in the evening. combined time working-- 45 minutes, interrupted by a phone call from the parents to see if I was still alive.
Ambient guitar with generous reverb served up on a bed of glitched up vocal samples.
Boring technical details:
Puremagnetik voxbox micropak came with a bunch of vocal clips. I put them all into live and gave them all follow actions to play…
an exposition,traditional,of the raga ,bilaskani todi,transformed into a slightly dark ambient piece of music,exploring musical landscapes,inspired by a scenario,as if for a film,which my music normallt is.
This track started off with an idea. The idea was an instrument setup such that I could play a single note, or octave and have arps and stuff built it up...
I failed in that experiment by getting carried down the add more effects road and before…
I decided to focus by timeboxing the amount of time I spent on drums, bass and lead into 30 min sections based on the pomodoro technique. The idea was to spend 5 mins picking the sound for each part, then 25 mins making some loops with it to arrange…
Just realized I wasn't following you so I hadn't noticed your latest track. It's got some lovely, ethereal, sounds in here and a beat that really carries it along. Cool track. So, it's been nearly two weeks, when can we expect Pomodoro 2? :)
Increasingly I think the music I am making is less about sound design and more about expressing some of the things inside of me that want out. I guess I may be starting to know what I want.
This one started with a beat (using Stylus RMX to…
Increasingly I think the music I am making is less about sound design and more about expressing some of the things inside of me that want out. I guess I may be starting to know what I want.
This one started with a beat (using Stylus RMX to…
Comments on Mr Sandbags's stuff
Well done. I don't really have any suggestions about structure except to say don't get too hung up on it :-) I kind of think that the way this ebbs and flows is all the structure it needs.
@NebulonicAlchemy: I've no recollection of the conversation you're talking about. I use a lot of effects in Live and Logic so it doesn't sound like me. My point is about creating an arrangement where there is more control over sonic density. Particularly intense points should not be clustered together or they become overwhelming. I think the issue is with taking a single, long, piece of audio and trying to treat give it a different structure.
Your efforts to create space are interesting. I'm not sure I comprehend exactly what you mean. I believe you once said you dont' like using efx which comes with audio editing/recording sofware. Maybe this a route you may want to take?
This is full of great sounds mate very cool.
Wild sounds ... Great mix
ok....I think I did see that.
If you read my post in that thread I talked about one of my tracks being downloaded over & over again by Chinese spammers/spambots. This is that track.
wildgease and I were talking about play counts...he said he posts links to his songs on other pages...did you do that for this one? On what pages did you put the link for this song?
Reminds me of the voice of Shodan, the AI in the System Shock series of computer games. :)
I can definitely hear the Dune soundtrack in this. Nice work on the Reaktor instrument! It'll be interesting to hear what else you end up doing with it.
I like it....very...interesting..music that creates itself...in a way...
You should develop some iPhone/Pod apps like this. Cool.
The samples were not carefully chosen just a few random snippets I had lying around and some vocal samples I've been collecting for another project. I just needed something to feed into it.
i like the samples u used. What are they from??
I seriously think this could lead to not so silly things. Have you ever heard of the tribe of people...from thousands of years ago, who knew the EXACT orbital patterns of stars and planets they couldn't even see? Maybe this too..like MMI said...is a happy accident?
The idea came to me in a conversation as a kind of silly thing to do. I was thinking about how to mess with samples and the idea of slicing them and trigger them by collisions just popped into my head. At the moment the energy levels are fixed. One of the things to complete the model is for collisions to drain energy. Then I plan to add "warming" that is a constant influx of energy which will be controllable. Beyond that I really want to play with having the collision sequencer drive other things like a bank of oscillators. I'm also considering how it could sensibly output MIDI.
I was thinking that more outside variables would be interesting. I like the gravity well idea. So where did you get the idea for this? And...do energy levels change when there is a collision?
http://en.wikipedia.org/wiki/BBC_Radiophonic_Workshop
Loving your work with vox!
Great stuff mate this is very cool.
Comments made by Mr Sandbags
Great 24hr album octo!
Trippy, reminds me of days long gone :)
Love this track! The intro is especially great, really hooked me into it.
Enjoyed this one a lot. Simple beat but some great sounds and variations to keep it going.
This has a great, laid back vibe. I love the organs (must check out B4) and the horns. Sweet.
glu: :)
Sister is so cheap, not buying herself a thesaurus, that she has to steal "WOW!" from me... hands off! WOW! :)
Dreamy :)
This is awesomely impressive man.
Cool sound.
Sounds like film music, reminiscent of a western. Right now I'd like to be the hero striding into that storm because it is too HOT!
This one grew on me as it went along. The 'verbed guitars are very nice. I expect to hear more of them in due course ;-)
Good music to code to, kinda reminds me of Zatôichi.
Lovely, too short :)
Love this one.
Beautiful. Just beautiful.
Wow. Beautiful, grimy, like someone giving a last salute to a barge full of gravel going over a waterfall.
Just realized I wasn't following you so I hadn't noticed your latest track. It's got some lovely, ethereal, sounds in here and a beat that really carries it along. Cool track. So, it's been nearly two weeks, when can we expect Pomodoro 2? :)
And thank you all guys. It's great to get feedback :)
MM: Well ... it hadn't occurred to me but I did just buy my first dub album and listen to it today ... maybe it did influence me.